| Jean-Paul Belmondo | ... | Serge Alexandre Stavisky | |
| François Périer | ... | Albert Borelli | |
| Anny Duperey | ... | Arlette | |
| Michael Lonsdale | ... | Docteur Mézy | |
| Roberto Bisacco | ... | Juan Montalvo de Montalbon | |
| Claude Rich | ... | Inspecteur Bonny | |
| Charles Boyer | ... | Le baron Jean Raoul | |
| Pierre Vernier | ... | Me Pierre Grammont | |
| Marcel Cuvelier | ... | Inspecteur Boussaud | |
| Van Doude | ... | Inspecteur principal Gardet | |
| Jacques Spiesser | ... | Michel Grandville | |
| Michel Beaune | ... | Le journaliste maître-chanteur | |
| Maurice Jacquemont | ... | Gauthier | |
| Silvia Badescu | ... | Erna Wolfgang | |
| Jacques Eyser | ... | Véricourt | |
| Fernand Guiot | ... | Van Straaten | |
| Daniel Lecourtois | ... | Le président de la commission d'enquête | |
| Gérard Depardieu | ... | Le jeune inventeur | |
| Nike Arrighi | ... | Edith Boréal | |
| Samson Fainsilber | ... | L'employé au fichier | |
| Raymond Girard | ... | Dr. Pierre | |
| Gigi Ballista | ... | Gaston Henriet | |
| Guido Cerniglia | ... | Laloy | |
| Yves Brainville | ... | M. de la Salle | |
| Gabriel Cattand | ... | Un député à la commission d'enquête | |
| Jean Michaud | ... | Houriaux | |
| Niels Arestrup | ... | Rudolph, le secrétaire de Trotski | |
| Roland Bertin | ... | L'employé et gardien au cimetière | |
| Imelde Marani | ... | La provinciale / La belle inconnue | |
| Lucienne Legrand | ... | La secrétaire du Professeur Pierre | |
| Guy Piérauld | ... | Le contrôleur-receveur | |
| Yves Peneau | ... | Léon Trotski | |
| Dominique Rollin | ... | Sedov | |
| Catherine Sellers | ... | Natalya | |
| Paul Villé | ... | L'huissier | |
| Vicky Messica | ... | Le régisseur | |
| Lionel Vitrant | ... | Un invité | |
| Georges Yacoubian | ... | Le valet de chambre | |
| François Leterrier | ... | André Malraux | |
| Jean-Michel Charlier | ... | Le commissaire divisionnaire | |
| rest of cast listed alphabetically: | |||
| Jean Davy | ... | La voix de Corolian (voice) (uncredited) | |
Directed by | |||
| Alain Resnais | |||
Writing credits(in alphabetical order) | ||
| Jorge Semprún | writer | |
Produced by | |||
| Georges Dancigers | .... | delegate producer | |
| Alexandre Mnouchkine | .... | delegate producer | |
Original Music by | |||
| Stephen Sondheim | |||
Cinematography by | |||
| Sacha Vierny | |||
Film Editing by | |||
| Albert Jurgenson | |||
Production Design by | |||
| Jacques Saulnier | |||
Costume Design by | |||
| Jacqueline Moreau | |||
Makeup Department | |||
| Marc Blanchard | .... | hair stylist | |
| Charly Koubesserian | .... | makeup artist | |
Production Management | |||
| Alain Belmondo | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jean Léon | .... | assistant director | |
| Philippe Lopez | .... | assistant director | |
| Florence Malraux | .... | assistant director | |
Sound Department | |||
| Bernard Bats | .... | sound | |
| Jean-Pierre Ruh | .... | sound | |
Music Department | |||
| Georges Bacri | .... | musical director | |
| Jonathan Tunick | .... | orchestrator | |
Other crew | |||
| Peter Fernandez | .... | voice director: English version (uncredited) | |
| Julien Guiomar | .... | voice dubbing: Gaston Henriet (uncredited) | |
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| Primary Colors | Un homme est mort | Les noces rouges | The Way We Were | L'armée des ombres |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb France section | Add this title to MyMovies |
Not least of the selling points for this movie is the chance to see Charles Boyer back on his own turf after making a fortune and a reputation in Hollywood. Perhaps best known for his refusal to 'speak' to a cockroach in Mitchell Liesen's 'Hold Back The Dawn', following which screenwriters Billy Wilder and Charles Brackett truncated his part and 'threw' the movie to Olivia de Havilland, Boyer was nevertheless a sensitive man, as well he might be with a philosophical degree from the Sorbonne who, rather than go on living without his wife, committed suicide two days after her death. With 20-20 hindsight it's tempting to look for parallels here - Stavisky was made four years prior to Boyer's suicide and he made only a further two on-screen appearances - in respect of Stavisky topping himself in the 12th reel but speculation aside Boyer does score heavily as what might be described as a thoroughbred who's been nobbled. He cheerfully pisses away his 'old money' in pursuit of the good life but when the chips are down he remains resolutely loyal to the lovable rogue who has lied to him blatantly.
Any film that features Francois Perier can't be all bad and here again he lends gravitas to an essentially lightweight project. All the production values are out of the right bottle and nostalgists will have a field day. The jury's still out on Belmondo but the film itself is well worth seeing. 6/10