| Aaron Hildebrand | ... | Tommy (as Aaron Tristan Hildebrand) | |
| Christian Blümel | ... | Heiko Degner | |
| Jule Flierl | ... | Beate | |
| Detlef Kapplusch | ... | ABV Arndt | |
| Marco Schulz | ... | Volkspolizist | |
| Luci Van Org | ... | Elisabeth Degner | |
| Dennis Grabosch | ... | Olaf | |
| Max Richter | ... | Psycho | |
| Steffen Haja | ... | Helmuth | |
| Jasmin Aksan | ... | Margit | |
| Jürgen Hölzel | ... | 1. Kneipengast | |
| Eugen Albert | ... | 2. Kneipengast | |
| Tino Floß | ... | 1. Wärter | |
| Werner Sperling | ... | 2. Wärter | |
| Dieter Laser | ... | Eduard Kellermann | |
| Henning Peker | ... | Bonzo | |
| Christoph Ortmann | ... | Freddy | |
| Jürgen Lingmann | ... | Hagen | |
| Harry Baer | ... | Friedhelm Kaltenbach | |
| Mirco Dzienkansky | ... | Bernd | |
| Frank Höhne | ... | Fuzzy | |
| Maik Stöver | ... | Edgar | |
| Matthias Freihof | ... | Stasi-Offizier | |
| Bernhard Heinrich Herzog | ... | 3. Wärter | |
| Laurens Straub | ... | Polizist | |
| Pino Valenti | ... | Italienischer Liebhaber | |
| Andrea Dakakni | ... | Bauchtänzerin | |
| Sahin Karatas | ... | Imbissbudenbesitzer | |
| Mia | ... | Pogogirl (as Mia.) | |
| Inga Königstadt | ... | Pogogirl |
Directed by | |||
| Winfried Bonengel | |||
Writing credits(in alphabetical order) | ||
| Winfried Bonengel | writer | |
| Douglas Graham | writer | |
| Ingo Hasselbach | book "Die Abrechnng" | |
Original Music by | |||
| Loek Dikker | |||
Cinematography by | |||
| Frank Barbian | |||
Film Editing by | |||
| Monika Schindler | |||
Casting by | |||
| Uljana Havemann | |||
Production Design by | |||
| Thomas Stammer | |||
Costume Design by | |||
| Elke von Sivers | |||
Makeup Department | |||
| Marianne Drope | .... | makeup artist | |
Production Management | |||
| Gabriele Niemeyer | .... | post-production supervisor | |
| Gabi Scheiger | .... | post-production supervisor | |
| Alexander Schmidt | .... | production manager | |
Art Department | |||
| Andreas Horstmann | .... | property master | |
| Tom Kratz | .... | property master | |
| Peter Wolf | .... | prop graphics | |
Sound Department | |||
| Oliver Grafe | .... | sound | |
| Noemi Hampel | .... | sound effects editor | |
| Michael Riedmiller | .... | sound re-recording mixer | |
| Peter Roik | .... | foley artist (as Peter Roigk) | |
| Dominik Schleier | .... | dialogue editor (as Dominik Kehl) | |
Special Effects by | |||
| Adolf Wojtinek | .... | special effects | |
Visual Effects by | |||
| Manfred Büttner | .... | visual effects producer | |
| Kay Delventhal | .... | Inferno artist | |
| Erich Eder | .... | Inferno artist | |
Camera and Electrical Department | |||
| Martin Beyrau | .... | electrician | |
| Hans-Werner Huhnke | .... | gaffer | |
| Nadja Klier | .... | still photographer | |
| Udo Luckow | .... | electrician | |
| Katja Ostzegl | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Nicole Dinges | .... | wardrobe supervisor | |
Editorial Department | |||
| Gernott Brettmann | .... | color timer (as Gernot Brettmann) | |
Music Department | |||
| Michael Beckmann | .... | music supervisor | |
Transportation Department | |||
| Mike Müller | .... | driver: props | |
Other crew | |||
| Thomas Knauf | .... | script doctoring | |
| Recent Posts (updated daily) | User |
|---|---|
| Was this based on a book? | Robert86 |
| Song | manischewitz_passovermat |
| Komm Freddi... Bus bauen! Hahahaha | retoburger |
| Subtitles | only_hugh_jass |
| Best friend's mother | tangett1 |
|
|
|
|
|
| Die Stille nach dem Schuß | Midnight Express | Salò o le 120 giornate di Sodoma | Plata quemada | The Believer |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Germany section | Add this title to MyMovies |
This may be an unfair comparison, but take the elements of male friendships and self- discovery from Trainspotting and add the pacing, violence, frustrations, and relationships from Romper Stomper, and you'll get a feel for what this excellent film is like visually and sensually. A worthy round of applause to Director Bonengel and Actors Blumel and Hildebrandt and crew. Especially noteworthy, from an American perspective, is how powerfully and unapologetically the frontal nudity scenes were done in the prison. (American directors and film stars are cowards in comparison when addressing themes of such violence, sexuality, pain and need.) The directing, filming, lighting, acting and editing perfectly highlight the powerful aggressiveness and absolute vulnerability of the characters in a way that does not betray the craftsmanship that went into the production. Kudos to the entire team of Fuhrer Ex. The film is emotionally charged: uncomfortable, painful, tender, funny, and exciting. Highly-recommended.