Noriko is 27 years old and is still living with her father Somiya, a widower. Noriko just recovered from an illness she developed in the war, and now the important question pops up: when will Noriko start thinking about marriage? Everybody who is important in her life tries to talk her into it: her father, her aunt, a girlfriend. But Noriko doesn't want to get married, she seems extremely happy with her life. She wants to stay with her father to take care of him. After all, she knows best of his manners and peculiarities. But Noriko's aunt doesn't want to give up. She arranges a partner for her and thinks of a plan that will convince Noriko her father can be left alone.Written by
Arnoud Tiele (firstname.lastname@example.org)
The occupying American forces in Japan following World War II censored two specific lines in the script regarding the main character's health and the state of Tokyo. Director Ozu was forced to change these lines in the film. See more »
A camera/dolly shadow is visible on the sidewalk as it follows Noriko walking. See more »
Men are no good. They're devious. Before marriage they only show their good side, but once they have you, everything awful comes out. Even if you marry for love, you never know what you're getting.
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"Late Spring" (Japanese, 1949): Every time I see another Yasujiro Ozu film, I am more amazed and further impressed. As a director, he was a master of understated elegance. Think of him as a moving wood block print, or an extended Haiku poem. His images, symbols, photography, composition, editing, dialog, story they're all controlled to a masterful degree, and patiently lead you from one point to another. "Late Sprint" is the story about an older daughter who has never left her father. She is completely satisfied to stay at home caring for him (the mother died many years earlier). Everyone is concerned about her, applies pressure, and she resists. The father realizes it is he alone who might convince her to enter Life on new terms. Do NOT take Ozu's landscapes and city scenes as mere non-story scenery. Instead, watch for them to represent current conditions, emotions, and truths.
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