At the Opera of Paris, a mysterious phantom threatens a famous lyric singer, Carlotta and thus forces her to give up her role (Marguerite in Faust) for unknown Christine Daae. Christine meets this phantom (a masked man) in the catacombs, where he lives. What's his goal ? What's his secret ?Written by
A full working organ was installed at the Astor Theater in New York City for the film's premiere. See more »
When Ledoux directs Christine and Raoul away from the Phantom, he lowers his hand and points down twice. See more »
His eyes are ghastly beads in which there is no light - like holes in a grinning skull! His face is like leprous parchment, yellow skin strung tight over protruding bones! His nose - there is no nose!
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In 1925 (and for many years afterwards), credits used to appear at the beginning of movies. In "The Phantom of the Opera", the credits do appear at the beginning and are also repeated at the end, preceded by the following caption: "This is repeated at the request of picture patrons who desire to check the names of performers whose work has pleased them." See more »
The Kino Company has restored and released a 1930 re-edited version of this film which includes footage shot in 1929 to replace original scenes deleted from the 1925 version. Kenneth Brownilow finished a complete restoration of the 1925 original edit in 1996 with an original score by BBC composer Carl Davis, but this film has only been shown twice in live performances and is not available commercially or on video. Restoration completed by Richard Lloyd (1999); transfer from D1 supervised by Kevin Phelan (Digital Film at The Moving Picture Company) See more »
The pathos of Lon Chaney gave the Phantom its dimension...
Lon Chaney was the first of the long line of Phantoms and the one against whom all his successors had to be measured
The story, despite all its alternatives, is the familiar one of the musician avoiding the world because of his disfigurement and retreating to a hideout beneath the Opera House, from where he emerges to terrorize singers and audience alike
He kidnaps a young girl singer perhaps to teach her to become a great star; certainly because, in his grotesque and pathetic way, he loves her and carries her off to a boudoir he has prepared far underground
There was melodrama in plenty: in the first version, for example, two would-be rescuers found themselves trapped in an uncomfortable mirrored room the Phantom had prepared, where they first got a heat treatment and then were flooded
But, beyond all the heightened effects, it was the pathos of the Phantom underscoring his lonely menace which gave the character a dimension, and the isolation of the captor and his captive, imprisoned to a literal underworld, which gave the suspense of the whole film its power
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