During WWII several murders occur at a convalescent home where Dr. Watson has volunteered his services. He summons Holmes for help and the master detective proceeds to solve the crime from ... See full summary »
When a Nazi saboteur jeeringly predicts to the nation new depredations, via their radio 'Voice of Terror', the Intellegence Inner Council summons Sherlock Holmes (Basil Rathbone) to help in... See full summary »
Sherlock Holmes investigates when young women around London turn up murdered, each with a finger severed. Scotland Yard suspects a madman, but Holmes believes the killings to be part of a diabolical plot.
When the fabled Star of Rhodesia diamond is stolen on a London to Edinburgh train and the son of its owner is murdered, Sherlock Holmes must discover which of his suspicious fellow passengers is responsible.
Sherlock Holmes takes on a case that the press has dubbed the pajama suicides. Eminent men are going to bed in the safety of their own homes, with everything seemingly being normal, only to commit suicide in the night. Holmes fakes his own death in the hopes of giving him a freer hand in the investigation and is convinced that a woman, a female Moriarty as he describes her, is behind the deaths. The dead men were all eminent and very wealthy. He impersonates a wealthy retired Indian military officer in the hope of drawing out the woman and he soon meets Adrea Spedding but she quickly sees through his disguise and proves herself to be the challenge Holmes predicted she would be. She is a worthy adversary and soon traps him setting him up in a carnival shooting gallery that seems to assure his death.Written by
At one point Holmes says to Watson, "If you ever see me getting too sure again, fancying myself more clever then Adrea Spedding, just whisper one word to me: pygmy." This line was inspired by the short story "The Adventure of the Yellow Face," in which Holmes tells Watson, "If it should ever strike you that I am getting a little over-confident in my powers, or giving less pains to a case than it deserves, kindly whisper 'Norbury' in my ear, and I shall be infinitely obliged to you." See more »
Adam Gilflower is summoned by Holmes to identify the dead spider because, says Holmes, "I believe you know more about spiders than any man in London." Gilflower identifies the spider, but incorrectly observes that it is "the deadliest insect known to science." See more »
Read all about the pyjama suicide. Here you are, governor. Thank you, sir. Thank you. Read all about it, another pyjama suicide.
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The "hopping boy" with cat-quick reflexes is one of the most unusual and unsettling figures of the decade. I don't think I've ever seen such an imaginative and offbeat use of a young person in any other movie. The film itself has many imaginative touches, but among them, it's that bizarre little "hop" (never explained, and neither is the boy) that's so memorable. He's a perfect adjunct to the leeringly evil Adrea (Sondergaard) who looks like she's having a delicious time playing cat-and-mouse with the tricky Sherlock (Rathbone). In fact, their devious encounters are models of beautifully "layered" acting as each has several things going on internally at the same time. She's a perfect foil for the master detective, with a flashy smile that says one thing while her eyes say another. Too bad the imperious Sondergaard was lost to the blacklist of the early 50's.
I never did figure out just how the pygmy (Angelo Rossito in blackface) fit into the suicide scheme, but that's okay because the movie has so many intriguing touches, including the highly contrived but suspenseful climax. Even Hoey's Inspector Lestrade is wisely restrained, and when he walks off proudly arm-in-arm with the eye-catching Adrea at the end, it's a rather charming little moment. I guess my only complaint is with the poorly done process shot of the raging river that contrasts starkly with the well-stocked foreground. Nonetheless, this is one of the most imaginative entries of any detective series of the period.
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