A tramp falls in love with a beautiful blind girl. Her family is in financial trouble. The tramp's on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.Written by
John J. Magee <firstname.lastname@example.org>
In the famous final scene where the blind woman and Chaplin are staring at one another, the flower Chaplin is holding is seen to move from being held in his hand against his chest to slightly in his mouth between over the shoulder shots at the blind girl and the shots at him. See more »
About seven minutes of footage of Georgia Hale playing the flower girl exists and is included in the 2003 DVD release. The footage was shot during a brief period when the actress originally cast to play the character had been fired and replaced with Hale, but Chaplin was forced to resume filming with the original actress due to the amount of film already shot. See more »
This is my favorite Chaplin film, but I don't want that to diminish his other work, either. MODERN TIMES was an outstanding work of social satire, THE GOLD RUSH was great slapstick, and even the largely-neglected MONSIEUR VERDOUX strikes a certain unforgettable tone. Chaplin didn't make a bad movie, and I'm not even sure that CL is his best, exactly. But it IS my favorite, if only for the ending.
That ending has been the subject of much comment here. I think it's a masterpiece in a single scene. Chaplin's little tramp has never seemed less like a character and more like a living, breathing human being. It's a monument to understated sentimentality.
To me, the rest of the film exists largely to set the context for that one magnificent piece of celluloid. Yes, the boxing scene is great, and the scene where he rescues the millionaire is also wonderful, but it's that ending that makes us all love this movie.
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