A homely maid and a scarred ex-GI meet at the cottage where she works and where he was to spend his honeymoon prior to his accident. The two develop a bond and agree to marry, more out of ... See full summary »
When his fiancée Valentine dumps him, prominent lawyer Geoffrey Sherwood goes on a bender and winds up married to a stranger, Miriam Brady. They decide to give their marriage a chance. ... See full summary »
Rachel is a 35 year old school teacher who has no man in her life and lives with her mother. When a man from the big city returns and asks her out, she begins to have to make decisions about her life and where she wants it to go.
A Vienna based acting couple make magic when they perform together on stage. Unknown to the theater going public and despite being married for only six months, that magic seems no longer to... See full summary »
Growing up in a poor working-class family, Laura decides not to marry the boy-next-door and instead accepts wealthy, older Will Brockton's invitation to move in with him. After falling in ... See full summary »
Change comes slowly to a small New Hampshire town in the early 20th century. People grow up, get married, live, and die. Milk and the newspaper get delivered every morning, and nobody locks their front doors.Written by
John Oswalt <firstname.lastname@example.org>
Film debut of Martha Scott. She was not considered for the role of "Emily" at first because of her poor screen test for the role of "Melanie" in Gone with the Wind (1939), but she was chosen after much auditioning of other actresses. See more »
Mr. Webb says that of the residents of Grover's Corners, 86% are Republican, 12% are Democrats and 4% are indifferent. That's a total of 102%. See more »
The name of our town is Grover's Corners, New Hampshire. It's just cross the line from Massachusetts. Latitude is 42 degrees, 40 minutes. Longitude is 70 degrees, 37 minutes. Running right through the middle of the town is Main Street. Cutting across Main Street on the left is the railroad tracks. Beyond the railroad tracks is Polish Town. You know, foreign folks who come here to work in the mills or a couple of Canuck families, and the Catholic church. You can see the steeple on the ...
[...] See more »
Art Thou Weary, Art Thou Languid?
Music "Stephanos" by Henry W. Baker (1868)
Greek words by Stephen of Mar Saba (Judea) (8th century)
Translated from Greek to English by John M. Neale (1862)
Played on an organ in church by Philip Wood and sung by the choir See more »
Thornton Wilder's Mood-Rich Stage Piece Becomes an Equally-Memorable Film
Like "Harvey", "The Second Woman" and "Good Morning, Miss Dove", "Our Town" is set in an underpopulated United States town. Its 1901 look shares features with theirs, as do some of its story elements. Everyone knows practically everyone else; and the very fact that such towns are not the sort of place where important thing happens renders what does happen peculiarly intense, as if it had been placed under a magnifying lens in a powerful light. Author Thornton Wilder and his co-writers here adapt what was a most successful and atmospheric play into a deliberately-paced by I suggest an absorbing screenplay. It has the build perhaps of "Picnic" with the underlying calm of a good early western; only the setting here is Grover Corners, New Hampshire, a decidedly northeastern setting.. Sam Wood directed the film with his usual understated skill; and the writers I believe have retained the best of Mr. Wilder's crisp and often memorable dialogue. The film really divides into three parts--which I would nominate as Introduction, George and Emily and Two Futures(?). George Gibbs and Emily Webb in this film become two of the best remembered characters in U.S. fiction. Sol Lesser produced, with music by Aaron Copland, whose repressed melodies seem to me perfectly to serve this understated masterwork of dramatic construction. Production designer William Cameron Menzies and cinematographer Bert Glennon here tried for an uncompromising atmosphere rather than quaint or merely attractive compositions. Julia Heron did the remarkable interiors, with simple but effective wardrobe by Edward P. Lambert. Among the cast, Martha Scott is wonderfully young and unspoiled, and as Dr. Gibbs, Thomas Mitchell plays with Fay Bainter as his wife more-than-expertly. As their neighbors Editor Webb and his wife, Guy Kibbee is unusually restrained and Beulah Bondi as usual solidly dependable or better in every scene she is given. Stuart Erwin ad Frank Craven (as the stage manager) are quite good, and young William Holden shows to much better advantage than he did in several other films of the period. The supporting cast is not given a great deal to do but they do it very seamlessly, in my opinion. But what one remembers of "Our Town" I assert is its haunting, almost poetic quality. The production's pace is leisurely without being slow, electrically tense without being excited and focused without becoming too sad. The story here is about life, death, youth, love, honesty and fear--and the narrative evokes these emotions in the viewer honestly I claim because it is never pretentious and never striving for the effect that it admirably earns. It is I argue a touching black-and-white classic; and it is quite well acted also throughout.
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