Vicky Cristina Barcelona (2008)

User Rating:

7.4/10   

Director:

Woody Allen

Writer (WGA):

Woody Allen (written by)

Release Date:

15 August 2008 (USA)

Genre:

Drama | Romance

Tagline:

Life is the ultimate work of art

Plot:

Two girlfriends on a summer holiday in Spain become enamored with the same painter, unaware that his ex-wife, with whom he has a tempestuous relationship, is about to re-enter the picture.

Plot Keywords:

Painter | Summer | Artist | Marriage | Ex Wife

Awards:

Won Oscar. Another 19 wins & 27 nominations

Cast

Rebecca Hall	...	Vicky
Scarlett Johansson	...	Cristina
Javier Bardem	...	Juan Antonio Gonzalo
Penélope Cruz	...	Maria Elena
Christopher Evan Welch	...	Narrator (voice)
Chris Messina	...	Doug
Patricia Clarkson	...	Judy Nash
Kevin Dunn	...	Mark Nash
Julio Perillán	...	Charles
Juan Quesada	...	Guitarist in Barcelona
Richard Salom	...	Art Gallery Guest #1
Manel Barceló	...	Doctor
Josep Maria Domènech	...	Julio Josep
Emilio de Benito	...	Guitarist in Asturias
Maurice Sonnenberg	...	Art Gallery Guest #2

Also Known As:

Midnight in Barcelona (Spain) (working title)
Woody Allen Spanish Project (USA) (working title)

MPAA:

Rated PG-13 for mature thematic material involving sexuality, and smoking.

Runtime:

96 min

Country:

Spain | USA

Language:

English | Catalan | Spanish

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital (Mono)

Certification:

USA:PG-13 (certificate #44252) | Finland:K-11 | Singapore:M18 | Spain:13 | Switzerland:12 (canton of Vaud) | Switzerland:12 (canton of Geneva) | Sweden:7 | Australia:M | Hong Kong:IIB | Brazil:12 | Ireland:15A | New Zealand:M | South Africa:13LS | UK:12A | Portugal:M/12 (Qualidade) | Netherlands:6 | Philippines:R-13 (MTRCB) | Argentina:16 | South Korea:15 | Iceland:L | Peru:14

Filming Locations:

Avilés, Asturias, Spain

Company:

Mediapro

Trivia:

"Vicky Cristina Barcelona" was based on a screenplay Woody Allen originally wrote years earlier, which was set in San Francisco. Since his deal for this film specified that it must be shot in Spain, Allen looked for a story from his files that could be rewritten for a Spanish setting, took his old San Francisco-set script and rewrote it to take place in Barcelona.

Goofs:

Revealing mistakes: When Cristina wakes up in the middle of the night, she makes herself some coffee. The coffee maker she's seen using is a very large Bialetti Moka Express, or a copy thereof. These seldom operate correctly for less than the maximum amount of coffee, which in this particular instance would be about thirty double espressos. It goes without saying that this is a truly insane amount of coffee for any one person.

Quotes:

[first lines]
Narrator: Vicky and Cristina decided to spend the summer in Barcelona. Vicky was completing her master's in Catalan Identity, which she had become interested in through her great affection for the architecture of Gaudí. Cristina, who spent the last six months writing...
[...]

Movie Connections:

Featured in "Larry King Live: Are They the Oscar Favorites" (2009)

Soundtrack:

Asturias

An Open-Minded, Nonjudgmental Portrait of the Boundless Scenarios In Which Love Can Be Found

Vicky Cristina Barcelona is among the cream of the Woody Allen crop, in the midst of Annie Hall, Manhattan, Hannah and Her Sisters and Match Point. It may even be a wiser film than any of them. What Woody has done throughout his film career is seek the answers to his own life questions in any number of ways. Some later films contradict the philosophical implications of previous ones. Some reaffirm them. His foremost theme has always been the complications of love and sex, and this ultimately genre-less film that I suppose could be considered a romantic seriocomedy may be his magnum opus of his sexual and romantic revelations.

Vicky, played by Rebecca Hall, and Cristina, by Scarlet Johansson, go to Barcelona for the summer, settling with Vicky's distant relative (Patricia Clarkson) and her husband. A Narrator, present all through the film, the particular matter-of-fact likes of which Allen has never before used, illustrates the two friends: Vicky is no-nonsense and conservative in her attitude toward love and commitment, engaged to the dependable but less than passionate yuppie. She is in Barcelona getting her masters, and is deeply stirred by Spanish guitar. Cristina, in contrast, is impulsive and irresolute of what she wants in life. She is just out of a relationship and wants to forget about her experience making a short film about Love, perhaps a nod to Woody's own admitted negative reflections on his previous works.

At an art exhibition, these two symbolically contrasting women observe a notorious painter, played with suavity and charisma by Javier Bardem. Cristina is immediately fascinated with him, and grows captivated when she and Vicky learn that he has undergone a violent relationship with his ex-wife. Later, the girls spot him in a restaurant, where he stoically approaches their table and unexpectedly invites them to go along with him to Oviedo, where they will tour, wine, dine and, with any luck, make love. Straight away Cristina consents, Vicky refuses, but Vicky is is ultimately persuaded and the twosome go with the self- designed artistic and drifting romantic on a small private plane through a rainstorm.

What follows is a free-flowing rectangle of romance with any combination of Bardem, Vicky, Cristina, and Bardem's unmanageably volatile ex-wife Penelope Cruz, who deserves an Oscar nomination for her work here. There are many ways in which the two American women change for the better and change not at all. One facet of the story is a clash of conventional American and liberated European cultures. Another is spiritual freedom, signified by Vicky's conventional reticence and thus conflicted feelings that she may be missing out on so much, and Cristina's mutability. A lesser title for the movie but an apt one nonetheless could have been Why Not?

Woody is expressing through his characters his urge to be free of all psychological and emotional restrictions. In any case, characters as open as Scarlett Johansson and Javier Bardem's seem to need similarly adaptable significant others. I find it interesting that Louise Lasser, Diane Keaton and Mia Farrow, Woody's women, all brought out their inner nebbishes due to intimate involvement with him, as in his eagerness to lift a lover's state of mind, he ends up, sooner or later, virtually turning his woman roughly into a female version of himself. Johansson and Hall's summer in Spain, if anything, releases them from the sludge of mediocrity, particularly that which results from fear and common custom.

By saying all that, I have not even come close to giving anything away. The way things turn out would hardly make sense to characters like Vicky, or her fiancé, and that is what makes it a natural flow from the heart. Woody Allen's brilliantly written, guilelessly directed and convincingly acted Spanish debut-and-swan song is not a comedy for the same reasons as nearly every other comedy Woody has made. It is a comedy essentially because of the culture clash. The film depends on our reactions to things that really are not inherently funny except to unaccustomed eyes. Likewise, the bewildered Americans are just as funny from the other side of the gamut. Without any doubt in my mind, this is not only Woody Allen's best film in years, but one of his very best of his entire 42-film, 42-year career as a writer-director of consistently good films.