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Arcade Fire Turn Lullaby ‘Baby Mine’ Into a Rock Ballad for Tim Burton’s ‘Dumbo’ Movie (Video)

Arcade Fire Turn Lullaby ‘Baby Mine’ Into a Rock Ballad for Tim Burton’s ‘Dumbo’ Movie (Video)
If Tim Burton seemed like an offbeat choice to direct Disney’s live-action adaptation of “Dumbo,” you can bet he found an equally unusual choice to sing the film’s signature lullaby “Baby Mine,” Arcade Fire.

The indie rockers turned the soothing lullaby into a lilting, elegant rock song and even introduced some of their strange instrumentation. Lead singer Win Butler said the song features harp, theremin and an instrument called the Sonovox.

“My mom plays the harp on the track, my brother the theremin, my wife sings and plays drums, and our son even plays the triangle, as well as the rest of our ‘family’ in Arcade Fire,” Win Butler said of the recording in a statement (via Pitchfork). “I will forever relate to the song thinking about the people I hold so dear that are ‘so precious to me.’ Listen for the cameo of my grandpa Alvino’s famous Sonovox at the end.
See full article at The Wrap »

Miss Sadie Thompson

Rita Hayworth in 3-D, in a hot story that was acceptable for 1925 and 1932, but too racy for repressed 1953. On a tropical island, a prostitute cabaret singer battles a fiery preacher missionary inspector for her freedom. Hayworth is dynamite, and it takes all of her talent to keep the show afloat, with so much interference from the equally repressed censors. Miss Sadie Thompson 3-D 3-D Blu-ray Twilight Time 1953 / Color / 1:85 widescreen / 91 min. / Street Date July 12, 2016 / Available from Twilight Time Movies Store29.95 Starring Rita Hayworth, José Ferrer, Aldo Ray, Russell Collins, Diosa Costello, Harry Bellaver, Wilton Graff, Peggy Converse, Henry Slate, Rudy Bond, Charles Bronson, Jo Ann Greer. Cinematography Charles Lawton Jr. Original Music George Duning, Morris Stoloff, Ned Washington, Lester Lee Written by Harry Kleiner from a story by W. Somerset Maugham Produced by Jerry Wald Directed by Curtis Bernhardt

Reviewed by Glenn Erickson

Yes!  3-D on Blu-ray shows no sign of going away,
See full article at Trailers from Hell »

Oscar-Nominated Film Series: WB Queen Davis Sensational as Passionately Cold-Hearted Murderess

'The Letter' 1940, with Bette Davis 'The Letter' 1940 movie: Bette Davis superb in masterful studio era production Directed by William Wyler and adapted by Howard Koch from W. Somerset Maugham's 1927 play, The Letter is one of the very best films made during the Golden Age of the Hollywood studios. Wyler's unsparing, tough-as-nails handling of the potentially melodramatic proceedings; Bette Davis' complex portrayal of a passionate woman who also happens to be a self-absorbed, calculating murderess; and Tony Gaudio's atmospheric black-and-white cinematography are only a few of the flawless elements found in this classic tale of deceit. 'The Letter': 'U' for 'Unfaithful' The Letter begins in the dark of night, as a series of gunshots are heard in a Malayan rubber plantation. Leslie Crosbie (Bette Davis) walks out the door of her house firing shots at (barely seen on camera) local playboy Jeff Hammond, who falls dead on the ground.
See full article at Alt Film Guide »

Disney's 'Pinocchio': 25 Things You Didn't Know About the Animated Classic

Given how revered Disney's "Pinocchio" is today, it's hard to believe it was a flop when it was first released exactly three quarters of a century ago. Upon its New York City premiere, on February 7, 1940, critics hailed the film as a masterpiece, and even to this day, many prefer it to Disney's pioneering first animated feature, 1937's "Snow White and the Seven Dwarfs." Yet it took the film many years and multiple re-releases to make a profit.

Today, of course, the legacy of "Pinocchio" is inescapable. Everyone's image of the puppet-boy with the nose that grows when he lies comes not from Carlo Collodi's original novel but from the kid with the Tyrolean hat and the Mickey Mouse gloves, as drawn by Disney animators. And the opening tune, Jiminy Cricket's "When You Wish Upon a Star," is ubiquitous as the theme music played before every Walt Disney movie and home video release.
See full article at Moviefone »

Mindy Newell: Baby Mine

  • Comicmix
Baby mine, don’t you cry. / Baby mine, dry your eyes. / Rest your head close to my heart, never to part, / Baby of mine. • From Walt Disney’s “Dumbo”(1941), Words and Lyrics by Frank Churchill and Ned Washington

So Donna Troy is coming back.

Only this isn’t the vibrant, intelligent, powerful, and oh-so-very human – with all the foibles and strengths inherent in homo sapiens – young woman that I came to know and love back in the day when Marv Wolfman and George Pérez created and collaborated on The New Teen Titans.

This is a Donna created through the teamwork of Meredith and David Finch, who has been granted life through the dark arts, through black magic, and as she rises naked from the brewing miasma of a black cauldron, and so we react with fear and horror, our intrinsic fear of human sacrifice, blood ritual, and “unnatural” life causing
See full article at Comicmix »

Will ‘Frozen’ Continue the Best Original Song Success of Animated Films?

By Terence Johnson

Managing Editor

One of the bright spots this past film year was the success of Disney’s Frozen. On the strength of it’s more modern princesses and an infectious score, the film set box office records and has garnered two Oscar nominations, Animated Feature and Best Original Song for “Let It Go”, its infectious hit. In honor of Frozen’s nomination, we figured it was time to take a look at the history of animated movies in Original Song.

The history of animated films picking up nominations and wins in Best Original Song is a tale as old as time (see what I did there?). Since the 1930s, animated films have won this award 13 times and over 50 nominations, which you can see below. This is an even greater feat when you think about the consideration that animated films get when lists of musicals are made (they
See full article at Scott Feinberg »

Dumbo 70th Anniversary Blu-Ray Review

Always one of my favorites from Disney, Dumbo has been released as a special 70th Anniversary issue Blu-Ray and DVD. One of the truly magical efforts in the Disney collection, the courageous little elephant has stolen the hearts of viewers since it was first released.

The story itself hardly needs any introduction at this point (though even fans may be surprised when forced to recall that the feature is only 64 minutes long), but the amazing restoration and reissue deserves its own fanfare.

Going back to the original nitrate negative, the film has been restored to its original splendor, and the Blu-Ray looks far better than one could hope, especially considering the original process, and how long ago this was. It's a wonder to behold, and filled to bursting with an amazing palette that really shows off how it was meant to look.

Much like the recent release of Bambi, the
See full article at AreYouScreening »

Dumbo Blu-ray Trailer!

Dumbo Blu-ray Trailer!
Walt Disney Studios Home Entertainment has just announced the 1941 classic Dumbo will be re-released in an all new 70th Anniversary Edition on Blu-ray and DVD on September 20. The studio has also released a new trailer for this Bd release, which you can watch below. You can also read the full press release with details on pricing, special features, and the restoration process of this animated classic below the trailer.

Click to watch Dumbo Trailer!

Walt Disney Studios Home Entertainment invites audiences to let their spirits soar with the release of the beloved animated classic Dumbo, for the first time ever in high definition as a 70th Anniversary Edition, coming on September 20, 2011. The Academy Award-winning (1942, Best Music, Scoring of a Musical Picture) favorite will take flight for the first time with a premium restoration in stunning Blu-ray highdefinition featuring pristine 7.1 Digital Theater System High-Def Surround Sound, allowing fans to see more,
See full article at MovieWeb »

A Master Class With Michael Feinstein

The most compelling aspect of the master class that Michael Feinstein recently taught at Five Towns College in Dix Hills, N.Y., was that by the time the two hours had elapsed, he had encountered—and made strides to correct—just about every problem faced by not only new but seasoned singers.Affable and amusing, as he always is on the bandstand, and consistently complimentary, Feinstein was there to help shape up eight wannabes taking a course taught by the singer La Tanya Hall, who performed behind him during his annual Christmas show at the New York club that bears his name, Feinstein's at Loews Regency. As this observer can attest, Feinstein was right to praise the participants for the quality of their voices and was also right in his introductory remarks to say he was there to assess their "truth in expressing the music."Awarded an honorary doctorate in
See full article at Backstage »

10 best songs in kids movies

Glen highlights some of the finest tunes ever to emerge from films aimed at much younger viewers than he...

My home movie watching has involved a lot of animated and other films primarily aimed at children over the past month or so. This proved to be quite useful, given the wealth of great music included in these films, so I thought it was time I compiled a list of my favourite songs that feature in kids movies.

‘Kids movies' is not a term that I'm particularly fond of, especially as many of these films appeal to adults as much as younger audiences, but it's less of a mouthful than ‘films primarily aimed at children' or something similar.

There were plenty of songs considered for this and, in fairness, it could have quite easily been double the length. But restraint was needed and after a lot of editing and re-ordering, what's
See full article at Den of Geek »

Ten Oscar-winning Songs That Actually Hold Up

  • IFC
Music has accompanied film almost since film's invention, whether performed live, cued off rudimentary wax cylinders or digitally recorded. When thoughtfully employed, a song can lift a scene from the boundaries of entertainment into the realm of art. "The Jazz Singer" featured synched songs back in 1927, but it wasn't until 1934 and the 7th Academy Awards that Oscars were given out for them.

The greatest of these songs take on a life of their own, and, though they may always recall the film for which they were conceived, stand on their own merit. But plenty of other prizewinners don't, particularly once you get past the golden age of the movie musical -- quick, hum 2006 champ "I Need to Wake Up," from "An Inconvenient Truth."

With the 81st ceremony approaching and two Bollywood-inflected tunes from "Slumdog Millionaire" going up against Peter Gabriel's Grammy-anointed "Down to Earth" from "Wall-e," it seems a
See full article at IFC »

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