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Dr. Jekyll and Mr. Hyde (1941)

Passed | | Drama, Horror, Sci-Fi | September 1941 (USA)
Dr. Jekyll allows his dark side to run wild when he drinks a potion that turns him into the evil Mr. Hyde.

Director:

Victor Fleming

Writers:

John Lee Mahin (screen play), Robert Louis Stevenson (based on the novella by)
Reviews
Nominated for 3 Oscars. See more awards »

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Cast

Cast overview, first billed only:
Spencer Tracy ... Dr. Harry Jekyll / Mr. Hyde
Ingrid Bergman ... Ivy Peterson
Lana Turner ... Beatrix Emery
Donald Crisp ... Sir Charles Emery
Ian Hunter ... Dr. John Lanyon
Barton MacLane ... Sam Higgins
C. Aubrey Smith ... The Bishop
Peter Godfrey ... Poole
Sara Allgood ... Mrs. Higgins
Frederick Worlock ... Dr. Heath (as Frederic Worlock)
William Tannen ... Intern Fenwick
Frances Robinson ... Marcia
Denis Green Denis Green ... Freddie
Billy Bevan ... Mr. Weller
Forrester Harvey ... Old Prouty
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Storyline

Dr. Jekyll believes good and evil exist in everyone. Experiments reveal his evil side, named Hyde. Experience teaches him how evil Hyde can be: he kills Ivy who earlier expressed interest in Jekyll and Sir Charles, Jekyll's fiancée's father. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Plot Synopsis

Taglines:

A Good Woman! A Bad Woman - who needed the love of both! See more »


Certificate:

Passed | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

September 1941 (USA) See more »

Also Known As:

Dr. Jekyll and Mr. Hyde See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (video)

Sound Mix:

Mono (Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Ingrid Bergman felt badly miscast in the movie, a view shared by film critics in 1941. See more »

Goofs

Right after Marcia and Ivy have been talking about a new theatre production and Hyde enters the room, the shadow of a boom mic is visible throughout much of the remaining scene with Hyde eating the grapes and playing the piano. The mic shadow, visible on the back wall, moves over to the doorway as Hyde enters, interrupting Ivy and Marcia, and follows him around the room. It's quite visible. See more »

Quotes

Mr. Edward Hyde: When you went to see the good doctor, before you left you said... I almost thought, well what did you think? Maybe that you saw a little bit of ME, Hyde in him?
See more »

Connections

Version of InHyde (2004) See more »

Soundtracks

See Me Dance the Polka
(uncredited)
Music and Lyrics by George Grossmith
Additional Lyrics by John Lee Mahin
Sung by Alice Mock in the "Palace of Frivolties" show
Reprised by Ingrid Bergman
Whistled by Spencer Tracy (whistling dubbed by Robert Bradford)
See more »

Frequently Asked Questions

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User Reviews

 
Ponderous - certainly not scary - but beautiful.
26 June 1999 | by David-240See all my reviews

This is a thoughtful interpretation of the Stevenson story but is very rarely emotionally engaging. The theme seems to be sexual repression, with Hyde coming from Jekyll's repressed lust. As Hyde takes over we witness some extraordinary and very graphic Freudian imagery such as Bergman and Turner, naked, pulling a chariot containing Tracy and his whip, and Bergman being screwed out of a bottle by a corkscrew! Amazing. But the horror of the story is never realized and there is too much philosophical chat.

Tracy is terrific in the lead, but his make-up for Hyde is too subtle to be effective. The transformations require him to stand completely still which makes them a bit dull. The final transformation is quite an achievement however. Bergman could have been great but her attempt at a cockney accent seriously detracts from her fine emotional interpretation. Lana Turner is awful as Tracy's true love. But the rest of the cast is very strong - especially Donald Crisp.

The film also contains some fine Fleming touches, including his beautiful slow pans over magnificent sets and crowd scenes. The cinematography is excellent - make sure you don't watch the colorised version - and foggy Victorian London is recreated stunningly. This film never rises to the horror of the 1920 or the 1932 versions but still has much to offer.


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