When a death row prisoner tells him he wouldn't have led a life of crime if only he had had one friend as a child, Father Edward Flanagan decides to do something about. An advocate of child... See full summary »
A newspaper man, his ignored fiancée, and his former employee, a down on his luck reporter, hatch an elaborate scheme to turn a false news story into the truth in order to prevent a high-society woman from suing for libel.
Stage-and-night club star Jeannie Laird (June Haver) buys her first home, and everyone who is anyone comes to her first garden party only to be blinded by smoke from next door. Jeannie ... See full summary »
Mary Blake arrives at Blackie Norton's Paradise gambling hall and beer garden looking for work as a singer. Blackie embarrasses her by asking to see her legs, but does hire her. She faints from hunger. Nob Hill Socialite Jack Burley and Maestro Baldini of the Tivoli Opera House see her singing and offer her a chance to do opera, but Blackie has her under a two-year contract which she sorrowfully stands by. Later, when he makes up posters featuring Mary in tights, she does leave for the Tivoli. Blackie gets an injunction against Burley, but knocks out the process server when he hears Mary's performance as Marguerite in "Faust". She asks her to marry him and she agrees to go back to the Paradise as his kind of singer, but Blackie's childhood chum Father Tim intervenes. After Blackie slugs the priest, Mary leaves. She is soon the star of the Tivoli and Blackie's place is closed down. She sings a rousing "San Francisco" on behalf of the Paradise at the annual "Chicken Ball" and wins the ...Written by
Ed Stephan <email@example.com>
The character of Blackie Norton was inspired by Wilson Mizner, a fellow writer of Robert E. Hopkins and Anita Loos, who had worked on Broadway and at Warner Brothers and had died several years earlier, He was a notorious huckster, con artist and womanizer, with connections in gambling and underworld circles. See more »
After the Earthquake, the driver of a Salvation Army wagon tells Blackie Norton that he is heading to "Daly City to get milk for the kiddies." Daly City was not incorporated until 1911. In 1906 it was called Vista Grande. See more »
[to a bartender]
"Everyone to his own taste," the old lady said as she kissed the cow. Ain't that a...
[not getting a reaction]
What's the matter? No sense of humor?
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The montage at the conclusion of the film which illustrates the re-building of San Francisco originally included a series of shots of recognizable San Francisco landmarks circa 1936, the year of the film's release; most notably, the Golden Gate Bridge while it was still under construction. The primary support cables had been slung from the towers of the bridge, but its roadway had not been constructed yet. This is very obvious in the one single shot of the Golden Gate Bridge which did not open to traffic until 1937. Only the Oakland Bay Bridge, which opened to traffic in 1936, is seen as fully constructed in two shots at the beginning and end of the montage. Also seen was a shot of Market Street, as it appeared in 1936, with 4 tracks of streetcars, the white front Market Street lines on the inside tracks, and the Muni lines on the outside tracks. Subsequent releases have omitted this original montage ending in favor of a dissolve into a freeze frame of the San Francisco skyline, as it appeared in 1948, the year of the film's first major re-release. The original montage of the rebuilt San Francisco is a special feature in the DVD release as an "Alternate Ending" sequence. See more »
San Francisco, like so many other films from this era, just reminds me again how movies today have lost the art of the build-up. They just hit you over the head with mind-numbing action from frame one. Hollywood(and audiences of today) would do well to watch classics like "San Francisco", where story takes precedence over special effects and when the effects do come, they are in service to the story. And they mean so much more and have so much more impact when held back until the last possible moment. Why can't we allow ourselves to be immersed in the story? Or are we just too impatient for it now?
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