Sir Alfred De Carter (Sir Rex Harrison) suspects his wife of infidelity. While conducting a symphony orchestra, he imagines three different ways of dealing with the situation. When the ... See full summary »
When the co-workers of an ambitious clerk trick him into thinking he has won $25,000 in a slogan contest, he begins to use the money to fulfill his dreams. What will happen when the ruse is discovered?
Temperamental saloon singer Freddie Jones, jealously shoots at her cheating boyfriend Blackie but mistakenly hits Judge Alfalfa J. O'Toole's honorable behind, forcing her to skip town under the guise of a schoolteacher.
Twenty years after his triumphs as a freshman on the football field, Harold is a mild-mannered clerk who dreams about marrying the girl at the desk down the aisle. But losing his job ... See full summary »
Trudy Kockenlocker, a small-town girl with a soft spot for American soldiers, wakes up the morning after a wild farewell party for the troops to find that she married someone she can't remember--and she's pregnant. Norval Jones, the 4-F local boy who's been in love with Trudy for years, tries to help her find a way out of her predicament. Trudy complicates matters further by falling for Norval, and events snowball from there.Written by
James Meek <email@example.com>
Because he could not afford to spend a lot of time on set-ups, Preston Sturges chose John Seitz, who had worked on the lengthy opening to Sullivan's Travels (1941), as cinematographer. He knew he could count on Seitz to shoot long continuous scenes of dialogue and unbroken tracking shots without needing to stop and discuss them. See more »
When Norval and Mr. Kockenlocker are sitting on the front porch talking, Mr. Kockenlocker is cleaning his gun. He has an automatic pistol, he cocks it to open the chamber for cleaning, and in the next scene he cocks it again. See more »
The trouble with kids is they always figure they're smarter than their parents - never stop to think if their old man could get by for 50 years and feed 'em and clothe 'em - he maybe had something up here to get by with - things that seem like brain twisters to you might be very simple for him.
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From the very start they're off and running. Even under the opening credits cast members are seen frantically gesticulating and flailing. And the movie has hardly begun.
So what's to be done with the next 98 minutes, if one begins climatically sweating and pulsating? Ease up the pace a bit to allow viewer to catch his breath?
Not Director Sturges: he continues to plow through this comedy at breakneck speed, as though any repose might prove fatal.
We get two super energetic starts--Bracken and Hutton--and a cast of obedient supports obeying the eager director's every frenetic command. We end with one of the screwiest screwball comedies of the forties.
This film has acquired a devoted following of supporters who find "Morgan's Creek" very funny, along with a goodly number of detractors, who see it as an essentially strained and bloated one-joke yarn.
As usual, Sturges makes sharp social comments along the way and handles large groups with Capraesque skill. But that he manages to maintain his unrelentingly breathless pace throughout the shoot may be the real miracle of Morgan's Creek.
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