Michael Clayton (2007)

Director:

Tony Gilroy

Writer (WGA):

Tony Gilroy (written by)

Release Date:

12 October 2007 (USA)

Genre:

Crime | Drama | Mystery | Thriller

Tagline:

The Truth Can Be Adjusted

Plot:

A law firm brings in its "fixer" to remedy the situation after a lawyer has a breakdown while representing a chemical company that he knows is guilty in a multi-billion dollar class action suit.

Plot Keywords:

Law Firm | Fixer | Attorney | Debt | Lawsuit

Awards:

Won Oscar. Another 12 wins & 51 nominations

Cast

  (Cast overview, first billed only)

Tom Wilkinson	...	Arthur Edens
Michael O'Keefe	...	Barry Grissom
Sydney Pollack	...	Marty Bach
Danielle Skraastad	...	Bridget Klein (voice)
Tilda Swinton	...	Karen Crowder
George Clooney	...	Michael Clayton
Wai Chan	...	Chinese Dealer
Alberto Vazquez	...	Player #1
Brian Koppelman	...	Player #2
Thomas McCarthy	...	Walter (voice) (as Tom McCarthy)
Denis O'Hare	...	Mr. Greer
Julie White	...	Mrs. Greer
Austin Williams	...	Henry Clayton
Jennifer Van Dyck	...	Ivy
Frank Wood	...	Gerald

MPAA:

Rated R for language including some sexual dialogue.

Runtime:

119 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

SDDS | Dolby Digital | DTS

Certification:

UK:15 | Ireland:15A | Norway:11 | Finland:K-11 | Australia:MA | Canada:14A (Alberta/Manitoba/Nova Scotia/Ontario) | Canada:G (Quebec) | Canada:PG (British Columbia) | Germany:12 | Denmark:11 | Netherlands:6 | Hong Kong:IIB | USA:R (certificate #43163) | Sweden:11 | Argentina:13 | Taiwan:R-12 (original rating) | France:U | Switzerland:12 (canton of Vaud) | Switzerland:12 (canton of Geneva) | South Korea:15 | Singapore:NC-16 | Brazil:12 | South Africa:13L | Portugal:M/12 (Qualidade) | New Zealand:M | Norway:10 (TV rating) | India:A

Filming Locations:

1345 Ave of the Americas, New York City, New York, USA

Company:

Samuels Media

Trivia:

Both George Clooney and Michael O'Keefe played boyfriends of Laurie Metcalf on "Roseanne" (1988).

Goofs:

Continuity: In the early part of the film, during a drive in Manhattan, a tree can clearly be seen in vivid bloom, which occurs in Spring. However, the rest of the scenes take place in a Christmas Season time frame, evidenced by the numerous shots with lit trees, and decorations. As well, the grass is dead in most rural New York scenes, and actors' breath is clearly visible, once again suggesting late Autumn, or early winter.

Quotes:

[first lines]
Arthur Edens: Michael. Dear Michael. Of course it's you, who else could they send, who else could be trusted? I... I know it's a long way and you're ready to go to work... all I'm saying is wait, just wait, just-just-just... please hear me out because this is not an episode, relapse, fuck-up, it's... I'm begging you Michael. I'm begging you. Try and make believe this is not just madness because this is not just madness. Two weeks ago I came out of the building, okay, I'm running across Sixth Avenue, there's a car waiting, I got exactly 38 minutes to get to the airport and I'm dictating. There's this, this panicked associate sprinting along beside me, scribbling in a notepad, and suddenly she starts screaming, and I realize we're standing in the middle of the street, the light's changed, there's this wall of traffic, serious traffic speeding towards us, and I... I-I freeze, I can't move, and I'm suddenly consumed with the overwhelming sensation that I'm covered with some sort of film. It's in my hair, my face... it's like a glaze... like a... a coating, and... at first I thought, oh my god, I know what this is, this is some sort of amniotic - embryonic - fluid. I'm drenched in afterbirth, I've-I've breached the chrysalis, I've been reborn. But then the traffic, the stampede, the cars, the trucks, the horns, the screaming and I'm thinking no-no-no-no, reset, this is not rebirth, this is some kind of giddy illusion of renewal that happens in the final moment before death. And then I realize no-no-no, this is completely wrong because I look back at the building and I had the most stunning moment of clarity. I... I... I... I realized Michael, that I had emerged not from the doors of Kenner, Bach, and Ledeen, not through the portals of our vast and powerful law firm, but from the asshole of an organism whose sole function is to excrete the... the-the-the poison, the ammo, the defoliant necessary for other, larger, more powerful organisms to destroy the miracle of humanity. And that I had been coated in this patina of shit for the best part of my life. The stench of it and the stain of it would in all likelihood take the rest of my life to undo. And you know what I did? I took a deep cleansing breath and I set that notion aside. I tabled it. I said to myself as clear as this may be, as potent a feeling as this is, as true a thing as I believe that I have witnessed today, it must wait. It must stand the test of time. And Michael, the time is now.

Movie Connections:

Featured in 14th Annual Screen Actors Guild Awards (2008) (TV)

Soundtrack:

The Thought of You

Class and Sorrow

I have to say that I didn't expect much of Michael Clayton. But it has grown on me in such a way, reassuring me with it's decided desolate aura, that I owe a review to those in a doubtful measure.

Although it starts with some idle comings and goings, the first reaction we have is to alienate with Clayton. He is battered down, morally ambiguous, suffered. If one watches closely his eyes, one can discover within how a feeling of despair takes over. Clooney is a very happy, cheerful guy: you will appreciate his work, how he lets Clayton dominate Clooney.

In here, the lawyer of the title must decide which side to take in an important lawsuit after his friend changes sides and endangers himself. Is he helping the good guys? How can he tell, deep Inside? The film carries the moral dilemmas, the strangled fight between choosing the good and the correct. Gilroy commanded a brilliant, harrowing script. But Clooney is the definite star, with his sadness, empathy. His sorrow is deeply moving.

The Grey, moisturized environments, carefully veiled with a soft mist. Clooney's interior acting, arising within his foggy emotions.

This film is not cheerful, it's somehow depressing. But it's a must see.