A Musical-romance with Dick Powell as a private stationed in Hawaii who gets involved with Ruby Keeler, the general's engaged daughter. In order to avoid a scandal, the pair break up, but ... See full summary »
A couple stand indecisively on a bridge in Asakusa. Tsutae and Yoshiji have lost confidence and passion for their future as they get on the bus for Tsukishima and get off at Suzaki. Across ... See full summary »
Bea Pullman and her daughter Jessie have had a hard time making ends meet since Bea's husband died. Help comes in the form of Delilah Johnson, who agrees to work as Bea's housekeeper in exchange for a room for herself and her daughter Peola. Bea comes up with a plan to market Delilah's pancake recipe. The two soon become wealthy and as the years go on, their friendship deepens. Their relationships with their daughters, however, become strained. Ashamed of her mother, Peola seeks a new life by passing for white. Bea's love for her daughter is tested when she and Jessie fall for the same man.Written by
Despite this being a Universal film, Claudette Colbert would get up two hours earlier and meet Dorothy Ponedel at the Paramount studio, so she could have Ponedel (preferred makeup artist) prepare her for filming. See more »
Steven Archer tells Bea Pullman what it's like on his boat: "in 10 days you could be drifting in a tropic sea," where they'd "guide past mysterious little islands, black and silent...and on the shore breeze, that'd come to you, the perfume of warm lands--hyacinth, and jasmine..." Hyacinths originally come from Turkey, not commonly thought of as the "tropics," were part of Greek mythology,and now come commonly from the Netherlands, or possibly the UK....neither considered the "tropics" either. To be located in the tropics, you must be in that area between 23 1/2 degrees N and S of the equator. None of the countries associated with hyacinths fall in those areas. Hyacinths don't fill the air with their scent either, especially enough to perfume the air offshore. See more »
End credits titled at the top "A great cast is worth repeating". See more »
The original theatrical release print of Imitation of Life featured different title cards, including a title card containing a brief prologue, which read: "Atlantic City, in 1919, was not just a boardwalk, rolling-chairs and expensive hotels where bridal couples spent their honeymoons. A few blocks from the gaiety of the famous boardwalk, permanent citizens of the town lived and worked and reared families just like people in less glamorous cities." When the film was reissued by Universal in 1938, the title cards were changed, and the prologue card was removed. All current prints of the film, including those used for the VHS and DVD releases, are struck from the 1938 re-release version. See more »
Nobody Knows de Trouble I've Seen
Traditional Negro Spiritual
Lyrics by Henry Thacker Burleigh
Played and sung by an offscreen chorus during the opening credits
Played as background music often See more »
"Imitation of Life", the 1934 version, reflected the attitude in the country toward blacks. This movie wouldn't have had a chance of being made in the present climate of political correctness. This movie shows how Hollywood dealt with the racial issues back in those years. John Stahl directed the film, which stands in stark contrast with the Douglas Sirk's take in 1959 which presents a glossier vision of the Fanny Hurst novel, in which it's based.
Between the two versions, this one seems to make more sense, in spite of the incredible jump from rags to riches Bea Pullman experiences. Claudette Colbert makes Bea more accessible to us, in contrast with Lana Turner's blonde goddess looks. This Bea Pullman is easier to take because the way she makes her money by going into business, capitalizing on Delilah's idea about the marketing the perfect blend for pancakes.
Warren William plays Steve Archer, the man who falls in love with Bea while not suspecting the effect he causes in young Jessie, Bea's daughter. Louise Beavers is Delilah; she is made to speak broken English to show her ignorance, which was the thing expected every time black characters were shown in movies of that period. Ms. Beavers' role was made bigger in the 1959 remake, but Juanita Moore, who played the part, was not subjected to her predecessor's fate. Rochelle Hudson, Ned Sparks and Fredi Washington round up the supporting cast.
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