Mae West Poster


Jump to: Overview (5)  | Mini Bio (2)  | Spouse (2)  | Trade Mark (5)  | Trivia (53)  | Personal Quotes (45)  | Salary (5)

Overview (5)

Born in Brooklyn, New York, USA
Died in Hollywood, Los Angeles, California, USA  (complications from strokes)
Birth NameMary Jane West
Nicknames "Queen of the World"
"The Statue of Libido"
Height 5' (1.52 m)

Mini Bio (2)

Mae West was born in Queens, New York, to "Battling Jack" West and Matilda Doelger. She began her career as a child star in vaudeville, and later went on to write her own plays, including "SEX", for which she was arrested. Though her first movie role was a small part in Night After Night (1932), her scene has become famous. A coat check girl exclaims, "Goodness! What lovely diamonds!", after seeing Mae's jewelry. Mae replies, "Goodness had nothing to do with it". Her next film, in which she starred, came the following year. She Done Him Wrong (1933) was based on her earlier and very popular play, "Diamond Lil". She went on to write and star in seven more films, including My Little Chickadee (1940) with W.C. Fields. Her last movie was Sextette (1977), which also came from a play. She died two years later.

- IMDb Mini Biography By: Carla Donnell

Mary Jane West was born in Brooklyn, New York, on August 17, 1892, to parents involved in prizefighting and vaudeville. Mae herself worked on the stage and in vaudeville from the time she was five years old. She never was academically inclined because she was too busy performing. She studied dance as a child, and by the time she was 14 she was billed as "The Baby Vamp" for her performances on stage. Later Mae began writing her own plays. One of those plays, "Sex", landed her in jail for ten days on obscenity charges in 1926. Two years later her play "Diamond Lil" became a huge Broadway success. Mae caught the attention of the Hollywood studios and was given her first movie role with George Raft in Night After Night (1932). Although it was a small role, she was able to display a wit that was to make her world-famous. Raft himself said of Mae, "She stole everything but the cameras." She became a box-office smash hit, breaking all sorts of attendance records. Her second film, She Done Him Wrong (1933), was based on her earlier and popular play that she had written herself. The film was nominated for an Academy Award as Best Picture. It also made Cary Grant a star. Her third film later that year was I'm No Angel (1933). The controversy aroused by these two films resulted in the studios establishing the Motion Picture Production Code, which regulated what content could be shown or said in pictures. As a result of these codes, Mae began to double-talk so that a person could take a word or phrase any way they wished. This was so she could get her material past the censors, and it worked. She really felt she had a vested interest because it was her written work being scrutinized. She had already written and performed these for the stage with the very material now being filmed. Her next film, Belle of the Nineties (1934), was an equal hit. By 1936, with Klondike Annie (1936) and Go West Young Man (1936) she became the highest paid woman in the US. After 1937's Every Day's a Holiday (1937), she didn't make another film until 1940, when she co-starred with W.C. Fields in another film she wrote herself, My Little Chickadee (1940). It was well known she had little use for Fields and his ways, which were crude even for her. After The Heat's On (1943), Mae took a respite from the film world, mainly because the censors were getting stricter. She decided she would be able to have greater expression in her work if she went back to the stage. Mae continued to be a success there. When censorship began to end in the 1960s, she returned to film work in 1970's Myra Breckinridge (1970). Her last film was 1978's Sextette (1977). Mae suffered a series of strokes which finally resulted in her death at age 87 on November 22, 1980, in Hollywood, California. She was buried in New York. The actress, who only appeared in 12 films in 46 years, had a powerful impact on us. There was no doubt she was way ahead of her time with her sexual innuendos and how she made fun of a puritanical society. She did a lot to bring it out of the closet and perhaps we should be grateful for that.

- IMDb Mini Biography By: Denny Jackson

Spouse (2)

Guido Deiro (1914 - 9 November 1920) ( divorced)
Frank Wallace (11 April 1911 - 23 July 1942) ( divorced)

Trade Mark (5)

Platinum blonde hair
Sparkling blue eyes
Voluptuous figure
Deep sultry contralto voice
Rampant double entendres.

Trivia (53)

Hollywood's outrageous, self-proclaimed psychic Criswell predicted in 1955 that she would win the 1960 Presidential election, and would fly to the moon in 1965 with him and friend Liberace!.
After two years of denying that she had ever been married, West admitted in a reply to a legal interrogatory in 1937 that she and Frank Wallace had married in 1911. During her divorce trial in 1942, she testified that they had lived together only "several weeks".
According to Tony Curtis, her famous walk originated while beginning her career as a stage actress. Special six-inch platforms were attached to her shoes to increase the height of her stage presence. Her walk literally was "one foot at a time".
During World War II, United States Navy and Army pilots and crewmen in the Pacific named their inflatable life vests after her, supposedly because of her well-endowed attributes. The term "Mae West" for a lifejacket continues to this day.
She was with George Raft in both her first (Night After Night (1932)) and last (Sextette (1977)) film.
Appears on sleeve of The Beatles "Sgt Pepper's Lonely Hearts Club Band". West at first declined to be pictured on the cover ("What would I be doing in a lonely hearts club?!"), but reconsidered when The Beatles sent her a handwritten personal request.
Former Beatle Ringo Starr appeared with West in Sextette (1977). He was unpleasantly surprised at first, at all the attention given her on the set (usually reserved for pop stars like The Beatles), but came to admire West during the shoot, and praised her afterwards.
Is sometimes credited with originating the Shimmy (a once-popular dance).
Was banned from NBC Radio after a guest appearance in 1937 with Edgar Bergen and Charlie McCarthy that was loaded with flirtatious dialogue and double-entendres. She returned to the network as a guest on Perry Como's Kraft Music Hall (1948) in 1949.
She was famous for her morning enemas, which she claimed made her skin like silk and left her "smelling sweet at both ends". On the set of her last film Sextette (1977), co-star Tony Curtis claimed that she was given an enema after being made up, at approximately 11:00 in the morning, as the last step of her preparations before going before the camera.
According to psychic Kenny Kingston, she wrote all her plays while in a trance.
Her films are credited with single-handedly saving failing and debt-ridden Paramount Pictures from bankruptcy in the early 1930s.
Was named #15 Actress on The American Film Institutes 50 Greatest Screen Legends
At one point, her chauffeur was Jerry Orbach (who is best known for playing Detective Lennie Briscoe on all four "Law & Order" television series).
Died two days before her Night After Night (1932) and Sextette (1977) co-star George Raft.
Is portrayed by Ann Jillian in Mae West (1982) and by Gloria Gray in Marlene (2000)
One of the first women to consistently write the movies she starred in.
Playing opposite Ed Wynn in Arthur Hammerstein's "Sometime," with music by Rudolf Friml, she introduced the shimmy to the Broadway stage in 1918. The dance requires hardly any movement of the feet but continuous movement of the shoulders, torso and pelvis. She had seen the dance at black cafés in Chicago.
Once when she was scheduled to play a theater in New Haven, Conneticut, the theater's management refused to let her go on because her act was too "risqué" and canceled the show. Disappointed, Yale University students rioted and wrecked the theater.
Eldest of three children of John Patrick West, an occasional prizefighter and livery-stable owner, and Matilda Delker Doelger, a one-time corset and fashion model. A baby girl died before Mae was born and a girl and a boy were born after.
During World War II her name was applied to various pieces of military equipment, and was thus listed in Webster's New International Dictionary, Second Edition. The Royal Air Force named its inflatable life jackets "Mae Wests", and US soldiers referred to twin-turreted combat tanks as "Mae Wests".
Was not a smoker or a drinker.
Died apparently of natural causes in the wake of a mild stroke she suffered three months prior that left her speech impaired. Also suffered from diabetes the last 15 years of her life.
She was born Mary Jane West in the Bushwick section of Brooklyn. Mae's father, John Patrick "Jack" West, was a featherweight prizefighter called "Battling Jack" West, and later a stable master; he was of English and Irish descent (his own mother was an Irish immigrant). Mae's mother, Matilda Decker Doelger, was an immigrant from Germany.
Turned down a role in Roustabout (1964), which eventually went to Barbara Stanwyck.
Was at one point Hollywood's highest paid star.
Surrealist artist Salvador Dalí created one of his most iconic works influenced by her: "Mae West's Lips Sofa" (1937).
The Coca-Cola bottle was said to have been designed with Mae West's figure as inspiration.
There is a photo in fundamentalist preacher Billy Sunday's autobiography (circa 1932) of he and West pouring out a bottle of beer into the river.
Was in consideration for the part of Norma Desmond in Sunset Blvd. (1950) but Gloria Swanson, who went on to receive a Best Actress Oscar nomination for her performance, was cast instead.
Has a star on the Hollywood Walk of Fame at 1560 Vine St.
Although critics thought that she and W.C. Fields worked well together on camera in My Little Chickadee (1940), off-screen they couldn't stand each other.
In April 1927 she was convicted of "producing an immoral play", the title of which was "Sex". She was sentenced to ten days in jail in New York City, but was given one day off for good behavior.
Critic George Jean Nathan once called her "The Statue of Libido".
When W.C. Fields called her "My little broodmare", she almost hit him.
Guido Deiro claims that West married his father, Guido Deiro, in 1914 under an assumed name, Catherine Mae Belle West, and on the condition of secrecy. West filed for divorce from Deiro on the grounds of adultery on July 14, 1920. The divorce was granted by the Supreme Court of the State of New York on November 9, 1920.
Sister of singer Beverly Arden.
The comedy entitled "Sex" she wrote in 1926 revived in NY, off Broadway, Dec. 1999.
Graduated from Brooklyn's Erasmus Hall High School in 1911, as did silent film star Norma Talmadge.
She had a double thyroid. Her doctor wanted her to have one of her thyroids surgically removed, but she refused as the double thyroid was not affecting her health in the slightest.
A "Mae West" is a slang term for type of parachute malfunction called a "lineover" in which the suspension lines divide the main canopy into two sections, lending the appearance of a huge brassiere.
Made her Broadway debut on September 22, 1911, at the New York Folies Bergère, co-owned by Jesse L. Lasky. Twenty-one years later, West signed with Paramount Pictures, which was co-founded by Lasky.
Owned a chimpanzee she named Coffee that she gave to her friend Ralph Helfer, renowned animal trainer and Hollywood animal behaviorist who owned the "Africa U.S.A." Exotic Animal Ranch in Soledad Canyon, CA.
Her frank, sexual innuendo-laced play "Sex" opened at Daly's 63rd Street Theatre on April 26, 1926. Ironically, that theatre had been built twelve years earlier by two Christian societies - the People's Pulpit and the International Bible Student's Association - that had intended it to be used for the presentation of biblical films and lectures.
Lent her name to life preservers, art, graphs, album covers, statues, table radios, songs, etc.
Is mentioned in Cole Porter's song "Anything Goes" from his musical of the same name.
Her father built a stage for her in the basement of their house in Brooklyn.
Her mother had wanted to be an actress.
The US Congress list of highest salaries for 1936 (published on January 7 1937) had her as the highest Hollywood earner with £96,166 (GBP) ahead of Marlene Dietrich (second at £73,000) and Bing Crosby (third at £63,781). For context, newspaper publisher William Randolph Hearst had the highest US salary in 1936 with £100,000.
One of her boyfriends and life long friends was the African American Boxer William Jones, nicknamed Gorilla Jones. When management at her Ravenswood apartment building barred him from entering, she solved the problem buy purchasing the building and lifting the ban.
Ravenswood Apartments, West's longtime residence on Rossmore Ave., is shown in Hollywood Mouth 3 (2018). Others who lived in Ravenswood over the years were Alice Faye, Clark Gable, Ida Lupino, Hedda Hopper, Judy Garland, Ethel Merman, and crime writer James Ellroy. West also owned a beachfront house at 514 Palisades Beach Rd. in Santa Monica.
Got her start at Neir's in Woodhaven, Queens, New York.
She has appeared in one film that has been selected for the National Film Registry by the Library of Congress as being "culturally, historically or aesthetically" significant: She Done Him Wrong (1933).

Personal Quotes (45)

It's better to be looked over than overlooked.
A hard man is good to find.
Men are my life, diamonds are my career!
When women go wrong, men go right after them!
When caught between two evils I generally pick the one I've never tried before.
When I'm good, I'm very good. But when I'm bad, I'm better.
Marriage is a great institution. I'm not ready for an institution.
It's not the man in your life that counts. It's the life in your man.
Is that a gun in your pocket or are you just glad to see me?
I believe in censorship. After all, I made a fortune out of it.
I only like two kinds of men: Foreign and Domestic.
Too much of a good thing is wonderful.
I'm no model lady. A model's just an imitation of the real thing.
Don't marry a man to reform him. That's what reform schools are for.
It's hard to be funny when you have to be clean.
I wrote the story myself. It's all about a girl who lost her reputation but never missed it.
It ain't sin if you crack a few laws now and then, just so long as you don't break any.
Personality is the glitter that sends your little gleam across the footlights and the orchestra pit into that big black space where the audience is.
Good girls go to heaven. Bad girls go everywhere else.
I used to be Snow White, but I drifted.
Ten men waiting for me at the door? Send one of them home, I'm tired.
[on desire] Sex is an emotion in motion . . . love is what you make it and who you make it with.
I do all my writing in bed; everybody knows I do my best work there.
To err is human, but it feels divine.
Few men know how to kiss well. Fortunately, I've always had time to teach them.
I always save one boyfriend for a rainy day . . . and another in case it doesn't rain.
Why don't you come up sometime and see me? I'm home every evening . . . Come up, and I'll tell your fortune.
I freely chose the kind of life I led because I was convinced that a woman has as much right as a man to live the way she does if she does no actual harm to society.
The man I don't like doesn't exist.
I generally avoid temptation unless I can't resist it.
It isn't what I do, but how I do it. It isn't what I say, but how I say it, and how I look when I do it and say it.
I'm not good and tired, just tired.
Men are easy to get but hard to keep.
[on style] It's all right for a perfect stranger to kiss your hand as long as he's perfect.
[on love] A man's kiss is his signature.
[on growth] He who hesitates is a damn fool.
A dame that knows the ropes isn't likely to get tied up.
[on Marilyn Monroe] The only gal who came near to me in the sex appeal department was pretty little Marilyn Monroe. All the others had were big boobs.
My advice for those gals who think they have to take their clothes off to be a star is: baby, once you've boned, what's left to create an illusion? Let 'em wonder .I never believed in givin' 'em too much of me.
I'm my own original creation. I concentrate on myself most of the time. That's the only way a person can become a star in the true sense. I never wanted a love that meant surrender of my self-possession. I saw what it did to other people when they loved another person the way I loved myself, and I didn't want that problem. I had to stay in command of my career.
[on her popularity within the gay community] They're crazy about me 'cause I give 'em a chance to play. My character is sexy and with humor and they like to imitate me, the things I say, the way I say 'em, the way I move. It's easy for'em to imitate me 'cause the gestures are exaggerated, flamboyant, sexy, and that's what they want to look like, feel like. And I've stood up for 'em. They're good kids. I don't like the police abusin' 'em, and in New York I told 'em, "When you're hittin' one of those guys, you're hittin' a woman, 'cause a born homosexual is a female in a male body".
Almost anything goes, anywhere, if it is good and fast and amusing. Risque material is only offensive if badly done, without style and charm. I brought my own sophisticated ideas and style to the vaudeville stage but I had to adjust it to the standard of each theatre, and even to each night's audience.. The theatre manager, if he was a man with experience and knew his business, could usually tell me what the people in town were like, and what the difference in audiences was on other nights. I usually found that one night a week you would get a top society crowd, and another night you'd get mostly working-class people. Other nights there would be family groups--especially on Friday nights when the kids didn't have to go to school the next day. Saturday nights everybody was out for a good time, so audiences were both mixed and terrific.
Virtue has its own reward, but has no sale at the box office.
I was in the office at Paramount, and they gave me a large book with a lot of photographs of different leading men, and I was sitting at a table or a desk right near the window and the door, and uh, after I looked at a few I kind of glanced out the window and I saw this good-looking guy walk across the street. So, I said, "That's about the best-looking thing in Hollywood: who is he?" So they looked, and they said, "Oh, that's Cary Grant. We haven't used him in a picture as yet, but we made tests of him with some of the starlets." I said, "Well, if this guy can talk, I'll take him." So they called him in, and we met, and he said, "How d'ya do?" and I said, "OK." And they said, "What part?" and I said, "The lead, of course." So he got the lead.
[on her father, prizefighter Jack West] Cruel . . . I took a dislike to him.

Salary (5)

Night After Night (1932) $50,000 for 10 weeks work
She Done Him Wrong (1933) $130,000
I'm No Angel (1933) $300,000
Belle of the Nineties (1934) $400,000
Myra Breckinridge (1970) $350,000 for 10 days work

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