A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
P.I. Philip Marlowe's hired by a wealthy general to find out and stop his daughter, Carmen from being blackmailed over gambling debts, Marlowe finds himself deep within a web of love triangles, blackmail, murder, gambling, and organised crime. With help from Vivian (another of the general's daughters), Marlowe hatches a plot to free the family from this web and trap the real culprit.Written by
Of the many ways Hollywood hid Bogart's small stature, two are shown heavily in this film: the women all wear flats (unusual at the time) and Bacall slouching in the car's passenger seat when she had no reason (hiding). See more »
When Bogart is in the house with the beaded curtain, the curtain is always completely still even after a very short time of passing through it. The first time Bogart goes into the bedroom and out again, you can see the curtain continue to move for a certain duration. His movements past the curtain should have them moving each time he comes back out of the bedroom because that duration is less than the first time. See more »
When Marlowe asks the Acme Book store employee if she knows anything about rare books, she is holding a pencil with the pointed writing edge pointing toward Marlowe. But on the very next cut after she answers, "You could try me", the eraser edge of the pencil is now pointing toward Marlowe. See more »
Both the preview version and the theatrical release are available on DVD. The running times of each are similar but there are actually over 20m of differences between the two versions - the impact of the changes is to beef up the Bogart/Bacall romance angle and make it much sexier. The preview version comes across as much duller than the better-known theatrical release print which has been made a genuine classic by the re-shooting and re-editing. The major differences are:
preview version has extra footage of Bogart searching Geiger's house where he has found Bacall's sister in a drugged state. This doesn't reveal any new information and was deleted for pacing reasons in the theatrical print.
preview version has different footage when Bogart takes the drugged sister back to her mansion. Theatrical print removes some of this and replaces it with a new scene set in Bacall's bedroom in which she and Bogie exchange some great, racy dialogue. This new scene considerably alters the tone of the film.
preview version has a scene in which Bacall visits Bogie's office wearing a veil and they talk a lot. Bacall's agent particularly objected to this veil. The theatrical print removes the scene entirely and replaces it with a new one with the couple set in a restaurant which has much sexier dialogue and innuendo (to do with racehorses among other things).
the preview version has a long-ish dialogue scene in the DA's office which explains a lot of the plot details although it goes on too long and slows the film's pace. Scene has been removed entirely from the theatrical print.
the theatrical print has an additional scene in which Bacall's psycho sister tries to seduce Bogie in his apartment. He rebuffs her. This scene was in the original novel and is important in explaining who really killed the chauffeur. In the preview print, the absence of this scene makes it unclear why Bogie knows that the sister is a psychopath at the finale.
the scene in which Bogie is tied up with Bacall and Eddie Mars' wife was completely re-shot for the theatrical release with a different actress playing Mars' wife. The theatrical release edit emphasizes the Bacall/Bogie pairing more and has additional close-ups of Bacall.
Classic Film-Noir. Murder and mayhem; and a private dick that doesn't quit.
Howard Hawks directs Raymond Chandler's novel on the silver screen. None other than William Faulkner is primary screenplay writer. Bogart and Bacall star in this grand black and white thriller. Private eye Philip Marlowe(Bogart)is hired by a very wealthy family to protect a young woman from her own indiscretions and along the way there is murder, blackmail, car chases and gun play to deal with. Right smack in the middle of this complex case Marlowe finds time to fall in love with his client's eldest daughter(Bacall). Murder galore does not phase our cool detective with the cigarette hanging from his thin lips.
Flawless acting from Bogart and Bacall. There is a very talented supporting cast that includes Regis Toomey, Martha Vickers, Elisha Cook Jr., Bob Steele and John Ridgely. Then there is the charming Dorothy Malone that sizzles in her short time on screen. Very witty dialogue and colorful characters make this a classic among classics.
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