| Aaron Hildebrand | ... | Tommy (as Aaron Tristan Hildebrand) | |
| Christian Blümel | ... | Heiko Degner | |
| Jule Flierl | ... | Beate | |
| Detlef Kapplusch | ... | ABV Arndt | |
| Marco Schulz | ... | Volkspolizist | |
| Luci Van Org | ... | Elisabeth Degner | |
| Dennis Grabosch | ... | Olaf | |
| Max Richter | ... | Psycho | |
| Steffen Haja | ... | Helmuth | |
| Jasmin Aksan | ... | Margit | |
| Jürgen Hölzel | ... | 1. Kneipengast | |
| Eugen Albert | ... | 2. Kneipengast | |
| Tino Floß | ... | 1. Wärter | |
| Werner Sperling | ... | 2. Wärter | |
| Dieter Laser | ... | Eduard Kellermann | |
| Henning Peker | ... | Bonzo | |
| Christoph Ortmann | ... | Freddy | |
| Jürgen Lingmann | ... | Hagen | |
| Harry Baer | ... | Friedhelm Kaltenbach | |
| Mirco Dzienkansky | ... | Bernd | |
| Frank Höhne | ... | Fuzzy | |
| Maik Stöver | ... | Edgar | |
| Matthias Freihof | ... | Stasi-Offizier | |
| Bernhard Heinrich Herzog | ... | 3. Wärter | |
| Laurens Straub | ... | Polizist | |
| Pino Valenti | ... | Italienischer Liebhaber | |
| Andrea Dakakni | ... | Bauchtänzerin | |
| Sahin Karatas | ... | Imbissbudenbesitzer | |
| Mia | ... | Pogogirl (as Mia.) | |
| Inga Königstadt | ... | Pogogirl |
Directed by | |||
| Winfried Bonengel | |||
Writing credits(in alphabetical order) | ||
| Winfried Bonengel | writer | |
| Douglas Graham | writer | |
| Ingo Hasselbach | book "Die Abrechnng" | |
Original Music by | |||
| Loek Dikker | |||
Cinematography by | |||
| Frank Barbian | |||
Film Editing by | |||
| Monika Schindler | |||
Casting by | |||
| Uljana Havemann | |||
Production Design by | |||
| Thomas Stammer | |||
Costume Design by | |||
| Elke von Sivers | |||
Makeup Department | |||
| Marianne Drope | .... | makeup artist | |
Production Management | |||
| Gabriele Niemeyer | .... | post-production supervisor | |
| Gabi Scheiger | .... | post-production supervisor | |
| Alexander Schmidt | .... | production manager | |
Art Department | |||
| Andreas Horstmann | .... | property master | |
| Tom Kratz | .... | property master | |
| Peter Wolf | .... | prop graphics | |
Sound Department | |||
| Oliver Grafe | .... | sound | |
| Noemi Hampel | .... | sound effects editor | |
| Michael Riedmiller | .... | sound re-recording mixer | |
| Peter Roik | .... | foley artist (as Peter Roigk) | |
| Dominik Schleier | .... | dialogue editor (as Dominik Kehl) | |
Special Effects by | |||
| Adolf Wojtinek | .... | special effects | |
Visual Effects by | |||
| Manfred Büttner | .... | visual effects producer | |
| Kay Delventhal | .... | Inferno artist | |
| Erich Eder | .... | Inferno artist | |
Camera and Electrical Department | |||
| Martin Beyrau | .... | electrician | |
| Hans-Werner Huhnke | .... | gaffer | |
| Nadja Klier | .... | still photographer | |
| Udo Luckow | .... | electrician | |
| Katja Ostzegl | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Nicole Dinges | .... | wardrobe supervisor | |
Editorial Department | |||
| Gernott Brettmann | .... | color timer (as Gernot Brettmann) | |
Music Department | |||
| Michael Beckmann | .... | music supervisor | |
Transportation Department | |||
| Mike Müller | .... | driver: props | |
Other crew | |||
| Thomas Knauf | .... | script doctoring | |
| Recent Posts (updated daily) | User |
|---|---|
| Was this based on a book? | Robert86 |
| Song | manischewitz_passovermat |
| Komm Freddi... Bus bauen! Hahahaha | retoburger |
| Subtitles | only_hugh_jass |
| Best friend's mother | tangett1 |
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| Die Stille nach dem Schuß | Midnight Express | Salò o le 120 giornate di Sodoma | Plata quemada | The Believer |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Germany section | Add this title to MyMovies |
My title above really says it all.
The film is as outstanding as is "American History X." The young lead is also. As was Edward Norton of course. The theme is very similar, and just as well developed... Characters include the older man with Neo-Nazi ideas leading young people with little or no father figures stray, the protected or protective brother figure, the strong mother figure, the jail scenes with all the violence to be expected. The list of parallels is endless.
Yes, you may have seen it all before. But this flick is worthwhile. Face it - the topic perhaps does belong more to Berlin (need I say it -the birth place of Neo-nazism) than to Los Angeles. And the Germans have finally made a film about a culture they originated, which is outstanding in many ways.
The inside look at the old GDR (East Germany) is very informative, and well told to non-Germans. Germans may think otherwise of this recurring "East German" theme, a staple plot setting in German cinema for the last 12 years with no end in sight. But even if that is old to you, there is so much to appreciate in the movie that it will not disappoint. Certainly, the lead performance by the Berlin teenager (age at the time of filming anyway) is chilling, and impactful. We watch, accompany and feel his transformation intimately. In my last comparison with "American History X," I assure you the lead in this movie is every bit as dense and intense as Edward Norton was.
Too bad it has not been shown (yet, perhaps) to more international audiences. I saw it in late October 2002 at the São Paulo Film Festival. I do definitely recommend it (my rating 10/10). See this one on the big screen when it comes your way.