The wife of a rubber plantation administrator shoots a man to death and claims it was self-defense, but a letter in her own hand may prove her undoing.
Director:
William Wyler
Stars:
Bette Davis,
Herbert Marshall,
James Stephenson
Popular and beautiful Fanny Trellis is forced into a loveless marriage with an older man, Jewish banker Job Skeffington, in order to save her beloved brother Trippy from an embezzlement charge, and predictable complications result.
Old friends Kit Marlowe and Millie Drake adopt contrasting lifestyles: Kit is a single, critically acclaimed author while married Millie writes popular pulp novels.
The day before her wedding, a pampered young woman absconds with her sister's husband; in retaliation, her sister begins seeing the woman's former fiancé.
Directors:
John Huston,
Raoul Walsh
Stars:
Bette Davis,
Olivia de Havilland,
George Brent
When acerbic critic Sheridan Whiteside slips on the front steps of a provincial Ohio businessman's home and breaks his hip, he and his entourage take over the house indefinitely.
The ruthless, moneyed Hubbard clan lives in, and poisons, their part of the deep South at the turn of the 20th century. Regina Giddens née Hubbard has her daughter under her thumb. Mrs Giddens is estranged from her husband, who is convalescing in Baltimore and suffers from a terminal illness. But she needs him home, and will manipulate her daughter to help bring him back. She has a sneaky business deal that she's cooking up with her two elder brothers, Oscar and Ben. Oscar has a flighty, unhappy wife and a dishonest worm of a son. Will the daughter have to marry this contemptible cousin? Who will she grow up to be - her mother or her aunt? Or can she escape the fate of both?Written by
J. Spurlin
Shot during one of Los Angeles' hottest heatwaves in years, with temperatures on the soundstages frequently rising above 100 degrees. See more »
Goofs
In the final scene, just before Alexandra leaves Regina, in the shot when Regina climbs the stairs, and asks Zan if she would "like to sleep in her room tonight", we see a chair in the background (which earlier in the scene, Regina had sat in). The chair seat is empty. Two shots later, when Alexandra collects her hat and coat to leave, they have suddenly appeared on the chair. See more »
Quotes
[first lines]
Alexandra Giddens:
[while riding into town]
Good mornin' Harold.
Harold:
[looking up from shining the sign that reads 'The Planters Trust Company / Horace Giddens / President']
Mornin' miss Ann. What does your papa write to from Baltimore?
Alexandra Giddens:
He writes that he feels better Harold.
Harold:
Dat's good. Write him my greetins and tell him don't worry 'bout da brass - I'm keepin' his name fine and clean.
Alexandra Giddens:
Thanks, I will.
Harold:
Mm-mmm, those crabs'll make fine eatins Addie.
Addie:
They bettah, we got high-toe company for dinner tonight.
Harold:
Yum...
[...] See more »
Crazy Credits
Opening credits prologue: "Take us the foxes, The little foxes, that spoil the vines:
For our vines have tender grapes." The Song of Solomon 2:15
Little foxes have lived in all times, in all places. This family happened to live in the deep South in the year 1900. See more »
Never Too Weary to Pray
(1941) (uncredited)
Music and Lyrics by Meredith Willson
Sung off-screen by an unidentified group during the opening and closing credits See more »
Bette Davis stars as Regina Giddens in this film version of Lillian Hellman's smash hit play (which starred Tallulah Bankhead). This tale of the pre-industrial south of 1900 pits Regina against her greedy brothers as they scheme to open a textile mill that will make them rich. Great performances here from Davis, Herbert Marshall, Teresa Wright, Richard Carlson, Charles Dingle, Patricia Collinge, Dan Duryea, Jessie Grayson, and Carl Benton Reid. Sort of a modern King Lear, but Hellman had a wicked ear for acid dialog and her characters each have moments of grandeur as they spit and snarl. Collinge is very good as pitiable Birdie. Wright and Carlson are especially good as the young lovers, and Duryea gives a wonderfully slimy performance. Dingle has his best role as the smart brother, and Marshall--always underrated in Hollywood--is splendid as Horace. Bette Davis gives a controlled and icy performance as the woman who never gets what she wants. Her final scene from the window as she watches her daughter leave in the rain is a classic. Great film about a dysfunctional family before there even WAS such a thing!
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Bette Davis stars as Regina Giddens in this film version of Lillian Hellman's smash hit play (which starred Tallulah Bankhead). This tale of the pre-industrial south of 1900 pits Regina against her greedy brothers as they scheme to open a textile mill that will make them rich. Great performances here from Davis, Herbert Marshall, Teresa Wright, Richard Carlson, Charles Dingle, Patricia Collinge, Dan Duryea, Jessie Grayson, and Carl Benton Reid. Sort of a modern King Lear, but Hellman had a wicked ear for acid dialog and her characters each have moments of grandeur as they spit and snarl. Collinge is very good as pitiable Birdie. Wright and Carlson are especially good as the young lovers, and Duryea gives a wonderfully slimy performance. Dingle has his best role as the smart brother, and Marshall--always underrated in Hollywood--is splendid as Horace. Bette Davis gives a controlled and icy performance as the woman who never gets what she wants. Her final scene from the window as she watches her daughter leave in the rain is a classic. Great film about a dysfunctional family before there even WAS such a thing!