Two men searching for black pearls are marooned on an island when their crew mutinies. There they run into a beautiful girl who had been washed up on the island in her childhood. They must ...
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Two men searching for black pearls are marooned on an island when their crew mutinies. There they run into a beautiful girl who had been washed up on the island in her childhood. They must fight angry natives and a typhoon in order to survive.Written by
One of over 700 Paramount productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. Its initial telecasts took place in Chicago Wednesday 7 January 1959 on WBBM (Channel 2), followed by Philadelphia 12 January 1959 on WCAU (Channel 10), by Omaha 2 February 1959 on KETV (Channel 7), by Phoenix 11 April 1959 on KVAR (Channel 12), by Grand Rapids 4 August 1959 on WOOD (Channel 8), by Detroit 25 September 1959 on WJBK (Channel 2), by Milwaukee 12 October 1959 on WITI (Channel 6), by Johnstown 4 November 1959 on WJAC (Channel 6), by Toledo 14 March 1960 on WTOL (Channel 11), by Asheville 26 March 1960 on WLOS (Channel 13), by San Francisco 12 June 1960 on KPIX (Channel 5) and by Pittsburgh 14 June 1960 on KDKA (Channel 2). At this time, color broadcasting was in its infancy, limited to only a small number of high rated programs, primarily on NBC and NBC affiliated stations, so most vintage film showings were still in B&W. Viewers were not offered the opportunity to see these films in their original Technicolor until several years later. See more »
Alright, I'll tell you why I did it. I saw a little horse one time, two year old. Full of spirit. Because he lost a race, his trainer beat him over the head. All the spirit was gone. Well, I bought him, turned him out. Then he found out he wouldn't get a beating from me and he came back and he won. I thought you were a little like that horse. I guess wrong. Horse was a thoroughbred.
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Once more in the 'Golden Age' of Hollywood a major studio, Paramount, ventures forth into the South Seas. These films follow pretty much the same formula. A exotic tropical island, the adversary, in this case Pirates, romance and finally the concluding disaster. Where the attractive couple always survive and true love is fulfilled.
TYPHOON (1940) follows this formula with a few interesting variations. Pearls are the objective and to help get them Skipper Joe (Lynne Overman) has a pre-WWI Submarine at his disposal. He is assisted by shanghaied Johnny Potter (Robert Preston). They are pursued by Pirate Kehi (Chief Thundercloud) and threatened by mutinous Mekaike (J. Carroll Naish). Who manages to lose the Submarine, forgetting that you have to close the hatches before diving the boat.
All is not lost though, on their island is Dea (Dorothy Lamour) back in the Sarong again! Rehabilitating the perpetual drunk Johnny with the help of her Chimpanse companion and finding romance. The Pirates make a reappearance, but fortunately are dispatched by the TYPHOON arriving in the nick of time to wrap up the film. In a brisk seventy (70) minutes.
Lamour had first donned the Sarong in THE HURRICANE (1937) the best of these epics, Directed by John Ford. Lamour is always good to look at even in material like this. She was capable of more as in JOHNNY APOLLO (1940) and looked just as good in contemporary fashions. Filmed in TechniColor the ending disaster benefited from Paramounts SFX Wizard Gordon Jennings. Though lasting only about five (5) minutes it is impressive, though not the equal of THE HURRICANE. This is a light entertainment and should be enjoyed as such.
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