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Susan and God (1940)

Approved | | Drama, Comedy | 7 June 1940 (USA)
Susan Trexel is a wealthy socialite, who while vacationing in Europe undergoes a religious transformation. On her return to America, Susan takes on the task of spreading her new found ... See full summary »

Director:

George Cukor

Writers:

Anita Loos (screen play), Rachel Crothers (based on the celebrated play by)
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Cast

Complete credited cast:
Joan Crawford ... Susan Trexel
Fredric March ... Barrie Trexel
Ruth Hussey ... Charlotte
John Carroll ... Clyde Rochester
Rita Hayworth ... Leonora
Nigel Bruce ... 'Hutchie'
Bruce Cabot ... Michael
Rose Hobart ... Irene Burroughs
Constance Collier ... Lady Wigstaff
Rita Quigley ... Blossom Trexel
Gloria DeHaven ... Enid
Richard Crane ... Bob (as Richard O. Crane)
Norma Mitchell Norma Mitchell ... Hazel Paige
Marjorie Main ... Mary Maloney
Aldrich Bowker ... Patrick Maloney
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Storyline

Susan Trexel is a wealthy socialite, who while vacationing in Europe undergoes a religious transformation. On her return to America, Susan takes on the task of spreading her new found religious experience with her closest friends - only to drive them crazy. Meanwhile, her husband Barrie, and daughter Blossom yearn for a stable family life. Barrie will even become sober, hoping that Susan will heed her own advice, and save their marriage and family. Written by Kelly

Plot Summary | Add Synopsis

Taglines:

Saint... Or Screwball?

Genres:

Drama | Comedy

Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

7 June 1940 (USA) See more »

Also Known As:

As Teorias de Susana See more »

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Box Office

Budget:

$1,103,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Originally announced to star Greer Garson after Norma Shearer turned the part down. See more »

Goofs

When Irene sends the men out of the room before Barrie comes in, she takes a cigarette from a porcelain box on the table, tapping it on the box lid. Cut to Barrie opening his car door and stumbling up the steps to the porch. There is an immediate cut back to Irene who is just putting the lid back on the box. See more »

Quotes

Leonora: How will I know that I'll know the truth when I see it?
See more »

Connections

Referenced in Hollywood Hist-o-Rama: Joan Crawford (1962) See more »

Soundtracks

1812 Overture in E Flat, Op.49
(1880) (uncredited)
Written by Pyotr Ilyich Tchaikovsky
Played as background music in the bar
See more »

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User Reviews

 
odd Crawford vehicle
11 December 2005 | by blanche-2See all my reviews

Watching this film, the lead role of Susan seemed to call out "Norma Shearer" to me, and sure enough, reading up on it, the rights to the play were purchased by MGM with Shearer in mind. Norma Shearer and Joan Crawford were both fabulous movie stars but with different gifts. You could not call either one of them great, visceral actresses so it was always best to lead with their strengths. Crawford's was drama. Shearer had a slightly wider range. This is just my opinion.

"Susan and God" is the story of a ditsy woman, unhappily married to drunken Frederic March, who takes a trip and comes back with religious fervor gained from a new group that emphasizes God, his guidance, and telling the truth. She then proceeds to wreak havoc on her entire social set and manages to break up one marriage and one near-marriage. March agrees to stay sober if she'll give their relationship a chance, and with their somewhat neglected daughter, Blossom, they spend the summer together. Ruth Hussey is a friend who is in love with March.

Crawford is an absolute disaster in this role, speaking very fast in a high-pitched voice that is supposed to represent her dizziness. She mugs, she poses, she wears absurd outfits (with the exception of the gorgeous one she wears to go to the train). It's a completely mannered, external performance. Shearer would have been much more natural in the role. Crawford is annoying. When it comes down to doing the more dramatic scenes in the film, she does much better.

The rest of the cast is very good, including March, Hussey, Rita Quigley, and a young, lovely Rita Hayworth. Due to Crawford, this comes off as rather strange, and it took me a while to realize it was supposed to be a comedy.


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