| Photos (see all 32 | slideshow) | Videos (see all 7) |
| Morgan Freeman | ... | Hoke Colburn | |
| Jessica Tandy | ... | Daisy Werthan | |
| Dan Aykroyd | ... | Boolie Werthan | |
| Patti LuPone | ... | Florine Werthan | |
| Esther Rolle | ... | Idella | |
| Joann Havrilla | ... | Miss McClatchey | |
| William Hall Jr. | ... | Oscar | |
| Alvin M. Sugarman | ... | Dr. Weil | |
| Clarice F. Geigerman | ... | Nonie | |
| Muriel Moore | ... | Miriam | |
| Sylvia Kaler | ... | Beulah | |
| Carolyn Gold | ... | Neighbor Lady | |
| Crystal R. Fox | ... | Katie Bell | |
| Bob Hannah | ... | Red Mitchell | |
| Ray McKinnon | ... | Trooper #1 | |
| Ashley Josey | ... | Trooper #2 | |
| Jack Rousso | ... | Slick | |
| Fred Faser | ... | Insurance Agent | |
| Indra A. Thomas | ... | Soloist | |
| rest of cast listed alphabetically: | |||
| Dean DuBois | ... | Commerce Club member (uncredited) | |
| Martin Luther King | ... | Himself (uncredited) (archive sound) | |
| D. Taylor Loeb | ... | Girl at Temple (uncredited) | |
Directed by | |||
| Bruce Beresford | |||
Writing credits(WGA) | ||
| Alfred Uhry | (play) | |
| Alfred Uhry | (screenplay) | |
Produced by | |||
| David Brown | .... | executive producer | |
| Robert Doudell | .... | associate producer | |
| Jake Eberts | .... | co-executive producer | |
| Alfred Uhry | .... | associate producer | |
| Lili Fini Zanuck | .... | producer | |
| Richard D. Zanuck | .... | producer | |
Original Music by | |||
| Hans Zimmer | |||
Cinematography by | |||
| Peter James | (director of photography) | ||
Film Editing by | |||
| Mark Warner | |||
Production Design by | |||
| Bruno Rubeo | |||
Art Direction by | |||
| Victor Kempster | |||
Set Decoration by | |||
| Crispian Sallis | |||
Costume Design by | |||
| Elizabeth McBride | |||
Makeup Department | |||
| Lynn Barber | .... | assistant makeup artist | |
| Kevin Haney | .... | makeup consultant | |
| Philip Ivey | .... | hair stylist (as Phillip Ivey) | |
| Philip Leto | .... | hair stylist (as Phil Leto) | |
| Manlio Rocchetti | .... | makeup supervisor | |
Production Management | |||
| Robert Doudell | .... | unit production manager | |
| Russell Paris | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Martha M. Elcan | .... | second assistant director (as Martha Elcan) | |
| Katterli Frauenfelder | .... | first assistant director | |
Art Department | |||
| Benjamin Beresford | .... | property assistant | |
| Wren Boney | .... | head set dresser | |
| Gary Buckles | .... | set dresser (as Gary L. Buckles) | |
| Don E. Cochran | .... | scenic chargeman | |
| Tom S. Gunter | .... | scenic billboards | |
| Jeanne M. Hall | .... | greensperson | |
| Paul Huggins | .... | construction foreman | |
| Tony Kupersmith | .... | construction coordinator | |
| Kristen McGary | .... | lead person (as Kris McGary) | |
| John Oliveira | .... | set dresser | |
| Vera Smith | .... | property assistant | |
| Philip Steuer | .... | property master | |
| Karen Young | .... | set dresser | |
| Bill Zullo | .... | property assistant (as William Zullo) | |
| Steven Blutstein | .... | lead man (uncredited) | |
| Steven Blutstein | .... | set dresser (uncredited) | |
| Jeff Cronin | .... | draughtsman (uncredited) | |
| Patrick Fuhrman | .... | set dresser (uncredited) | |
| Amy McGary | .... | buyer (uncredited) | |
| Stephanie Ryan | .... | additional art department assistant (uncredited) | |
Sound Department | |||
| Sandina Bailo-Lape | .... | foley editor | |
| Tom Bellfort | .... | adr editor | |
| Gloria S. Borders | .... | supervising sound editor | |
| Gloria Cooper | .... | cableperson | |
| Gloria Cooper | .... | second boom operator | |
| Melissa Dietz | .... | dialogue editor | |
| Clare C. Freeman | .... | assistant sound editor (as Clare Freeman) | |
| Hank Garfield | .... | production sound mixer | |
| Karen Harding | .... | assistant sound editor | |
| Robin Harlan | .... | foley artist | |
| Tim Holland | .... | sound effects editor | |
| Matthew Iadarola | .... | sound re-recording mixer | |
| Ronald Jacobs | .... | dialogue editor | |
| Michael Minkler | .... | sound re-recording mixer | |
| Matt Patterson | .... | sound recordist (as Matthew Patterson) | |
| Andy Rovins | .... | boom operator | |
| David Slusser | .... | foley recordist | |
| Kim Cascone | .... | assistant foley recordist (uncredited) | |
Special Effects by | |||
| B.J. Shelley | .... | special effects assistant | |
| Bob Shelley | .... | special effects coordinator | |
Visual Effects by | |||
| Tim Donahue | .... | visual effects art director: Introvision (uncredited) | |
| Richard Kilroy | .... | matte painter: Introvision (uncredited) | |
| Richard Kilroy | .... | model builder (uncredited) | |
| John P. Mesa | .... | visual effects cameraman (uncredited) | |
| William Mesa | .... | visual effects supervisor (uncredited) | |
| Rick Rische | .... | matte painter: Introvision (uncredited) | |
Stunts | |||
| Dan Mabry | .... | stunt double (as Danny Mabry) | |
| Mags Kavanaugh | .... | stunt double (uncredited) | |
| Gene Witham | .... | stunt driver (uncredited) | |
Camera and Electrical Department | |||
| Jeff Becker | .... | best boy electric | |
| Sam Emerson | .... | still photographer (as Sam Young Emerson) | |
| Michael Fedack | .... | dolly grip (as Michael John Fedack) | |
| David J. Frederick | .... | first assistant camera (as David John Frederick) | |
| Robert Kempf | .... | key grip | |
| David Meistrich | .... | second assistant camera | |
| Greg Morse | .... | playback operator | |
| Erich Roland | .... | camera operator | |
| Keith Sherer | .... | gaffer | |
| David Sinrich | .... | best boy grip | |
| David Reeder | .... | first assistant camera: second unit (uncredited) | |
Casting Department | |||
| Elyn Wright | .... | casting: Atlanta (as Elyn S. Wright) | |
| Diane Alexander | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Kris Kearney | .... | costumer (as Kristine Kearney) | |
| Susan Mickey | .... | costumer (as Susan E. Mickey) | |
| Marsha Perloff | .... | wardrobe supervisor | |
Editorial Department | |||
| Donald Likovich | .... | assistant film editor | |
| Jeremiah O'Driscoll | .... | apprentice film editor | |
| Bob Putynkowski | .... | color timer | |
| Steven Ramirez | .... | first assistant film editor | |
| Tom Shaffer | .... | color timer | |
Music Department | |||
| Barry Levine | .... | music supervisor | |
| Laura Perlman | .... | music editor | |
| Jay Rifkin | .... | music scoring mixer | |
Transportation Department | |||
| Cindy Parker | .... | transportation captain | |
| J.L. Parker | .... | transportation coordinator | |
| Ronald F. Debranski II | .... | driver (uncredited) | |
Thanks | |||
| Irving Vendig | .... | our gratitude to: creator-writer, "The Edge of Night" | |
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| Giant | Terms of Endearment | Ray | The Long Walk Home | Imitation of Life |
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| News articles | IMDb Comedy section | IMDb USA section |
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In an era of mega blockbusters, and sci-fi extravaganzas, this little drama is like water in the desert. "Driving Miss Daisy" will appeal to people tired of noisy, mindless over-produced films. The film's plot is very simple: a wealthy Jewish woman and ex-teacher (Jessica Tandy) wrecks her car (for the umpteen time), and his son (Dan Akroyd) decides that it is time for her to have a chauffeur. Unfortunately for the driver (Morgan Freeman), his boss is a high-strung woman, who refuses to give up her independence, making his job more difficult than what it needs to be. Moving, delicate and genteel exploration of bitter rivalry that blossoms into genuine friendship. Race relations is a big part of the story, but one could argue that the movie is mostly about how one soul could impact another. Tandy won the Oscar and she is wonderful, and Freeman is her match; their great chemistry is the key to the film's appeal. It's a sweet, heartwarming film, more complex than what it appears to be at first glance. It's very funny too. Not a great technical achievement but solid entertainment, competently done by great professionals.