A wealthy banker throws his wife's expensive fur coat off the roof of a building; it lands on the head of a stenographer, leading to everyone assuming she is his mistress and has access to his millions.
Showgirl Eve, stranded in Paris without a sou, befriends taxi driver Tibor Czerny, then gives him the slip to crash a party. There she meets Helene Flammarion and her gigolo Picot, who's attracted to Eve. Helene's scheming husband Georges enlists Eve's aid in taking Picot away from his wife. It works well - at first. Meanwhile, lovestruck Tibor searches for Eve. But then he learns she's calling herself Baroness Czerny.Written by
Rod Crawford <firstname.lastname@example.org>
When Billy Wilder and Charles Brackett turned in their script, the studio liked it, but felt it needed some work. The writers they hired to rewrite the script were: Billy Wilder and Charles Brackett. The studio sent them their own script to rewrite without knowing it. Wilder and Brackett simply retyped their original script and the studio loved the "rewrites" so much, they produced it with no further "changes". See more »
When Eve attends the concert (c. 15 minutes) she is completely dry despite her roaming the streets in the rain previously. See more »
Although languishing in obscurity in comparison to other great films of 1939, Midnight is a classic that deserves to be ranked among the best comedies. In this sophisticated twist on the Cinderella story, a penniless showgirl (the incomparable Claudette Colbert) passes herself off as a foreign aristocrat to help John Barrymore win back his erring wife from a champagne mogul. If she succeeds in winning this millionaire for herself, she'll have the rich lifestyle--the "tub of butter"--for which she's been scheming, but taxi driver Don Ameche is determined to teach her the age-old lesson that love is better than riches. Not only is the film a delight for fans of Colbert, whose genius for offhand, sophisticated comedy shines here, but viewers are also treated to one of Barrymore's last and funniest performances. Although he is said to have read his lines from cue cards for this film, his performance looks flawless: worldly, cunning, and wildly eccentric. Ameche provides the perfect counterpart for Colbert, holding his own in the dizzying round of deceptions, impersonations, and frivolous lawsuits. This is a sparkling, witty film that should be part of every comedy fan's library.
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