Cannes Correspondences #10: Friendly Kisses and Inseparable Sisters

The Notebook is covering Cannes with an on-going correspondence between critic Leonardo Goi and editor Daniel Kasman.Matthias & MaximeDear Danny, How nice it was to read your glowing words on Bong Joon-ho’s Palme d’Or contender. His Parasite belongs, together with a handful of other main competition entries, to a list of Cannes titles I shall be catching up on Saturday, when the festival will run a few repeat screenings ahead of the awards ceremony. With a program as rich and tantalizing as this year’s, it’s virtually impossible not to let a few titles slip past you. And while I may have postponed my rendezvous with the likes of Céline Sciamma, Pedro Almodóvar, and Bong Joon-ho, I did make sure to catch the homecoming of one of Cannes’ youngest regulars, Xavier Dolan. Ever since his 2009 debut feature I Killed My Mother, which found a spot at the 2009 Directors’ Fortnight,
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