Texan farmers the Frake family head for the Texas State Fair in Dallas. The parents are focused on winning the competitions for livestock and cooking. However, their restless daughter Margy and her brother Wayne meet attractive new love interests.
An ex-husband and wife team star in a musical version of 'The Taming of the Shrew'; off-stage, the production is troublesome with ex-lovers' quarrels and a gangster looking for some money owed to them.
Farm family Frake, with discontented daughter Margy, head for the Iowa State Fair. On the first day, both Margy and brother Wayne meet attractive new flames; so does father's prize hog, Blue Boy. As the fair proceeds, so do the romances; must lovers separate when the fair closes?Written by
Rod Crawford <firstname.lastname@example.org>
Dana Andrews' singing was dubbed by Ben Gage, who at one time was married to Esther Williams. See more »
During the penultimate scene (the veranda scene), Wayne Frake leaves the house. As he leaves, stepping off the veranda, the camera tracks right, and the shadow of the boom mic appear on the wall of the house as Wayne continues to move off set. See more »
OK, first, let's get the unimportant things out of the way. The 1945 musical remake of "State Fair" is indeed as corny as one might imagine (appropriate, perhaps, considering that Iowa, where the film transpires, is, according to the state song, "where the tall corn grows"). But it also features a cute story, concerning a farm family's visit to the eponymous fair; some sweet and unfailingly catchy tunes by Rodgers & Hammerstein; gorgeous, supersaturated Technicolor filming; and some amusing characters and situations. Now, then, for the important stuff: Jeanne Crain. Oh my gosh, IMDb viewers, you cannot believe how incredibly beautiful Ms. Crain is in this movie; truly, the idealized representation of the all-American girl, and the quintessence of pulchritudinous muliebrity. Her Margie Frake character just might be the prettiest gal I've ever seen in a movie, and she makes this musical, for me, something very special. That same year, Crain appeared in the Gene Tierney vehicle "Leave Her to Heaven," and managed the near-impossible task of even looking better than Tierney at her best. Why our GI's during WW2 hung up pictures of the comparatively dowdy Betty Grable and Rita Hayworth in their lockers, instead of Jeanne Crain, is a mystery to me. Anyway, if you think I'm going overboard here, rent out "State Fair" one night and put it to the test. If you don't find yourself freezing the images of Jeanne Crain a half dozen times to admire her remarkable looks, I would suggest a visit to your local doctor, as you might be half dead...
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