7.1/10
9,427
71 user 38 critic

Going My Way (1944)

Passed | | Comedy, Drama, Music | 2 October 1944 (Brazil)
Father Charles O'Mailey, a young priest at a financially failing Church in a tough neighborhood, gains support and inspires his superior.

Director:

Leo McCarey

Writers:

Frank Butler (screenplay), Frank Cavett (screenplay) | 1 more credit »
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Won 7 Oscars. Another 11 wins & 4 nominations. See more awards »

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Cast

Complete credited cast:
Bing Crosby ... Father Chuck O'Malley
Barry Fitzgerald ... Father Fitzgibbon
Frank McHugh ... Father Timothy O'Dowd
James Brown ... Ted Haines Jr.
Gene Lockhart ... Ted Haines Sr.
Jean Heather ... Carol James
Porter Hall ... Mr. Belknap
Fortunio Bonanova ... Tomaso Bozanni
Eily Malyon ... Mrs. Carmody
The Robert Mitchell Boy Choir The Robert Mitchell Boy Choir ... Choir (as Robert Mitchell Boychoir)
Risë Stevens ... Genevieve Linden
Edit

Storyline

Youthful Father Chuck O'Malley led a colorful life of sports, song, and romance before joining the Roman Catholic clergy, but his level gaze and twinkling eyes make it clear that he knows he made the right choice. After joining a parish, O'Malley's worldly knowledge helps him connect with a gang of kids looking for direction and handle the business details of the church-building fund, winning over his aging, conventional superior, Father Fitzgibbon. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

In love with love! Jim Brown and Jean Heather! See more »

Genres:

Comedy | Drama | Music | Musical

Certificate:

Passed | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

2 October 1944 (Brazil) See more »

Also Known As:

Der Weg zum Glück See more »

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Box Office

Gross USA:

$16,300,000
See more on IMDbPro »

Company Credits

Production Co:

Paramount Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Earned $16.3 million on its initial run, a huge amount for the time. See more »

Goofs

Shadow of mic visible behind Ted when Father O'Malley goes to Carol's apartment. See more »

Quotes

Ted Haines Sr.: Where have you been the last two weeks?
Ted Haines Jr.: Well, dad, I've been in a blue heaven dancing on a pink cloud. She came in on a moonbeam.
Ted Haines Sr.: That's a lie. I had you followed.
Ted Haines Jr.: That wasn't cricket, dad. When you were my age, I didn't follow you around.
See more »

Alternate Versions

Since Paramount could not get the European copyright clearance for Bizet's "Carmen," an additional sequence was shot from Smetana's "The Bartered Bride" which replaced Carmen for foreign prints. See more »

Connections

Featured in The Life and Times of Hank Greenberg (1998) See more »

Soundtracks

Silent Night, Holy Night
(1818) (uncredited)
Music by Franz Xaver Gruber
Lyrics by Joseph Mohr
English lyrics anonymous
Sung by Bing Crosby with The Robert Mitchell Boy Choir
See more »

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User Reviews

 
A movie that really sneaks up on you
27 August 2002 | by scgary66See all my reviews

It's an easily underrated movie, particularly because it flatly refuses to do most of the things that people expect movies to do today; there's a defiant unwillingness to slip into easy melodrama (though I often like melodrama), or to spend too much time on comedy, etc. The movie won't pigeonhole itself, and I think this leads to its secret - at heart, it really intends to be about what it's like to be a priest. You CAN'T pigeonhole yourself in that role, because you can't possibly know what's coming up, or really keep perfect track of all the different threads of a community at the same time. You have to take things as they come, and this movie really does that all the way through.

And there's also a sense of the wistfulness that comes from giving up that "plot-driven" style of living - in the scenes where Crosby visits his old girlfriend, there's a tangible awareness on both sides that they don't really know what happened to the "plot" of their relationship - they just took things as they came, and it really turned out OK for both of them. Most of the movie's separate narrative threads are left off, and returned to, almost at random - and the main focus on the relationships between the characters is what ends up shining through as intended.

A lot of the film is spent on scenes that seem kind of inconsequential at the time (like most of everyday life), but they invariably lead to a payoff later in the film. There's a shot of Gene Lockhart watching his son leave - a silent shot that just holds on a medium shot of the father, watching his expression for about 10 seconds - that I found absolutely sublime in its effectiveness. To me, that single shot justifies the half dozen scenes that led to it. Ultimately, the movie is almost happy to laugh at the audience for being so eager to expect more of a story. As one character aptly says,"Schmaltz is in this year"; the people behind this movie KNOW that a lot of people will want to dismiss it, but won't let them off the hook so easily. It's looks deceptively simple to make a film this easygoing and yet moving. (Capra tried it later in his career, sometimes with Crosby, and yet he couldn't pull it off.)

The Oscar win is OK, though I think Double Indemnity should have won, and I also like The Miracle of Morgan's Creek a lot more as well (THE SPOTS!!!); but Going My Way belonged in the top 5 that year, along with Laura and I'm-not-sure-what-else. (Gaslight, maybe?) And I'll note that I do like the "sequel," The Bells of St. Mary's (actually written first), a little better, too.

But as I wrote in the summary, this one really sneaks up on you; the last scenes prove much more moving than you expect, and the ending of the film - while initially seeming abrupt - leaves you suddenly saying, "Of course - it's perfect." Just moving on.......

9 of 10

P.S. Is it really set in New York? That's never said, and there's so much talk of St. Louis that I think that more accurate a guess. The "Metropolitan Opera House" is mentioned, but that's a generic-sounding name. Honestly, I think they went to great effort to make it as unrooted in a single locale as possible.


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