| Photos (see all 94 | slideshow) | Videos (see all 8) |
| Roy Scheider | ... | Brody | |
| Robert Shaw | ... | Quint | |
| Richard Dreyfuss | ... | Hooper | |
| Lorraine Gary | ... | Ellen Brody | |
| Murray Hamilton | ... | Vaughn | |
| Carl Gottlieb | ... | Meadows | |
| Jeffrey Kramer | ... | Hendricks (as Jeffrey C. Kramer) | |
| Susan Backlinie | ... | Chrissie | |
| Jonathan Filley | ... | Cassidy | |
| Ted Grossman | ... | Estuary Victim | |
| Chris Rebello | ... | Michael Brody | |
| Jay Mello | ... | Sean Brody | |
| Lee Fierro | ... | Mrs. Kintner | |
| Jeffrey Voorhees | ... | Alex Kintner | |
| Craig Kingsbury | ... | Ben Gardner | |
| Dr. Robert Nevin | ... | Medical Examiner | |
| Peter Benchley | ... | Interviewer | |
| rest of cast listed alphabetically: | |||
| Chris Anastasio | ... | Out of Towner (uncredited) | |
| John Bahr | ... | Beach Guitarist (uncredited) | |
| Allison Caine | ... | Additional Voices (voice) (uncredited) | |
| Robert Carroll | ... | Mr. Polk (uncredited) | |
| Edward Chalmers Jr. | ... | Mr. Denherder (uncredited) | |
| Robert Chambers | ... | Charlie (uncredited) | |
| Denise Cheshire | ... | Swimming Chrissie, First Victim (uncredited) | |
| Fritzi Jane Courtney | ... | Mrs. Taft (uncredited) | |
| Cyprian R. Dube | ... | Mr. Posner (uncredited) | |
| Paul Goulart | ... | Clarinet Player in Music Store (uncredited) | |
| Mike Haydn | ... | Bonfire Guitarist (uncredited) | |
| Duncan Inches | ... | Townsperson (uncredited) | |
| Belle McDonald | ... | Mrs. Posner (uncredited) | |
| Donald Poole | ... | Frank Silva, Harbor Master (uncredited) | |
| Ayn Ruymen | ... | Nurse (uncredited) | |
| Peggy Scott | ... | Polly (uncredited) | |
| Steven Spielberg | ... | Amity Point Lifestation Worker (voice) (uncredited) | |
| Alfred Wilde | ... | Harry Wiseman (uncredited) | |
| Dick Young | ... | Pratt (uncredited) | |
Directed by | |||
| Steven Spielberg | |||
Writing credits | ||
| Peter Benchley | (screenplay) and | |
| Carl Gottlieb | (screenplay) | |
| Peter Benchley | (based upon the novel by) | |
| John Milius | Indianapolis monologue (uncredited) | |
| Howard Sackler | Indianapolis monologue (uncredited) | |
| Robert Shaw | Indianapolis monologue (uncredited) | |
Produced by | |||
| David Brown | .... | producer | |
| Richard D. Zanuck | .... | producer | |
Original Music by | |||
| John Williams | |||
Cinematography by | |||
| Bill Butler | (director of photography) | ||
Film Editing by | |||
| Verna Fields | |||
Production Design by | |||
| Joe Alves | (as Joseph Alves Jr.) | ||
Set Decoration by | |||
| John M. Dwyer | |||
Makeup Department | |||
| Del Armstrong | .... | makeup artist (uncredited) | |
| Verne Caruso | .... | hair stylist (uncredited) | |
| Jim Gillespie | .... | makeup artist (uncredited) | |
Production Management | |||
| James Fargo | .... | unit production manager (as Jim Fargo) | |
Second Unit Director or Assistant Director | |||
| Barbara Bass | .... | second assistant director | |
| Tom Joyner | .... | first assistant director | |
| Joe Alves | .... | second unit director (uncredited) | |
| Verna Fields | .... | second unit director (uncredited) | |
Art Department | |||
| Thomas Wright | .... | production illustrator (uncredited) | |
Sound Department | |||
| John R. Carter | .... | sound | |
| Robert L. Hoyt | .... | sound (as Robert Hoyt) | |
| Gregory King | .... | sound re-recording mixer (25th anniversary release) | |
| Norval D. Crutcher III | .... | sound effects editor (2000 restoration) (uncredited) | |
| George Fredrick | .... | sound editor (uncredited) | |
| Gary S. Gerlich | .... | sound supervisor (2000 restoration) (uncredited) | |
| Walter A. Gest | .... | adr recordist (uncredited) | |
| Roger Heman Jr. | .... | sound (uncredited) | |
| William Hooper | .... | sound effects editor (2000 restoration) (uncredited) | |
| Andy Koyama | .... | 2001 restoration sound re-recording mixer (uncredited) | |
| Richard LeGrand Jr. | .... | supervising sound editor (2000 restoration) (uncredited) | |
| Earl Madery | .... | sound (uncredited) | |
| Colin C. Mouat | .... | sound editor (uncredited) | |
| Patrick O'Sullivan | .... | sound editor (2000 restoration) (uncredited) | |
| Walter Spencer | .... | dialog editor: restoration (uncredited) | |
| Roger Sword | .... | sound editor (uncredited) | |
| James Troutman | .... | sound editor (uncredited) | |
Special Effects by | |||
| Robert A. Mattey | .... | special effects | |
| Kevin Pike | .... | special effects assistant | |
| Roy Arbogast | .... | special mechanical effects (uncredited) | |
| Richard S. Edwards | .... | explosive expert (uncredited) | |
| Richard Stutsman | .... | special effects technician (uncredited) | |
| Eddie Surkin | .... | special effects crew (uncredited) | |
Stunts | |||
| Richard E. Butler | .... | stunts (uncredited) | |
| Howard Curtis | .... | stunts (uncredited) | |
| Ted Grossman | .... | stunt coordinator (uncredited) | |
| Frank James Sparks | .... | stunt double: Richard Dreyfuss (uncredited) | |
| Fred Zendar | .... | stunts (uncredited) | |
| Dick Ziker | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Michael Chapman | .... | camera operator | |
| Rexford L. Metz | .... | underwater photographer (as Rexford Metz) | |
| Ron Taylor | .... | underwater photographer: live shark footage (as Ron) | |
| Valerie Taylor | .... | underwater photographer: live shark footage | |
| Vito Carenzo | .... | grip (uncredited) | |
| James A. Contner | .... | assistant camera (uncredited) | |
| Louis Goldman | .... | still photographer (uncredited) | |
| Fred Schuler | .... | additional camera operator (uncredited) | |
| Ronald Vidor | .... | underwater camera operator (uncredited) | |
| Dennis Young | .... | underwater grip (uncredited) | |
| Ron Zarilla | .... | assistant camera (uncredited) | |
Casting Department | |||
| Shari Rhodes | .... | location casting | |
Costume and Wardrobe Department | |||
| Louise Clark | .... | wardrobe: women (uncredited) | |
| Robert Ellsworth | .... | wardrobe: men (uncredited) | |
Editorial Department | |||
| William C. Carruth | .... | assistant editor (uncredited) | |
| Jeff Gourson | .... | assistant film editor (uncredited) | |
Music Department | |||
| Bob Bain | .... | musician: guitar (uncredited) | |
| Joseph Glassman | .... | music editor (uncredited) | |
| Tommy Johnson | .... | musician: tuba soloist (uncredited) | |
| Paul Kegg | .... | musician: cello (uncredited) | |
| Steven Spielberg | .... | musician: clarinet in orchestra (uncredited) | |
| John Williams | .... | conductor (uncredited) | |
Other crew | |||
| Charlsie Bryant | .... | script supervisor | |
| William S. Gilmore | .... | production executive (as William S. Gilmore Jr.) | |
| Fred Zendar | .... | technical advisor (as Manfred Zendar) | |
| Al Ebner | .... | unit publicist (uncredited) | |
| Rick Fields | .... | assistant: Mr. Spielberg (uncredited) | |
| Ron Veto | .... | underwater diver (uncredited) | |
Thanks | |||
| Leonard J.V. Compagno | .... | the producers gratefully acknowledge the cooperation of: The Department of Biological Sciences, Stanford University (as Mr. L.J.V. Compagno) | |
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| Jaws 2 | L'ultimo squalo | A History of Violence | Scarface | Deadly Is the Female |
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When I first saw the film, "Jaws" I was immediately frightened by the unseen terror that pulls the human psychosis to the depths of the ocean...literally! Steven Spielberg had made himself the most successful director of all time when he went all out with this one! Running to the back of the house and turning all the lights on were just a few things I resorted to after watching the opening for the first time!!! I Never watched anymore of it until 1-3 years later. I was highly hesitant because to a young child, a skinny dippers suffering to the wrath of the giant unknown mouth was the most horrifying sequence in film history at the time...and it still is now! Once I finally got the courage to view the film, I was still in for a lot of suprises. The cinematography is superb in its ruthless attempt to bring the audience to the depths of a powerful ocean, and to the eyes of the dark, wretched creature the inhabits it. The story of the killer shark attacking the only unfortunate island in the world is more than scary. It could have been any place in the world, and it had to be Amitty Island. The shark could have easily lost it's way in the swaying currents of the ocean, but as the opposite inhabitants of the beach get angry, this big mother is here to stay! The technique is wild, absolutely wild, and John Williams score earned more than an oscar for it! Creepy piano notes enter this films titles, and the blue depths of the uncharted territory beneath the sea let us all know that no sense, however small, was to be spared. The first victim, alone will haunt those who view it for the rest of their days, and the rest of the story is more like a battle. This strange battle is often more focused on understanding the other side. What Brody, Quint, and Hooper must do is plunge into the depths themselves, and seek out the unruly monster of the sea. The common theme in this terrific classic is survival, and why not? Survival is a natural instinct to all animal alike. The shark must survive, as it makes so clear by snagging unsuspecting swimmers, but also the people, they to have to survive, but the island is not big enough for both man and fish together. Always a joy to experience over and over again, this film is the ultimate scare show to end them all! Sometimes, a lot of us fans can not seem to get enough of this instant classic!