7.1/10
21,430
189 user 119 critic

The Mummy (1932)

Approved | | Fantasy, Horror | 22 December 1932 (USA)
Trailer
1:33 | Trailer
A resurrected Egyptian mummy stalks a beautiful woman he believes to be the reincarnation of his lover and bride.

Director:

Karl Freund

Writers:

Nina Wilcox Putnam (from a story by), Richard Schayer (from a story by) | 1 more credit »
Reviews
1 win & 3 nominations. See more awards »

Videos

Photos

Learn more

More Like This 

The Wolf Man (1941)
Horror
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

A practical man returns to his homeland, is attacked by a creature of folklore, and infected with a horrific disease his disciplined mind tells him can not possibly exist.

Director: George Waggner
Stars: Claude Rains, Warren William, Lon Chaney Jr.
Horror | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

A scientist finds a way of becoming invisible, but in doing so, he becomes murderously insane.

Director: James Whale
Stars: Claude Rains, Gloria Stuart, William Harrigan
Dracula (1931)
Certificate: Passed Fantasy | Horror
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

The ancient vampire Count Dracula arrives in England and begins to prey upon the virtuous young Mina.

Directors: Tod Browning, Karl Freund
Stars: Bela Lugosi, Helen Chandler, David Manners
Frankenstein (1931)
Certificate: Passed Drama | Horror | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

An obsessed scientist assembles a living being from parts of exhumed corpses.

Director: James Whale
Stars: Colin Clive, Mae Clarke, Boris Karloff
Drama | Horror | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

Mary Shelley reveals the main characters of her novel survived: Dr. Frankenstein, goaded by an even madder scientist, builds his monster a mate.

Director: James Whale
Stars: Boris Karloff, Elsa Lanchester, Colin Clive
Horror | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 7/10 X  

A strange prehistoric beast lurks in the depths of the Amazonian jungle. A group of scientists try to capture the animal and bring it back to civilization for study.

Director: Jack Arnold
Stars: Richard Carlson, Julie Adams, Richard Denning
Drama | Horror | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

One of the sons of Frankenstein finds his father's monster in a coma and revives him, only to find out he is controlled by Ygor who is bent on revenge.

Director: Rowland V. Lee
Stars: Boris Karloff, Basil Rathbone, Bela Lugosi
Certificate: Passed Horror
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

A mad, disfigured composer seeks love with a lovely young opera singer.

Directors: Rupert Julian, Lon Chaney, and 2 more credits »
Stars: Lon Chaney, Mary Philbin, Norman Kerry
Drama | Horror | Music
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

A disfigured violinist haunts the Paris Opera House.

Director: Arthur Lubin
Stars: Nelson Eddy, Susanna Foster, Claude Rains
Fantasy | Horror | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

After being awakened, Larry Talbot chips Frankenstein's Monster out of a block of ice. When Talbot changes to the Wolf Man, the two creatures battle each other.

Director: Roy William Neill
Stars: Lon Chaney Jr., Ilona Massey, Patric Knowles
Adventure | Fantasy | Horror
    1 2 3 4 5 6 7 8 9 10 6.1/10 X  

An ancient mummy is revived to destroy the invaders of the 3,000 year-old tomb of an Egyptian princess.

Director: Christy Cabanne
Stars: Dick Foran, Peggy Moran, Wallace Ford
The Mummy (1959)
Adventure | Horror
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

In 1895, British archaeologists find and open the tomb of Egyptian Princess Ananka with nefarious consequences.

Director: Terence Fisher
Stars: Peter Cushing, Christopher Lee, Yvonne Furneaux
Edit

Cast

Complete credited cast:
Boris Karloff ... Imhotep
Zita Johann ... Helen Grosvenor
David Manners ... Frank Whemple
Arthur Byron ... Sir Joseph Whemple
Edward Van Sloan ... Doctor Muller
Bramwell Fletcher ... Ralph Norton
Noble Johnson ... The Nubian
Kathryn Byron Kathryn Byron ... Frau Muller
Leonard Mudie ... Professor Pearson
James Crane ... The Pharoh
Henry Victor ... The Saxon Warrior (scenes deleted)
Arnold Gray ... Knight (scenes deleted)
Edit

Storyline

In 1921 a field expedition in Egypt discovers the mummy of ancient Egyptian prince Im-Ho-Tep, who was condemned and buried alive for sacrilege. Also found in the tomb is the Scroll of Thoth, which can bring the dead back to life. One night a young member of the expedition reads the Scroll out loud, and then goes insane, realizing that he has brought Im-Ho-Tep back to life. Ten years later, disguised as a modern Egyptian, the mummy attempts to reunite with his lost love, an ancient princess who has been reincarnated into a beautiful young woman. Written by Jeremy Lunt <durlinlunt@acadia.net>

Plot Summary | Plot Synopsis

Taglines:

Karloff - the uncanny... in his most startling role! See more »

Genres:

Fantasy | Horror

Certificate:

Approved | See all certifications »

Parents Guide:

View content advisory »
Edit

Details

Country:

USA

Language:

English | Arabic | French

Release Date:

22 December 1932 (USA) See more »

Also Known As:

Cagliostro See more »

Edit

Box Office

Budget:

$196,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Universal Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Noiseless Recording Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
Edit

Did You Know?

Trivia

The script was originally called "Cagliostro", based on the famous ITALIAN "prophet"/charlatan who claimed that he had lived for several centuries. It was then rewritten to profit from the love of all things Egyptian since the finding of King Tut's tomb, re-titled first "The King of the Dead," then later "Imhotep"; it only became "The Mummy" just before general release. See more »

Goofs

According to the newspaper article detailing the findings, the man who helped them to find the site is named "Ardath Bey." (See also trivia, this is an anagram of "Death by Ra.") But many other sources, including the subtitles/captions on home video releases, use the spelling "Ardeth Bay." See more »

Quotes

Doctor Muller: Burn the scroll, man. Burn it! It was through you this horror came into existence.
See more »

Crazy Credits

A good cast is worth repeating... See more »

Connections

Referenced in Twick or Tweety (2002) See more »

Soundtracks

Beautiful Love
(1931) (uncredited)
Music by Victor Young
Played during the ball sequence where Helen is telepathically called to the museum
See more »

Frequently Asked Questions

See more »

User Reviews

The greatest of the Universal horror films
10 August 2001 | by krumskiSee all my reviews

What director Karl Freund achieves in this movie is nothing short of staggering, even at a remove of nearly 70 years. If this same story, with this same basic approach, were released today, it would still be great. And especially now, when the box office successes of such movies as The Sixth Sense, What Lies Beneath and The Blair Witch Project demonstrate that audiences are hungry for a return to the classic horror virtues of style, mood and suspense (as opposed to the tired formula of gore, in your face shocks, special effects, and more gore) The Mummy would seem ripe for some kind of revival (too bad the lame Brendan Fraser vehicle has stolen its title - though nothing of its wit, skill, or conviction).

What makes this movie so good is. . . gosh, there are so many things! Start with the creepy and unsettling tone, which the movie establishes right away. The very first scene - where the Mummy is awakened - is one of the greatest ever for pure atmosphere and chills. Look at the way Freund *under* plays it, every step of the way. Instead of piling on a crescendo of "scary" music and using odd or distorted camera angles to dramatize the situation, he has the action play out in total silence and with a resolutely still camera, the tasteful cut-aways (from the mummy in the tomb to the archaeologist sitting not five feet away) being the only frill. The tension which results is unsettlingly powerful - and is made moreso by the fact that the scene refuses to resolve itself in the way which we expect it to. I'll give no more details, but when you watch the film, ask yourself: isn't *this* resolution ten times more creepy and effective than the one we thought we saw coming. Already, five minutes in, it's clear that The Mummy has a far more wicked, sophisticated sense of horror than any of the other big "monsters" of the day (Dracula, Frankenstein, Wolf Man, etc.) - and a good deal more than many that have come after, too.

But of course, all the style in the world ultimately cannot save a weak or hackneyed script. And so it's a great pleasure to report that all of Freund's technical finesse is at the service of a really super cool story. Not content to be merely a spooker, the film is also - nay, one might even say primarily - a tragic love story: one that deals intelligently with such provocative notions as forbidden love, reincarnation, religious desecration, inhuman torture, and a strong sub-theme of the desire to respect the past vs. the need to live for the moment. All of these elements swirl so ingeniously and non-didactically in The Mummy's streamlined storyline, that I'm tempted to proclaim this at once both the most compact, as well as the most ambitious, horror movie script I have ever come across.

Of course, such superlatives can get you in trouble too, so let me add that yes, there are flaws - mainly the ones endemic to all horror movies of the time. The so-called "hero" is once again a young man of no charm or interest whatsoever. Meanwhile, the venerable old "expert" who must explain the ways of the monster to everyone else is already a tired convention at this point - and since the role here is played by Edward Van Sloan (who was Van Helsing in the original "Dracula" and its sequel "Dracula's Daughter", as well as Dr. Waldman in "Frankenstein") there is an even greater than usual sense of perfunctoriness to the undertaking. However, even here the movie displays its strength and uniqueness by toying with our expectations of what these stock characters will be able to do and achieve. Whereas in most other horror films, the romantic lead and the crusty old doctor end up being the white knights who vanquish the monster and save the girl, here they operate on a much less exalted plane - and are thereby made more human in the process.

As for faults, that's pretty much it. The pace is masterful; some have called it slow, but I strongly disagree. The film flows naturally and inevitably, with every scene building upon the one before it. There's nothing extraneous in the way it unfolds - achievement enough when compared to the countless other horror movies of its day. As an added treat, there is a flashback sequence in the middle of the movie that is a mini-masterpiece all by itself: it has all the fury and grandeur of a D.W. Griffith silent, honed and encapsulated down to its bare essence. It tells the tale of the title character's previous life with an economy and precision that could still serve as a model for filmmakers today. And, well, most of all, the movie has. . . Boris Karloff.

I've restricted my discussion of him until the end because his towering greatness is so routinely accepted and understood that it's almost redundant to comment upon it. Also, I wanted to make clear that, though he is the film's chief asset, he is far from its only one. But there's no question that it is his stately, brooding, menacing performance that ultimately pushes this film over into the realm of greatness. The key thing here is this: while the concept of a centuries-old being raised from the dead and out for vengeance is a great *idea*, Karloff's portrayal is what gives it tangible, terrifying REALITY. Observing this man - with his stiff ramrod posture, his measured and stately movements, and his absolutely hypnotic voice - we are truly convinced, on a visceral level, that yes here indeed is the walking dead. That kind of verisimilitude is rare enough in horror movies of any era, and its presence here stands as an absolute revelation. Just as does the entirety of this wonderful, exquisitely made film.


7 of 7 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 189 user reviews »

Contribute to This Page

Free Movies and TV Shows You Can Watch Now

On IMDb TV, you can catch Hollywood hits and popular TV series at no cost. Select any poster below to play the movie, totally free!

Browse free movies and TV series

Stream Trending TV Series With Prime Video

Explore popular and recently added TV series available to stream now with Prime Video.

Start your free trial



Recently Viewed