| Ulrich Tukur | ... | Dietrich Bonhoeffer | |
| Johanna Klante | ... | Maria Von Wedemeyer | |
| Robert Joy | ... | Manfred Roeder | |
| R.H. Thomson | ... | Knobloch | |
| Tatjana Blacher | ... | Christel von Dohnanyi | |
| Ulrich Noethen | ... | Hans Von Dohnanyi | |
| Susanne Lothar | ... | Sabine Leibholz | |
| Richard Partington | ... | Reinhold Niebuhr | |
| Dominique Horwitz | ... | Gerhard Leibholz | |
| Justus von Dohnanyi | ... | Eberhard Bethge | |
| Rosemarie Fendel | ... | Ruth von Kleist-Retzow | |
| Christian Goebel | ... | Captain Ludwig Gehre | |
| Blu Mankuma | ... | Frank Fischer | |
| Dieter Kirchlechner | ... | Josef Müller | |
| Christian Doermer | ... | General Hans Oster | |
| Ulli Philipp | ... | Charlotte Friedenthal | |
| Patrik Fichte | ... | Von Gersdorff | |
| John Neville | ... | Bishop George Bell | |
| Lothar Förster | ... | Karl Bonhoeffer | |
| Drahomira Fialkova | ... | Paula Bonhoeffer | |
| Kurt Cramer | ... | Klaus Bonhoeffer | |
| Denis Burgazliev | ... | Kokorin | |
| Kieron Jecchinis | ... | Payne Best | |
| Peter von Strombeck | ... | Rascher | |
| Wolfram Teufel | ... | Sippach | |
| Rainer Strecker | ... | Bader |
Directed by | |||
| Eric Till | |||
Writing credits(in alphabetical order) | ||
| Gareth Jones | writer | |
| Eric Till | writer | |
Produced by | |||
| Gabriela Pfändner | .... | producer | |
| Kurt Rittig | .... | producer | |
| Peter Schiller | .... | executive producer | |
| Christian P. Stehr | .... | producer | |
Original Music by | |||
| Claude Desjardins | |||
| Eric N. Robertson | |||
Cinematography by | |||
| Sebastian Richter | |||
Film Editing by | |||
| Roger Mattiussi | |||
Casting by | |||
| Sabine Schroth | |||
Production Design by | |||
| Gerd Staub | |||
Art Direction by | |||
| Mark Kowalsky | |||
Costume Design by | |||
| Tamara Winston | |||
Makeup Department | |||
| Barbara Kichi | .... | makeup artist | |
| Barbara Kichiova | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Daniel Huhn | .... | second assistant director: Berlin | |
| Jeremy Timmons | .... | third assistant director | |
| Dusan Vodak | .... | first assistant director | |
Art Department | |||
| Milan Babik | .... | propman | |
| Vanessa Brustolin | .... | props: Canada | |
| Vanessa Brustolin | .... | set buyer: Canada | |
| Mark Kowalsky | .... | art director: Canada | |
| Karel Vanásek | .... | property master | |
Sound Department | |||
| Eckhard Blach | .... | sound editor | |
| Ralf Krause | .... | sound mixer | |
| Ralf Ollertz | .... | sound effects editor | |
| Dominik Raetz | .... | foley editor | |
Camera and Electrical Department | |||
| Terry Banting | .... | gaffer: Canada | |
| Hugh Young | .... | generator operator | |
Other crew | |||
| Jan Rehanzl | .... | assistant production coordinator | |
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| Sophie Scholl - Die letzten Tage | Haven | Europa Europa | The Laramie Project | La tregua |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Canada section | Add this title to MyMovies |
Dietrich Bonhoeffer is one of my favorite "faith heroes". A friend introduced me to his "Cost of discipleship" when I was at college and I was delighted to read, some years later, his "Letters from prison". Dietrich Bonhoeffer was, indeed, a true Christian and a man to admire. So when I learned that "Agent of Grace" was being released, I was immediately caught up. I saw the film some days ago but, sadly, it did not meet my expectations. I found the film rather boring and confusing: from start to end the emotional level is a flat line, no important ups and downs, no emotions spoken out (the scriptwriters apparently forgot the richness and profoundness of "Letters from prison"). The historical backdrop (WW2, Nazi's rule and conspiracy against Hitler, etc.) is not clear enough for the average spectator to understand what and why things in the film are going on they way they are. But most of all, the movie fails to show the inner struggle of a young man that has everything to loose but chooses to be faithful to his Lord.