Dizzy society matron Emily Kilbourne has a habit of hiring ex-cons and hobos as servants. Her latest find is a handsome "tramp" who shows up at her doorstep and soon ends up in a ... See full summary »
Norman Z. McLeod
Kay Kerrigan commits a murder and then changes her hair color, assumes a new identity and flees the country by ship. She's unaware that she's being followed by Sam Wye, a skirt chasing ... See full summary »
Seeing her chance, 25-year-old heiress (Virginia Bruce) flees from her over-protective grandfather with none of her fortune in her purse. On the streets of New York, she is befriended by a shop girl (Patsy Kelly) . The shop girl takes her in and gets her a job at the store which is part of a chain owned by the heiress. Unbeknownst to the newsworthy heiress, her true identity is known to a single reporter (March).Written by
According to a New York Times article on 16 October 1938, the Citizen's Chiropractic Committee of New York State sued the film producers, authors and Alan Mowbray for $100,000 claiming damages to the profession. One doctor was very upset that the film implied it was possible to go through a chiropractic school through a correspondence course. The outcome of the suit is not known. See more »
Not a particularly great script, but excellent leads
I think I liked this movie despite the rather formulaic and ridiculous plot because both Viginia Bruce and Frederic March did such a wonderful job with this romantic comedy from Hal Roach Productions.
Virginia is the grand-daughter of a very wealthy but extremely overprotective man. He won't let her go anywhere without him and sees danger around every corner. As a result, she is smothered and bored--aching to live a real life. She escapes and establishes a new identity as a regular working girl. However, reporter Frederic March finds out about the ruse and wants to exploit the woman for a buck. However, once they meet, sparks begin to fly and he is torn between riches and his new love.
You know about where the movie will end--after all, it's a formulaic romantic comedy from an era when the movies never dared stray from the expected course. However, how delicately and believably the stars follow this formula is what makes this film so worth watching. A cute and satisfying little film.
By the way, at the very end there is a cute little cameo by the silent screen star Harry Langdon as the preacher. While his best years in movies were long behind him, he did continue to do small roles in a variety of films over the years.
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