In post-World War II Berlin, the British Susanne Mallison travels to Berlin to visit her older brother Martin Mallison, a military man who married German Bettina Mallison. The naive Susanne... See full summary »
A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
Johnny McQueen, leader of a clandestine Irish organization, has been hiding in the house of Kathleen and her mother, planning a hold-up that will provide his group with the funds needed to continue its activities. During the hold-up, things go sour: Johnny is wounded, cannot make it back to the hideout, and disappears in the back-alleys of Belfast. Immediately, a large-scale man-hunt is launched, and the city is tightly covered by the constabulary, whose chief is intent on capturing Johnny and the other members of the gang. Kathleen sets out in search of Johnny.Written by
Eduardo Casais <email@example.com>
The framed print hanging on the wall in Father Tom's foyer, just off the vestry, is entitled Ecce Homo by Rembrandt van Rijn. Father Tom must have been quite an art lover. Above his fireplace hung a print of The Angel's Head from the (London, National Gallery) Virgin of the Rocks, painted 1506-08, by Leonardo Da Vinci, not to be confused with (Louvre) Virgin of the Rocks, painted 1482-03, also by Leonardo Da Vinci. See more »
When Johnny's three friends are fleeing the police, they run into a little square with a grocer's shop. The shop and the windows above it are lit up. As they run past it, a blind in the left-hand upper window is pulled down. Later, when Dennis tries to draw the police away from Johnny, he runs past the same shop. It can be seen that the blind is now back up again. See more »
"Odd Man Out" is far more than just a very good "cops and robbers" movie, although it can hold its own with most. Beneath that is a deep psychological drama as Johnny McQueen, an IRA rebel, wounded in a holdup, is pursued by police, his own gang, and several unsavory characters. McQueen becomes less of a man and more symbol to his hunters. He is viewed as a martyr, meal ticket, and art project. Robert Newton is excellent in his role as a half-mad artist who wants to hold Johnny just long enough to paint the expression in the eyes of a dying man. Intensely suspenseful, set in the working-class neighborhoods and slums, the gray atmosphere compliments the plot perfectly. One of James Mason's finest.
51 of 56 people found this review helpful.
Was this review helpful to you?
| Report this