Noriko is 27 years old and is still living with her father Somiya, a widower. Noriko just recovered from an illness she developed in the war, and now the important question pops up: when will Noriko start thinking about marriage? Everybody who is important in her life tries to talk her into it: her father, her aunt, a girlfriend. But Noriko doesn't want to get married, she seems extremely happy with her life. She wants to stay with her father to take care of him. After all, she knows best of his manners and peculiarities. But Noriko's aunt doesn't want to give up. She arranges a partner for her and thinks of a plan that will convince Noriko her father can be left alone.Written by
Arnoud Tiele (firstname.lastname@example.org)
LATE SPRING is another insightful look at 20th century Japanese life by master film-maker Yasujiro Ozu. A really perfect film. A great script that centres around a wonderful father/daughter dynamic as it probes into generational gaps, tradition, marriage and life during the reconstruction of post-war Japan. Beautiful acting by Chishu Ryu and Setsuko Hara bring to life screenwriter Kôgo Noda's realistically written characters. As always Ozu threats both his audience and characters with the respect they deserve. The image of Setsuko Hara in her wedding clothes is certainly one of cinema's most beautiful and touching moments. A genuine masterpiece!
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