The Glass Key (1942) - News Poster



Full Release Details for Scream Factory’s Blu-ray Releases of Quatermass II and Quatermass And The Pit

Just as there have been many spooky villains in Hammer movies over the years, there have also been many protagonists who protect our world from unholy horrors. Having appeared in several British serials and three movies, Professor Bernard Quatermass is one such hero, and Scream Factory is celebrating the iconic character by releasing Quatermass 2 and Quatermass and the Pit on respective Blu-rays. Originally slated to come out in May, the Blu-rays are now scheduled for a July 30th release, and we've been provided with the full list of special features.

Press Release: Hobbs End, Knightsbridge, London. While working on a new subway tunnel for the London Underground, a group of construction workers uncover a strangely shaped skull. Nearby, another discovery: a large, mysterious and impenetrable metal object. Initially mistaken for an unexploded bomb, the object and its strange power turn out to be far more horrific than anybody could have possibly imagined.
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Hell on Frisco Bay

I tell you it’s rough out there on Frisco Bay, especially when you say the word ‘Frisco’ within earshot of a proud San Francisco native. This Alan Ladd racketeering tale could have been written twenty years earlier, but it has Warner Color and the early, extra-wide iteration of the new movie attraction CinemaScope.

Hell on Frisco Bay


Warner Archive Collection

1955 / Color / 2:55 widescreen Academy / 98 min. / Street Date , 2017 / available through the WBshop / 21.99

Starring: Alan Ladd, Edward G. Robinson, Joanne Dru, William Demarest, Paul Stewart, Perry Lopez, Fay Wray, Nestor Paiva, Willis Bouchey, Anthony Caruso, Tina Carver, Rod(ney) Taylor, Jayne Mansfield, Mae Marsh, Tito Vuolo.

Cinematography: John F. Seitz

Film Editor: Folmar Blangsted

Stunts: Paul Baxley

Original Music: Max Steiner

Written by Martin Rackin, Sydney Boehm from a book by William P. McGivern

Produced by George C. Berttholon, Alan Ladd

Directed by Frank Tuttle

Alan Ladd had always been
See full article at Trailers from Hell »

Watch: 3-Minute Video Makes Side-By-Side Comparison Of ‘Yojimbo’ And ‘A Fistful Of Dollars’

From a postmodernist perspective, perhaps there is nothing left to art but the deconstruction of what’s already been created, piecing together the ideas of those you admire. In that case, then perhaps Sergio Leone was ahead of his time in 1964 when he made “A Fistful of Dollars,” the first film in the spaghetti western 'Dollars' trilogy, which was in fact a remake of Akira Kurosawa’s 1961 samurai epic “Yojimbo." Read More: 13 Essential Female-Lead Westerns By the same hand, Kurosawa adapted ideas from Dashiell Hammett’s brilliant novel “Red Harvest,” though he claims he modeled the film after “The Glass Key,” but historians — and myself as a reader of both books — beg to differ. In “Red Harvest” the protagonist — who comes to a small town trying to stop the corruption amongst local gangs and the law — has no name, thus inspiring the mysterious leads in both Kurosawa and Leone’s films.
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Happy Birthday Veronica Lake, Hollywood's quintessential femme fatale

Happy Birthday Veronica Lake, Hollywood's quintessential femme fatale
If there’s a name synonymous with femme fatale and scene-stealer, it’s Old Hollywood legend Veronica Lake.

She would have been 91 today. The film noir starlet was famous for her enchanting presence in films like Sullivan’s Travels, The Blue Dahlia, and The Glass Key.

“Lake brought to the screen an air of mystery, contained sensuality and quiet wit that lit up the screen. But, as she herself said, she just wasn’t cut out to be a movie star — at least not as Hollywood in the Forties envisioned that role — and her later life was marked by broken marriages,
See full article at - PopWatch »

DVD Review: 'Dark Crimes' from Chandler, Hammett & Woolrich in Tantalizing TCM Noir Box Set

DVD Review: 'Dark Crimes' from Chandler, Hammett & Woolrich in Tantalizing TCM Noir Box Set
On December 3, the TCM Vault Collection released a tantalizing box set of three film noirs, “The Glass Key,” “Phantom Lady” and “The Blue Dahlia,” all previously unavailable on Region 1 DVD. The connecting thread is crime fiction -- the first two films are based on novels by Dashiell Hammett and Cornell Woolrich, respectively, and the third is from an original screenplay by Raymond Chandler. “The Glass Key” was Alan Ladd and Veronica Lake’s second onscreen pairing, made the same year as the duo’s better-known noir “This Gun for Hire,” in 1942. Production on “The Glass Key” actually began before “This Gun for Hire” was released, showing the amount of confidence Paramount had in Ladd and Lake’s sizzling chemistry. The studio knew it had blonde, exquisitely fine-boned lightning in a bottle. In the film, which is a very good adaptation of Hammett’s novel of the same title, Ladd...
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A conversation with filmmaker Rian Johnson

Martin Deer chats with writer-director Rian Johnson about his debut feature Brick, this year's sci-fi action hit Looper, the filmmaking process, working with Joseph Gordon-Levitt and whether he'd be interested in directing a Batman movie... 

Warning: Here Be Spoilers...

Martin Deer:  Hi Rian how ya doing?

Rian Johnson:  Good man, how are you?

[Rian proceeded to ask my about myself, we'll skip that part...]

Rj: Before I got in to film school all I did was make movies and I feel I learned more doing that than I did in film school.

MD:  A lot of people say that, that just being creative and getting something done you learn so much more.

Rj: I think it's true man, it's true. Film school absolutely has its advantages, it's great to have the time and space to watch a lot of movies and talk to people about movies and make a lot of movies but at the end, you go to film school you,
See full article at Flickeringmyth »

Raising Cain: The work of James M. Cain

Hammett, Chandler, Cain: the modern mystery thriller starts with them. They are the godfathers of that sensibility that would come to be called noir which would, in time, overflow the printed page and onto the stage, the big screen, and eventually even to television. Identified primarily with mysteries, the concept of flawed human beings ethically tripping and stumbling in a moral No Man’s Land, equidistant between Right and Wrong, Good and Bad would bleed across genre lines. There would be noir Westerns (Blood on the Moon, 1948), noir war movies (Attack!, 1956), noir horror (The Body Snatcher, 1945), even noir melodramas like Cain’s own Mildred Pierce, adapted for the screen in 1945.

But they all started with what Hammett, Chandler, and Cain did on the page, and each provided an evolutionary step which took what had once been usually dismissed as a flyweight genre dedicated to colorful private investigators and clever puzzles,
See full article at SoundOnSight »

Forrest Gump, Bambi, The Silence Of The Lambs: National Film Registry 2011 Movies

Forrest Gump, Bambi, The Silence Of The Lambs: National Film Registry 2011 Movies
Best Picture winners The Lost Weekend (1945), Forrest Gump, and The Silence of the Lambs (1991), along with the Walt Disney Studios' animated classic Bambi (1942), Charles Chaplin's silent comedy-drama The Kid (1921), and Howard Hawks' early screwball comedy Twentieth Century (1934) are among the 25 "culturally, historically or aesthetically" significant movies just added to the Library of Congress' National Film Registry. Directed by Billy Wilder, The Lost Weekend earned Ray Milland a Best Actor Oscar for his portrayal of an alcoholic. Jonathan Demme's The Silence of the Lambs earned Oscars for both leads, Anthony Hopkins and Jodie Foster. A monumental box-office hit in the mid-'90s and a paean to idiocy and conformism, Forrest Gump earned Tom Hanks his second back-to-back Oscar (he had won the previous year for Demme's Philadelphia). As per the National Film Registry's release, Bambi was Walt Disney's favorite among his studio's films. (That's all fine,
See full article at Alt Film Guide »

Film News: Third ‘Noir City: Chicago’ Festival Opens at Music Box Theatre

Chicago – Diabolical twins, obsessed journalists and jail-breaking thugs are heading their way to the Music Box Theatre. The Film Noir Foundation’s third installment of “Noir City: Chicago” features no less than sixteen restored 35mm prints of must-see cinematic rarities. Ten of these noir classics have yet to land a DVD release, thus making this festival all the more essential for local cinephiles.

The week-long festival kicks off Friday, Aug. 12, and includes criminally overlooked performances from Hollywood legends such as Humphrey Bogart, Anne Bancroft, Barbara Stanwyck, Olivia de Havilland, Ernest Borgnine, Shelley Winters and Burt Lancaster. Acclaimed noir historians Alan K. Rode (“Charles McGraw: Biography of a Film Noir Tough Guy”) and Foster Hirsch (“Detours and Lost Highways: A Map of Neo-Noir”) will be presenting the pictures while offering their wealth of historical and filmic insight.

Among this year’s most priceless treasures is “Deadline USA,” starring Bogart as
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Who Could Fill Myrna Loy's Shoes for Johnny Depp's "Thin Man" Remake?

I'm not entirely opposed to remakes. Historically there have been some great ones. And even though "The Thin Man" is one of my all-time favorite films (and franchises), I really don't see the harm in redoing it. The W.S. Van Dyke version is based on a book by Dashiell Hammett, whose work is associated with some of the best examples of worthwhile remakes and reworkings ("The Maltese Falcon" and the many films loosely based on "Red Harvest" and "The Glass Key"--including "Yojimbo" and "Miller's Crossing"--for instance). Plus, it's already spun-off some terrific to so-so sequels (the first, "After the Thin…
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'Star Wars,' 'Speed' And Other Movies Inspired By Akira Kurosawa On His 100th Birthday

'Star Wars,' 'Speed' And Other Movies Inspired By Akira Kurosawa On His 100th Birthday
Today is the 100th birthday of Japanese master filmmaker Akira Kurosawa. He died back in 1998, but his films carry on his legacy in many ways. First, obviously, there are the literal titles that continue to be watched and studied religiously (13 of them are being aired on Turner Classic Movies today). Second, there are the upcoming remakes of "Seven Samurai," "High and Low," "Rashomon" and "Ikiru" in development. And third, there are those films directly inspired by Kurosawa's films.

Kurosawa himself had many influences, and a number of his films were loose remakes or direct adaptations of everything from Westerns to Dostoyevsky to films noir to Shakespeare. So it's unlikely he'd be upset about the idea that his work has gone on to influence some of today's most notable filmmakers. He might even be enjoying some of the following blockbuster movies, all owing much to his work, from beyond the grave:
See full article at MTV Movies Blog »

Akira Kurosawa’s Yojimbo – Criterion Collection #52 [Criterion Blu-ray Review]

“You idiot, I’m not giving up yet. Theres a bunch of guys I have to kill first!”

So says Toshiro Mifune as the traveling ronin Sanjuro in Akira Kurosawa’s 1961 jidaigeki film Yojimbo. Mifune stars as Kuwabatake Sanjuro (which means Mulberry Field thirty-year-old, but he tends to take the surname from whatever plant is near him at the time of giving his name). Even though this is a period film with a master less samurai who travels from town to town, looking for food and drink, it feels as if it’s from a time that never was.

Sanjuro finds out the town is overrun by two warring factions, one led by Seibei who is the town brothel owner and the other led by Ushitora, the sake brewer. They’ve been at odds for many years and there seems to be no end in sight from the endless killing
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Philip French's screen legends

No 84 Alan Ladd 1913-64

He had a hard early life and a long apprenticeship. Born in Hot Springs, Arkansas, he was four when his accountant father died and, still a child, he moved to North Hollywood, California with his mother (who would become an alcoholic and commit suicide) and stepfather, a painter and decorator.

He was a high-school athletic star, principally as a swimmer, and developed the fine physique he was often to expose on screen, including two scenes of public flogging. Living so close to the movie business, he had certain acting aspirations but was constantly told he was too short (5ft 6in) and unfashionably fair-haired for stardom.

But after leaving school in the Depression, briefly running his own burger joint (disarmingly called Tiny's Patio) and working as a studio carpenter, he spent nearly a decade freelancing in radio and taking minor movie parts. Many of the latter were without dialogue,
See full article at The Guardian - Film News »

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