It's the early days of the F.B.I. - federal agents working for the Department of Justice. Though they've got limited powers - they don't carry weapons and have to get local police approval ... See full summary »
Bob Gordon is staging a new Broadway Show, but he is short of money. He gets an offer of money by the young widow Lillian, if she can dance in his new show. Bert Keeler, a newspaper man, ... See full summary »
When David's father dies, his mother remarries. His new stepfather Murdstone has a mean and cruel view on how to raise a child. When David's mother dies from grief, Murdstone sends David to London to work for a living. When David escapes to his aunt Betsey his life starts to get better.Written by
W. H. Henry, who had taken the role of Eustace McGargle in the London version of POPPY, desperately wanted the role of Mr. Micawber, but his wife was deathly ill, and he would not leave her bedside. He recommended that W.C. Fields be given the role, and the studio eventually complied. Other reports say that it was Charles Laughton who recommended Fields for the role, because he did not feel that he was giving a good performance as Micawber. Laughton had similar feelings while he was playing the title role of I, Claudius (1937). See more »
Mr Micawber chases away David's tormentors and puts his arm around him, but the arm is gone in the next immediate shot. In all scenes with W.C. Fields there are indeed continuity errors that editing does not mask. See more »
Aw, cherub! How does the world go? Huh? I'll tell you what, I shouldn't wish to be mentioned. It's a mad world! Mad as bedlam, boy. Ha-ha!
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Film opens with the last sentence of Charles Dickens's preface to the original edition: "Like many fond parents, I have in my heart of hearts, a favourite child, and his name is David Copperfield." See more »
Also shown in a computer colorized version. See more »
The best cast, best rendition of a classic novel ever.
I've read "David Copperfield" at least a half dozen times. If it's not the greatest novel in the English language, then it's darned close to it. Like any Dickens work, there are plots within plots and scores of major and minor character. With the exception of excluding poor Traddles, this film catches the essence of the story better than any since--and I defy anyone to cite a better movie for casting the right actor with the right character. Of course, W.C. Fields' Mr. McCawber was superb and has been cited time and again as a great characterization, but it's also difficult to fault Basil Rathbone's Mr. Murdstone, Edna may Oliver's Aunt Betsy, Roland Young's Uriah Heep, Freddy Bartholomew's young David, Lionel Barrymore's Mr. Peggoty or Maureen O'Sullivan's Dora Spenlow. As well, George Cukor's direction and period details are top-notch, as is the screen adoption of a very complicated novel. It's simply one of the greatest movies ever made.
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