After killing an unknown man for an unknown reason, a mysterious drifter turns himself to the law, under a false name intending to protect his own family's honor. But when the news of his ... See full summary »
William K. Howard
Johnny Mack Brown
Having returned from fighting in World War I, James Allen doesn't want to settle into a humdrum life and decides to set off to find his fortune. He travels the length and breadth of America, working as a skilled tradesman in the construction industry. When times get tough however, he finds himself living in a shelter where an acquaintance suggests they go out for a hamburger. What the friend really has in mind is to rob the diner and Allen soon finds himself working on a chain gang with a long jail sentence. Allen manages to escape however and heads to Chicago where over several years he slowly but surely works his way up the ladder to become one of the most respected construction engineers in the city. His past catches up with him and despite protestations from civic leaders and his many friends in Chicago, he finds himself again on the chain gang. Escaping for a second time, he accepts that to survive, he must lead a life of crime.Written by
Although many reviews refer to the film's locale as Georgia, the film itself leaves its southern location unnamed. See more »
Calendar pages flip several times in the film and it is always the same calendar even though the events of the story unfold over the course of many years. The first calendar flipping should be 1923 or 1924. The next is in 1929/30. The last flipping is likely intended to be 1930/31. In all cases, a 1932 (could be 1904, but due to the date of the film, 1932 is more likely) calendar is used. In two instances, the date flips from December to January and in both instances Jan 1 falls on the wrong day. Instead of using a 1933 calendar for January, they simply used the same 1932 calendar. See more »
Don't you see, Marie? If you get a divorce, I'll give you anything you want. I swear I will.
What's the use of arguing, arguing, arguing? I told you I'm satisfied with the way things are!
Can't you see that neither of us will be happy this way?
I'm happy! I'm taking no chances of letting you go! Hey, listen! You're going to be a big shot someday with plenty of sugar and I'm going to ride right along. Get that? Huh, I'm no fool. I'd be a sucker to let you go now.
But I'm in love with another ...
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Masterpiece that keeps influencing as much as it enthrals.
Being a man who has a very unhealthy penchant for any film that deals with incarceration, it is with great elation that I can proudly proclaim this to be one of the greatest films of the genre. I had to finally give way and import the film on Region 1 to see what I was missing, boy it was joyous to see how this film has influenced some of my favourite film's of all time.
This is one tough movie, it pulls no punches and the only surprise is that it was made in 1932, that the film is a grizzled masterpiece is down to the astute direction of Mervyn LeRoy and a quite brilliant performance from Paul Muni in the lead role of James Allen. Based on the real life writings of Robert Elliot Burns, the film is a harsh kick in the guts about the brutal penal system that existed when most of us were mere glints in our Father's eyes. It is part of a Warner Brothers controversial classic's box set that is available on Region 1, and its place on any controversial classic list is worthy.
The film had major impact on reviews of the penal system, it caused uproar in Georgia (the film never mentions Georgia, but they knew it was about them), law suits followed and Robert Elliot Burns himself was constantly pursued by the authorities despite the state being privy to the actual facts of his case. I wont be boorish with the details as it is well documented across the net and those who haven't seen the film really need to address that issue! I Am A Fugitive From A Chain Gang strips it down to a primal story that begs a viewing from anyone interested in the genre-or actually for those interested in brilliant cinema from a golden era. 10/10
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