| Videos (see all 2) |
| Ramón Allen Jr. | ... | Louis | |
| Leslie Baldwin | ... | Greta Johansen | |
| Daryl Ball | ... | Officer Cassidy | |
| John Bolen | ... | The Listener | |
| Aidan Branney | ... | Swamp Boy | |
| Sean Branney | ... | Pub Man | |
| Andra Carlson | ... | Nurse | |
| Mike Dalager | ... | Guerrera (as Michael Dalager) | |
| Erin Emmalee | ... | Nancy | |
| Chia Evers | ... | Cultist | |
| Matthew Q. Fahey | ... | Briden | |
| Chad Fifer | ... | Henry Wilcox | |
| Matt Foyer | ... | The Man | |
| Bruce Graham | ... | Claude | |
| Kirsten Hageleit | ... | Cultist | |
| Clarence Henry Hunt | ... | Castro | |
| Hannah Rose Jabaley | ... | Swamp Girl | |
| Ike E.Z. Jabaley | ... | Swamp Baby | |
| John Jabaley | ... | Swamp Papa (as Ed Ruffin) | |
| John Joly | ... | Sgt. Bacon | |
| J. David King | ... | Cultist | |
| Daniel Kirsner | ... | Angstrom | |
| John Klemantaski | ... | Prof. Bell | |
| Jennifer Knighton | ... | Tilly | |
| Chris Lackey | ... | Parker | |
| Andrew Leman | ... | Unhelpful Bureaucrat | |
| Carlos Linares | ... | Hector | |
| Ralph Lucas | ... | Prof. George Gammell Angell | |
| Richard Lucas | ... | Thibidoux | |
| Barry Lynch | ... | Prof. Webb | |
| Matthew Malcomson | ... | Officer Langfield | |
| Rebecca Marcotte | ... | Swamp Widow | |
| Jason McCune | ... | Professor Quintana | |
| David Mersault | ... | Police Inspector John Raymond Legrasse | |
| Dan Novy | ... | Esquimaux Shaman / Cultist | |
| Steven O'Connor | ... | Tyler | |
| Patrick O'Day | ... | Johansen | |
| Ryan Oliver | ... | Cultist | |
| Jason Owens | ... | Prof. Quintana | |
| David Pavao | ... | Rodriguez | |
| Jason Peterson | ... | Officer Stanton | |
| D. Grigsby Poland | ... | Prof. Tutchton | |
| Kalafatic Poole | ... | Bartender | |
| Vivica Prentice | ... | Museum Clerk | |
| Jonathan Putnam | ... | Cultist | |
| Ed Ruffin | ... | Swamp Papa | |
| Josh Thoemke | ... | Hawkins | |
| Aaron Vanek | ... | Cultist | |
| Noah Wagner | ... | Captain Collins | |
| Mona Weiss | ... | Cultist | |
| Erika Zucker | ... | Swamp Mama | |
| Susan Zucker | ... | Landlady |
Directed by | |||
| Andrew Leman | |||
Writing credits | ||
| H.P. Lovecraft | (short story) | |
| Sean Branney | (screenplay) | |
Produced by | |||
| Sean Branney | .... | producer | |
| Chris Lackey | .... | associate producer | |
| Andrew Leman | .... | producer | |
Original Music by | |||
| Chad Fifer | |||
| Ben Holbrook | |||
| Troy Sterling Nies | |||
| Nicholas Pavkovic | |||
Cinematography by | |||
| David Robertson | |||
Film Editing by | |||
| David Robertson | |||
Costume Design by | |||
| Laura Brody | |||
Makeup Department | |||
| Andra Carlson | .... | makeup artist | |
Art Department | |||
| Chris Lackey | .... | sculptor: Esquimaux idol | |
| Andrew Leman | .... | props | |
| Harold Arthur McNeill | .... | prop designer: wilcox dream cthulhu | |
| Bryan Moore | .... | prop designer: swamp idol | |
| Darrell Tutchton | .... | production illustrator | |
Sound Department | |||
| Chris Horvath | .... | sound | |
Special Effects by | |||
| Terry Sandin | .... | stop motion animator | |
Visual Effects by | |||
| Dan Novy | .... | visual effects | |
Camera and Electrical Department | |||
| Matthew Q. Fahey | .... | key grip | |
| Ryan Oliver | .... | grip | |
Other crew | |||
| Leslie Baldwin | .... | craft service | |
| Anthony Penta | .... | liaison: Providence | |
| Mona Weiss | .... | production assistant | |
Thanks | |||
| Barry Lynch | .... | special thanks | |
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| The Secret of Treasure Island | The Ring | Sweet Movie | The Woods | Borstal Boy |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Short section | IMDb USA section |
| Add this title to MyMovies |
This is, without a doubt, the most amazing adaptation of HP Lovecraft's work to the screen that I have ever seen. Bar none. The only modern film that even comes close to capturing the feeling induced by HPL at his best is IN THE MOUTH OF MADNESS, and even that has its failings.
The key, here, then, is atmosphere. I mean, CALL OF CTHULHU is unquestionably true to the source material, but other adaptations have tried that (though not very hard) and failed. What makes this work is the filmmakers' decision to place it in the cultural idiom of Lovecraft's era - to portray it as one imagines Lovecraft envisioned it in the writing.
So we have a 45 minute feature (short, but still officially feature-length for the era), in black & white, silent, with a classic score. It begins in menace and builds to madness. There is an aura of foreboding in this film missing in just about any "later" feature you can name - and it never lets up. Even Hitchcock provided moments for his audience to breathe and unclench until the next sequence. Every moment of CALL OF CTHULHU is fraught with the notion that something terrible is about to happen, that there are "worse things waiting".
Stephen King has voiced the opinion that, after so much build up, the storyteller MUST show his readers/audience/victims the monster. This is debatable. CALL OF CTHULHU shows us the monster - in a fashion. The filmmakers take their lesson from the true masters of horror and suspense: Boris Karloff, among others, always assured us that the audience can do ten-times worse things in their imagination that anything that could be accomplished in full view. Here, we are shown just enough of the titular beast to provide fodder for our imagination, and it does not well serve one to linger too long on visualizing the Great Cthulhu in all his mind-shattering detail! My only complaints are that, first, some of the actors read as a bit modern in their appearance; but this is very infrequent, negligibly so, and the acting more than compensates. Second, the idols/statues - one is practically an art-deco rendering, and too slick for my tastes, while the other (lumpen, tribal and highly suggestive) is only briefly glimpsed. Third... well, the movie is too danged short! It covers the entire content of the story, is nicely and tightly produced and never really misses a beat. I just wanted more, dagnabit, which I suppose is more tribute than complaint.
If these folks produce another of Lovecarft's visions, if I can't be a part of the production, rest assured that I will certainly be near the front of the line to see it. Find it, buy it, see it, love it - for Lovecraft fans and aficionados, this is vindication at last!