| Vittorio Gassman | ... | Filimore | |
| Giuliano Gemma | ... | Mattis | |
| Helmut Griem | ... | Lieutenant Simeon | |
| Philippe Noiret | ... | General | |
| Jacques Perrin | ... | Drogo | |
| Francisco Rabal | ... | Tronk | |
| Fernando Rey | ... | Nathanson | |
| Laurent Terzieff | ... | Amerling | |
| Jean-Louis Trintignant | ... | Le médecin-major Rovin | |
| Max von Sydow | ... | Hortiz | |
| Shaban Golchin Honaz | ... | Soldat Lazare | |
| Giuseppe Pambieri | ... | Lieutenant Rathenau | |
| Bryan Rostron | |||
| Kamran Nozad | ... | Capitaine Sern | |
| Manfred Freyberger | ... | Caporal Montagne | |
| Chantal Perrin | ... | Maria | |
| Yves Morgan-Jones | (as Yves Morgan) | ||
| rest of cast listed alphabetically: | |||
| Giovanni Attanasio | |||
| Loris Bazzocchi | |||
| Enzo Bottesini | |||
| Lilla Brignone | |||
| Giorgio Cerioni | ... | Gothard | |
| Jean-Pierre Clarain | |||
| Sandro Dori | |||
| Maurizio Marzan | |||
| Dino Mele | |||
| Piero Morgia | |||
| Alain Naya | (as Alain Corot) | ||
| Mario Novelli | |||
| Rolf Wanka | ... | Prosdocimo | |
Directed by | |||
| Valerio Zurlini | |||
Writing credits | ||
| Dino Buzzati | novel and | |
| André G. Brunelin | story (as Andre G. Brunelin) & | |
| Jean-Louis Bertucelli | story | |
| Valerio Zurlini | (dialogue) | |
| André G. Brunelin | (screenplay) (as Andre G. Brunelin) | |
Produced by | |||
| Michelle de Broca | .... | producer | |
| Bahman Farmanara | .... | producer | |
| Mario Gallo | .... | producer | |
| Enzo Giulioli | .... | producer | |
| Jacques Perrin | .... | producer | |
| Giorgio Silvagni | .... | producer | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Luciano Tovoli | |||
Film Editing by | |||
| Franco Arcalli | (as Kim Arcalli) | ||
| Raimondo Crociani | |||
Production Design by | |||
| Giancarlo Bartolini Salimbeni | (as Giancarlo Salimbeni) | ||
Set Decoration by | |||
| Giancarlo Bartolini Salimbeni | |||
Costume Design by | |||
| Giancarlo Bartolini Salimbeni | (as Giancarlo Salimbeni) | ||
| Sissi Parravicini | |||
Second Unit Director or Assistant Director | |||
| Christian de Chalonge | .... | second unit director | |
Sound Department | |||
| Luciano Anzellotti | .... | foley artist | |
| Bernard Bats | .... | sound | |
Camera and Electrical Department | |||
| Georges Pierre | .... | still photographer | |
Other crew | |||
| Peter Fernandez | .... | voice director: English version | |
| Massimo Foschi | .... | voice dubbing: Max von Sydow (uncredited) | |
| Giancarlo Giannini | .... | voice dubbing: Jacques Perrin (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Italy section | Add this title to MyMovies |
Excellent, haunting movie, with great actors, but it falls short of the book. This I suspect often happens when reading a book before seeing the film. The book, the Desert of the Tartars by Dino Buzzati is an allegory for a man life and destiny. A man's hope to greatness, to glory, to accomplish great deeds. But as time passes, greatness is never attained, glory never achieved. Most of us us settle down in our routine. Drogo full of youth and enthusiasm set up for Fort Bastiano, the fortress protecting the border of his country. With the passing of time the precise, monotonous routine in the fortress becomes his life. He returns to the city and to his fiancé, but the city life does not please him. This part of the book is never shown in the movie. He returns to the fortress with hope of greatness if the Tartars ever attack and the star of glory to defend his country will shine upon him. Time inexorably goes by. Rumors of sights of Tartars prowling in the desert below are just rumors. Drogo is, we are getting older. His health starts to fail. But there is still hope in his hearth that the enemy may come. Then suddenly the enemy comes. The Tartars are invading, the desert under Fort Bastiano is full of them, the war has started, and while Drogo is carried away a young inexperienced officer coming from the city will have the honor and the glory of defending his country. Drogo's carriage is taking him to the city below where the greatest of all Enemies is awaiting for him.