"In the Gay Nineties New York had grown up into bustles and balloon Sleeves ... but The Bowery had grown younger, louder and more rowdy until it was known as the 'Livest Mile on the face of...
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A sinister character boards the Rome Express on the trail of a valuable Van Dyck painting, recently stolen from a Paris gallery. Much to his annoyance he finds the train populated with a ... See full summary »
When British officer Harry resigns from his regiment, he is labeled a coward by his family and friends. Harry receives four white feathers as a mark of a coward. In order to redeem himself ... See full summary »
Visiting her two sisters and brother, singer Petey Brown lands a job at small-time-hood Nicky Toresca's nightclub. While evading the sleazy Toresca's heavy-handed passes at her, she falls ... See full summary »
"In the Gay Nineties New York had grown up into bustles and balloon Sleeves ... but The Bowery had grown younger, louder and more rowdy until it was known as the 'Livest Mile on the face of the globe' ... the cradle of men who were later to be famous." The scene opens in a saloon named "Nigger Joe's" ...Written by
Michael Crew <email@example.com>
George Raft and Wallace Beery were at odds during filming. According to Raft, before the fistfight scene, Beery asked Raft to let him throw the first punch and then proceeded to sucker-punch Raft, knocking him out for several minutes. "When I came to I got up and called him everything I could think of," Raft said. They then fought for real, and the crew had to break it up. See more »
The name of George Raft's character, "Steve Brodie," is misspelled "Brody" in the opening credits. See more »
The version shown on Fox Movie Channel runs seven seconds over 87 minutes. Apparently it is a reissue copy, the missing five minutes due to reediting to fit post code rules. Though it was made for Twentieth Century Films, a new start up film studio organized by Joe Schenck, Bill Goetz (L.B. Mayer's son-in-law) and ex-Warner Bros. production chief Darryl Zanuck, the FMC version is presented under the post merger logo of Twentieth Century Fox complete with fanfare and an end title crediting distribution to TCF. This year a full uncut version was shown at New York's Film Forum which clocked several minutes over ninety minutes. See more »
A favourite of mine,this movie tells of two feuding New York "characters", Steve Brodie(Raft) and "Chuck" Connors(Beery),who both strive to be the "Main Guy" in the Bowery in the late Nineteenth Century.
Brodie(1863-1901) and Connors(1852-1913),were real people,though this is a heavily fictionalized account of their antics(based on a play).Brodie's legendary(did he do it?- it's still a cause of argument!),jump from the Brooklyn bridge(1886),for which he became famous,is shown here as happening around the same time as the Spanish-American war(1898).Director Walsh clearly had a great affection for the period,so beautifully recreated here,and it includes a wild rumbustious ragtime number from saloon singer Trixie Odbray(a young Pert Kelton).Raft is at his slickest as Brodie,and Beery shows again what a clever actor he was,as tough, big hearted, and at times quite touching Connors.Pretty Fay Wray is the love interest both the boys are pursuing.
Full of life and energy,"The Bowery" moves at a fast pace(unlike many early "talkies").It is not an easy movie to find,but is well worth looking out for.
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