| Photos (see all 31 | slideshow) | Videos (see all 3) |
| Gregory Peck | ... | Atticus Finch | |
| John Megna | ... | Charles Baker 'Dill' Harris | |
| Frank Overton | ... | Sheriff Heck Tate | |
| Rosemary Murphy | ... | Maudie Atkinson | |
| Ruth White | ... | Mrs. Dubose | |
| Brock Peters | ... | Tom Robinson | |
| Estelle Evans | ... | Calpurnia | |
| Paul Fix | ... | Judge Taylor | |
| Collin Wilcox Paxton | ... | Mayella Violet Ewell (as Collin Wilcox) | |
| James Anderson | ... | Robert E. Lee 'Bob' Ewell | |
| Alice Ghostley | ... | Aunt Stephanie Crawford | |
| Robert Duvall | ... | Arthur 'Boo' Radley | |
| William Windom | ... | Mr. Gilmer, Prosecutor | |
| Crahan Denton | ... | Walter Cunningham Sr. | |
| Richard Hale | ... | Nathan Radley | |
| Mary Badham | ... | Scout | |
| Phillip Alford | ... | Jem | |
| rest of cast listed alphabetically: | |||
| R.L. Armstrong | ... | Man (uncredited) | |
| Bobby Barber | ... | Courtroom Spectator (uncredited) | |
| Jess Cavin | ... | Juror (uncredited) | |
| Steve Condit | ... | Walter Cunningham Jr. (uncredited) | |
| David Crawford | ... | David Robinson - Tom's Son (uncredited) | |
| Jamie Forster | ... | Hiram Townsend - Courthouse Steps (uncredited) | |
| Charles E. Fredericks | ... | Court Clerk (uncredited) | |
| Jester Hairston | ... | Spence Robinson, Tom's Father (uncredited) | |
| Chuck Hamilton | ... | Courtroom Spectator (uncredited) | |
| Kim Hamilton | ... | Helen Robinson, Tom's wife (uncredited) | |
| Kim Hector | ... | Cecil Jacobs (uncredited) | |
| Colin Kenny | ... | Courtroom Spectator (uncredited) | |
| Nancy Marshall | ... | Schoolteacher (uncredited) | |
| Paulene Myers | ... | Jesse - Dubose Servant Girl (uncredited) | |
| William H. O'Brien | ... | Courtroom Spectator (uncredited) | |
| Gil Perkins | ... | Man in Mob (uncredited) | |
| Hugh Sanders | ... | Dr. Reynolds (uncredited) | |
| Barry Seltzer | ... | Schoolboy (uncredited) | |
| Kim Stanley | ... | Scout as an Adult - Narrator (voice) (uncredited) | |
| Jay Sullivan | ... | Court Reporter (uncredited) | |
| Kelly Thordsen | ... | Burly Mob Member (uncredited) | |
| Max Wagner | ... | Courtroom Spectator (uncredited) | |
| Bill Walker | ... | Rev. Sykes (uncredited) | |
| Dan White | ... | Mob Leader (uncredited) | |
| Guy Wilkerson | ... | Jury Foreman (uncredited) | |
Directed by | |||
| Robert Mulligan | |||
Writing credits | ||
| Harper Lee | (novel "To Kill a Mockingbird ") | |
| Horton Foote | (screenplay) | |
Produced by | |||
| Alan J. Pakula | .... | producer | |
Original Music by | |||
| Elmer Bernstein | |||
Cinematography by | |||
| Russell Harlan | (director of photography) | ||
Film Editing by | |||
| Aaron Stell | |||
Art Direction by | |||
| Henry Bumstead | |||
| Alexander Golitzen | (uncredited) | ||
Set Decoration by | |||
| Oliver Emert | |||
Costume Design by | |||
| Rosemary Odell | |||
Makeup Department | |||
| Larry Germain | .... | hair stylist | |
| Bud Westmore | .... | makeup artist | |
| Franz Prehoda | .... | makeup artist (uncredited) | |
| Lavaughn Speer | .... | hair stylist (uncredited) | |
Production Management | |||
| Edward Muhl | .... | in charge of production | |
| Ernest B. Wehmeyer | .... | production manager | |
| Dick Gallegly | .... | assistant production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Joseph E. Kenney | .... | assistant director (as Joseph Kenny) | |
| Terry Morse Jr. | .... | second assistant director (uncredited) | |
Art Department | |||
| Gene Johnson | .... | illustrator (uncredited) | |
| Fred Knoth | .... | set coordinator (uncredited) | |
| Frank Nifong | .... | props (uncredited) | |
| Julius Rosenkrantz | .... | props (uncredited) | |
Sound Department | |||
| Corson Jowett | .... | sound | |
| Waldon O. Watson | .... | sound | |
| Michael Colomby | .... | sound re-recording mixer: restoration remix (uncredited) | |
Visual Effects by | |||
| Andrew Bonello | .... | automated image processing (restored version) (uncredited) | |
| Carole Cowley | .... | digital mastering restoration producer (uncredited) | |
| Sophia Lo | .... | digital restoration: Cinesite (uncredited) | |
| Monty Phillips | .... | digital artist (digital restoration) (uncredited) | |
| Antonio Torres | .... | digital artist: digital restoration, Cinesite (restored version) (uncredited) | |
Camera and Electrical Department | |||
| William Egan | .... | assistant camera (uncredited) | |
| Léo L. Fuchs | .... | still photographer (uncredited) | |
| Carl Gibson | .... | grip (uncredited) | |
| Rollie Lane | .... | still photographer (uncredited) | |
| Bill Neff | .... | gaffer (uncredited) | |
| Frank Stanley | .... | assistant camera (uncredited) | |
| Jack Whitman | .... | camera operator (uncredited) | |
| Walter Woodworth | .... | grip (uncredited) | |
Costume and Wardrobe Department | |||
| Seth Banks | .... | wardrobe: men | |
| John Lucas | .... | wardrobe: men (uncredited) | |
| Viola Thompson | .... | wardrobe: women (uncredited) | |
Editorial Department | |||
| J. Terry Williams | .... | assistant editor (uncredited) | |
Other crew | |||
| Stephen Frankfurt | .... | title designer | |
| Isabel Halliburton | .... | assistant to producer | |
| Meta Rebner | .... | script supervisor | |
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| They Won't Forget | Intruder in the Dust | The Night of the Hunter | Giant | A Time to Kill |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Crime section |
| IMDb USA section | Add this title to MyMovies |
After hearing nothing but critical acclaim for this film, and the book it was based on, I finally got to see it. I am quite amazed at how well done this film is, and how timeless the theme is. I haven't read the book, but I'm considering it, just to see if there are any details that were left out. The story is amazing and exceptionally told. As far as I know, the film is as close to the book as it could possibly be; some call it the most accurate book-to-film conversion ever. The plot is very good, it takes a timeless problem and presents it to us, through the innocent eyes of a naive child. The pace is very good; apart from The Godfather(the first one) and one or two other exceptions, this is the only drama where there was truly not one single moment that I found dull, boring or unimportant. Nothing seemed trivial in the film. The perspective that is forced upon us is that of a young child, naive and innocent. This is a brilliant idea, as the eyes of a child is without a doubt one of the most impressionable things in the world, and the film handles this perfectly. What really makes the film, apart from the brilliant and possibly unique perspective, is the fact that the children are likable, credible and charming. You couldn't help but like them; believe me, normally I really dislike children. I find them annoying, loud and egotistical. But with this film, I couldn't, for one second, muster up any tiny amount of aggression, or even annoyance. They come off as so likable, charming, and, most importantly, *real*. Almost every kid in any Hollywood movie is either a completely ridiculous stereotype/cliché of a brat, who does nothing but destroy things around him, or the exact opposite, a little angel. Everyone knows that no child is the latter all the time, and even I will admit that there probably doesn't exist too many children who are the first, either. In this film, the children are completely real. They are naive, innocent, they disobey what their father tells them, but ultimately, they obviously love and respect their father, and they never do anything, anything at all, with the intent to hurt or harm someone or something. That is what a child is; innocent. They do what they do because they do not know better. This film provides a perfect view into their world, or, rather, their perspective of it. The acting is excellent. The child actors exceed all expectations. I was amazed at how professional and convincing they were. The other actors all give great performances as well. The cinematography is excellent; once again, it gives a perfect perspective on what your surroundings look like when you're a child. The characters are well-written, credible and well-casted. The dialog was well-written. The script was excellent. A very memorable and beautiful film, should be viewed by almost anyone. I recommend this to anyone who likes dramas, and just about anyone who for one reason or another might enjoy this. Don't be scared off by it being over forty years old, or it being black and white; it's an excellent film, and just about anyone would enjoy it. Don't miss this perfect film. 10/10