Pamela B. Green's energetic film about pioneer filmmaker Alice Guy-Blaché is both a tribute and a detective story, tracing the circumstances by which this extraordinary artist faded from memory and the path toward her reclamation.
Trixie Thompson concludes that the only way she could save her sister from dying of the "white plague" is by preventing the autumn leaves from falling. Little Trixie knows all this because ... See full summary »
A young shop girl is dance mad, even winning prize cups in competitions. Circulating with lots of people gives her a dubious reputation, but we see it's unwarranted. The son of the owner of the department store she works in falls for her without realizing her status. at length, he puts her to a test to see just what kind of girl she is.Written by
A whoopee picture about the wild younger set. The real low down on flaming youth-right from the shoulder, right to your heart. You are the loser if you don't see "Why Be Good." (print ad- Anniston (Ala.) Star, 24 March 1929) See more »
The film was lost for decades until it was found in the late 1990s. The sole known 35mm nitrate print was discovered in an Italian archive. The print had been donated by actor Antonio Moreno who starred in Colleen Moore's Synthetic Sin (1929). See more »
When Peabody, Sr. enters the Store Manager's office he calls him Ralph. But the name on the Manager's door is H.B. Lewis. See more »
My own daughter accepting clothes from a man like a common strumpet.
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I'm Thirsty for Kisses - Hungry for Love
Music by J. Fred Coots
Lyrics by Lou Davis
Sung during the opening credits, beginning scenes and at the end by Eddie Willis, Carlton Boxeil, Stanley McClelland and Fred Wilson
Played often throughout the picture as Pert and Junior's theme See more »
Silent Sounds Spectacular
On the 50th floor of a modern skyscraper in New York City, handsome young millionaire Neil Hamilton (as Winthrop Peabody Jr.) has a wild party to celebrate a new job managing his father's department store. In a poorer section of town, perky flapper Colleen Moore (as Pert Kelly) dances at fast-motion to "Sweet Georgia Brown" in a Charleston contest. A clear winner, Ms. Moore is also one of the thousand "cuties" employed as a clerk at Peabody's department store. Later, she hooks up with Mr. Hamilton at a hot roadhouse called "The Boiler". Moore angers her parents by arriving home late, but she really lives a virtuous life. However, Moore is late for work and ordered to see the new store manager...
Moore's last silent is very nicely produced, for its star, by John McCormick. Director William A. Seiter and his crew present Moore in a flattering light, and give us a tasteful peak at her underwear in a couple of scenes. Trying to make time with Moore before she meets Hamilton, amorously greasy Louis Natheaux (as Jimmy Alexander) is a stand-out. Carey Wilson's story was a standard for the time. A pretty clerk getting attention from an (ideally, department store) millionaire was a common fantasy. The plot was well-worn, and doesn't fit the "flapper" girl. Mary Pickford and Clara Bow had released finer films on the topic. Moore's best rags-to-riches story is, appropriately, "Ella Cinders" (1926)...
This was Moore's final "silent" film. She transitioned to the "talkies" as well-spoken, but without distinction. Moore was likely hurt by being so closely associated with a bygone era. She was #1 in the industry's "Quigley Poll" of box-office stars for 1926. "Why Be Good" finds its star acting almost purely with the exaggerated silent mannerisms associated with silents. In the past, Moore demonstrated some of the subtly and style which would prove useful in all-talking pictures; but, here, she makes her preference known. The recently re-discovered print of "Why Be Good?" is spectacular, and it survives with its beautifully rendered "Synchronized Musical Score and Sound Effects" track. Let's see more...
****** Why Be Good? (1929-02-28) William A. Seiter ~ Colleen Moore, Neil Hamilton, Louis Natheaux, Bodil Rosing
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