Brant frames Destry and has men testify against him. Found guilty he vows to return. Back from prison he goes after the man that framed him. When the Sheriff is shot before he can talk, ... See full summary »
The Roth family leads a quiet life in a small village in the German Alps during the early 1930s. When the Nazis come to power, the family is divided and Martin Brietner, a family friend is caught up in the turmoil.
Kent, the unscrupulous boss of Bottleneck has Sheriff Keogh killed when he asks one too many questions about a rigged poker game that gives Kent a stranglehold over the local cattle rangers. The mayor, who is in cahoots with Kent appoints the town drunk, Washington Dimsdale, as the new sheriff assuming that he'll be easy to control. But what the mayor doesn't know is that Dimsdale was a deputy under famous lawman, Tom Destry, and is able to call upon the equally formidable Tom Destry Jr to be his deputy. Featuring a career reviving performance from Marlene Dietrich as bar singer Frenchie, which could well have been the inspiration for Madeline Kahn's "Blazing Saddles" character, Lili Von Schtupp.Written by
Mark Thompson <firstname.lastname@example.org>
According to her grandson Peter Riva interviewed for the Icons Radio Hour, Marlene Dietrich's fight scene was unchoreographed. She and Una Merkel agreed to do it impromptu with the only rule being no closed fists. They used feet, pulled hair, and Marlene had bruises for weeks afterwards. but the director got everything in one take. See more »
When Destry first demonstrates his ability with a firearm by shooting at the knobs on the sign, he shoots a total of seven times. Although he is holding two Colt "Six-shooters", one in each hand, he fires only the pistol he holds in his right hand. Thus, he fired one round more than the gun could hold. See more »
When they say they don't make them like that any more . .
. . . this is what they mean.
I'm intrigued by the voting on this movie as I can't imagine any scale on which it wouldn't get top marks. Where exactly does it drop the ball? Cast - inspired; performances - stellar; script - faultless; direction - millimetre perfect; score - find me one better, ("See what the boys in the back room will have" has gone into the language).
Is it because it's not an arthouse movie? Or because of the dangerous idea that restraint, cool and smarts are more effective weapons than playground bully tactics?
As far as I am concerned, if you want to know how to put a movie together, you can start here. 10/10 is the only possible mark for a masterpiece.
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