Although critics raved and audiences attended, it did not ensure a flourishing filmmaking career the way it might have for a young white male director. Projects stalled or money never came through. She found work, but it’s the gap years on her IMDb profile that neither she nor her audiences will ever get back.
Lemmons’ “Harriet” should have been a heroic return to the world stage. Instead, it’s a disappointingly standard biopic, one whose technical flaws and paint-by-numbers clichés threaten to overshadow its subject’s compelling story.
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