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Directed by | |||
| Frank Pierson | |||
Writing credits(WGA) | ||
| Loring Mandel | (written by) | |
Produced by | |||
| Frank Doelger | .... | executive producer | |
| Nick Gillott | .... | producer | |
| C. Cory M. McCrum-Abdo | .... | associate producer | |
| Frank Pierson | .... | executive producer | |
| Rudi Teichmann | .... | service producer | |
| David M. Thompson | .... | executive producer | |
| Peter Zinner | .... | executive producer | |
Cinematography by | |||
| Stephen Goldblatt | |||
Film Editing by | |||
| Peter Zinner | (co-editor) | ||
Production Design by | |||
| Peter Mullins | |||
Art Direction by | |||
| Kenneth Wheatley | |||
Set Decoration by | |||
| Brian Savegar | |||
Costume Design by | |||
| Rosalind Ebbutt | |||
Makeup Department | |||
| Polly Earnshaw | .... | assistant hair stylist | |
| Polly Earnshaw | .... | assistant makeup artist | |
| Tina Earnshaw | .... | makeup supervisor | |
| Jeffrey Haines | .... | assistant hair stylist | |
| Jeffrey Haines | .... | assistant makeup artist | |
| Frances Hannon | .... | key hair stylist | |
| Frances Hannon | .... | key makeup artist | |
| Carol Hemming | .... | hair stylist supervisor | |
| Tony Tahir | .... | wig maker | |
| Kate Thompson | .... | hair trainee | |
| Kate Thompson | .... | makeup trainee | |
Art Department | |||
| David Ball | .... | supervising carpenter | |
| Helen Dolan | .... | production buyer | |
| Helen Dolan | .... | set decoration buyer | |
| Robert J. Dugdale | .... | painter | |
| Michael Fechner | .... | art director: Berlin | |
| Michael Finlay | .... | painter | |
| James Gemmill | .... | scenic artist | |
| John Godfrey | .... | construction manager | |
| James Lewis | .... | set designer | |
| Christopher Mason | .... | painter | |
| Nick Mollo | .... | dressing props | |
| Joe Monks | .... | head painter | |
| Wolfgang Osterholzer | .... | carpenter | |
| Russel Oxley | .... | scenic artist (as Russell Oxley) | |
| Philip Richardson | .... | storeman | |
| Hauke Richter | .... | assistant art director | |
| Brian Savegar | .... | set dresser | |
| Terence Shaw | .... | stand-by stagehand | |
| John Shergold | .... | painter | |
| Alfie Smith | .... | assistant art director (as Alf Smith) | |
| Tony Teiger | .... | property master | |
| Kevin Wheeler | .... | assistant art director | |
Sound Department | |||
| Christopher Ackland | .... | supervising sound editor | |
| Natalie Bayford | .... | assistant adr mixer | |
| Benjamin Bober | .... | boom operator | |
| Sandy Buchanan | .... | adr mixer | |
| Ed Colyer | .... | sound mixer (as Edward Colyer) | |
| Felicity Cottrell | .... | foley artist | |
| Gillian Dodders | .... | dialogue editor | |
| Andrei Gillott | .... | cable person | |
| Peter Glossop | .... | production sound mixer | |
| John Hayward | .... | sound re-recording mixer | |
| Shaun Mills | .... | boom operator | |
| Alan Paley | .... | dialogue editor | |
| Richard Pryke | .... | sound re-recording mixer | |
| Sandra Roth | .... | foley editor | |
| Jason Swanscott | .... | foley artist | |
| Kevin Tayler | .... | sound re-recording mixer | |
| Andrew Caller | .... | sound technician (uncredited) | |
Special Effects by | |||
| Paul Dunn | .... | special effects supervisor | |
| Wilma Dunn | .... | special effects coordinator | |
| Lucien Stephenson | .... | snow effects supervisor | |
Visual Effects by | |||
| Shawn Broes | .... | digital film mastering editor | |
| Fiona Chilton | .... | visual effects producer | |
| Jeff Christopherson | .... | engineering staff: Cinesite | |
| Kimberly Covate | .... | digital mastering operations manager: Cinesite (as Kim Covate) | |
| Daphne Dentz | .... | digital effects producer | |
| Julia Egerton | .... | scanning and recording | |
| Ian Fellows | .... | digital paint artist: CFC | |
| Darrel Griffin | .... | data support: CFC | |
| Andy Hague | .... | visual effects | |
| Merrin Jensen | .... | scanning and recording | |
| Roz Lowrie | .... | visual effects | |
| Dennis Politakis | .... | engineering staff: Cinesite | |
| Pat Repola | .... | vice president of digital imaging: Cinesite | |
| Joshua Roberts | .... | recording coordinator | |
| Brian Shows | .... | datacine assistant | |
| Alan Silvers | .... | director of technical services: Cinesite | |
| Jennifer Simonds | .... | scanning and recording | |
| Randy Starr | .... | vice president of business development: Cinesite | |
| Maria Stroka | .... | digital lab operator | |
| Ed Thompson | .... | datacine assistant | |
| Gavin Toomey | .... | senior compositing artist: CFC | |
| Mike Tosti | .... | imaging engineer | |
| Jean Usi | .... | digital imaging operations manager: Cinesite | |
Camera and Electrical Department | |||
| Craig Blankenhorn | .... | still photographer | |
| Michael Brown | .... | electrician | |
| Floyd Burks | .... | digital imaging technician | |
| Trevor Coop | .... | camera operator | |
| Adam Dale | .... | aerial director of photography | |
| Carlos De Carvalho | .... | first assistant camera | |
| Guy Frost | .... | first assistant camera: "b" camera | |
| Andy Gardiner | .... | electrician | |
| Alan Graham | .... | electrician (as Alan McKay Graham) | |
| Pip Hare | .... | trainee assistant camera | |
| Rab Harling | .... | additional clapper loader | |
| Nick Kenealy | .... | video assist operator | |
| John King | .... | electrician | |
| Steve Mcleod | .... | assistant chief lighting technician | |
| Peter Moc | .... | digital imaging technician | |
| Stephen Morley | .... | still photographer | |
| Peter Myslowski | .... | key grip | |
| Glenn Parker | .... | still photographer | |
| Brian Pickett | .... | electrical rigger | |
| Terry Potter | .... | gaffer | |
| Stuart Pring | .... | electrician | |
| Nick Schlesinger | .... | camera operator | |
| Sky Sharrock | .... | assistant camera | |
Casting Department | |||
| Annette Borgmann | .... | casting: Germany | |
| John Brace | .... | casting: USA | |
| Meg Leonard | .... | casting: London | |
| Linda Lowy | .... | casting: USA | |
| Derek J. Marquardt | .... | casting assistant: Los Angeles | |
| Iris Müller | .... | extras casting | |
| Gilly Poole | .... | casting: UK | |
| Suzanne Smith | .... | casting: UK (as Suzanne Crowley) | |
Costume and Wardrobe Department | |||
| Chris Groucutt | .... | costume assistant | |
| Chris Groucutt | .... | wardrobe assistant | |
| Natalie Humphries | .... | wardrobe trainee | |
| Melissa Layton | .... | costume assistant (as Melissa Layton-Skorepa) | |
| Malaika Rönneckendorf | .... | dress maker: Germany (as Maleika Rönneckendorf) | |
| Meike Schegel | .... | assistant costume: Germany | |
| Meike Schlegel | .... | costume assistant: Berlin | |
| Mike Skorepa | .... | key costumer | |
Editorial Department | |||
| Candace Austin | .... | post-production assistant | |
| Mike Bellamy | .... | senior digital film colorist | |
| Philip Harrelson | .... | post-production services | |
| Scott Hinchcliffe | .... | on-line editor | |
| James Howe | .... | associate editor | |
| Vivien Jordan | .... | post-production coordinator | |
| Chris Miller | .... | post-production services | |
| Brenna Rangott | .... | second assistant editor | |
| Claus Wehlisch | .... | assistant editor | |
| Sylvia Wheeler | .... | negative cutter | |
Transportation Department | |||
| Michael Fechner | .... | action vehicle coordinator | |
Other crew | |||
| Andrea G. Axelrod | .... | historical advisor | |
| Michael Berenbaum | .... | historian (as Dr. Michael Berenbaum) | |
| Debbie Brodie | .... | home economist | |
| Deborah Burrett | .... | assistant: Mr. Pierson | |
| Stephanie Dölker | .... | production secretary | |
| Tina Ellis | .... | assistant accountant | |
| Suzanne Freeborn | .... | unit nurse (as Suzanna Freeborn) | |
| James Gierman | .... | location consultant | |
| Jonathan Godfrey | .... | production runner | |
| Constantine Gregory | .... | dialogue coach | |
| Jason Guberman | .... | assistant to executive producer | |
| Lisa Heathcote | .... | food stylist | |
| Vivien Jordan | .... | assistant: Mr. Gillott | |
| Silke Krüger | .... | location manager: Germany | |
| Tali Lipa | .... | production accountant | |
| Laura Luchetti | .... | assistant: Mr. Tucci | |
| Sylvia Mackintosh | .... | assistant accountant | |
| Tracey Marsh | .... | unit nurse | |
| Andrew Mollo | .... | military consultant | |
| Terry Pritchard | .... | assistant: Mr. Branagh | |
| June Randall | .... | script supervisor | |
| Julie Rasmussen | .... | assistant to vice president of production | |
| Christoph Renger | .... | production coordinator: Germany | |
| Teja Schwede | .... | production assistant | |
| Joyce Turner | .... | production coordinator | |
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| Die Wannseekonferenz | Europa Europa | Schindler's List | Sophie Scholl - Die letzten Tage | NaPolA |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
| Add this title to MyMovies |
This movie could have been entitled, "how to chair a board meeting" or "how not to chair a board meeting" - given that the outcome of the meeting was the "final solution".
Gen. Heidrich with consumate skill and care manipulated the gathered Nazi hierarchy to the pre-arranged and pre-destined solution to the Jewish question.
There are a number of moments of exceptional power in the movie - one is where Kritzinger realises the truth, another is where Heidrich makes it clear to Shtukhard that he will be victimised if he does not cooperate. But the best moment must be when even those in favour realise that they are not there to decide the matter but to be to lend their complicity to the pre-made decision.
The psychology of the writing is insprired. I have never been so totally captivated by the mix of acting, subject matter and drama. This is a must see.