To Kill a Mockingbird (1962)

Director:

Robert Mulligan

Writers:

Harper Lee (novel)
Horton Foote (screenplay)

Release Date:

25 December 1962 (USA)

Genre:

Crime | Drama

Tagline:

The most beloved and widely read Pulitzer Prize Winner now comes vividly alive on the screen!

Plot:

Atticus Finch, a lawyer in the Depression-era South, defends a black man against an undeserved rape charge, and his kids against prejudice.

Plot Keywords:

Children | Trial | Lawyer | Alabama | Tomboy

Awards:

Won 3 Oscars. Another 11 wins & 12 nominations

Cast

  (Cast overview, first billed only)

Gregory Peck	...	Atticus Finch
John Megna	...	Charles Baker 'Dill' Harris
Frank Overton	...	Sheriff Heck Tate
Rosemary Murphy	...	Maudie Atkinson
Ruth White	...	Mrs. Dubose
Brock Peters	...	Tom Robinson
Estelle Evans	...	Calpurnia
Paul Fix	...	Judge Taylor
Collin Wilcox Paxton	...	Mayella Violet Ewell (as Collin Wilcox)
James Anderson	...	Robert E. Lee 'Bob' Ewell
Alice Ghostley	...	Aunt Stephanie Crawford
Robert Duvall	...	Arthur 'Boo' Radley
William Windom	...	Mr. Gilmer, Prosecutor
Crahan Denton	...	Walter Cunningham Sr.
Richard Hale	...	Nathan Radley

Runtime:

129 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

USA:Approved (PCA #20267) | Canada:A (Nova Scotia) | UK:A (original rating) | UK:PG (video rating) | Iceland:12 | Portugal:M/12 | USA:Not Rated (DVD) | Germany:12 (DVD rating) | Australia:PG | Canada:G (Quebec) | Canada:PG (Manitoba/Ontario) | Finland:K-16 | South Korea:12 | Sweden:15 | West Germany:12 (f)

Filming Locations:

Monroeville, Alabama, USA

Company:

Brentwood Productions

Trivia:

Robert Duvall stayed out of the sun for six weeks and dyed his hair blond for the role of Boo Radley who, according to the story, spent much of his life as a recluse. The character of Arthur "Boo" Radley is based in part on Harper Lee's recollection of Alfred "Son" Bouleware," who lived with his parents in a dilapidated, mostly boarded-up house just a few doors away from the Lee home. He was kept secluded in the house by his father, following a vandalism incident in which young Alfred was involved. Described in the book and in the movie as leaving the house only at night because the sun hurt his eyes, this would indicate that Boo Radley was a person of Albinism (lack of pigment in the skin, in the hair, and in the irises of the eyes.)

Goofs:

Miscellaneous: While Mr. Radley is cementing the tree, and after Jem and Scout have run off, you can hear someone cough off screen on the set.

Quotes:

[testifying]
Tom Robinson: Well, I said I best be goin', I couldn't do nothin' for her, an' she said, oh, yes I could. An' I asked her what, and she said to jus' step on the chair yonder an' git that box down from on top of the chifforobe. So I done like she told me, and I was reachin' when the next thing I know she... grabbed me aroun' the legs.
[a murmur erupts in the courthouse]
Tom Robinson: She scared me so bad I hopped down an' turned the chair over. That was the only thing, only furniture 'sturbed in the room, Mr. Finch, I swear, when I left it... Mr. Finch, I got down off the chair, and I turned around an' she sorta jumped on me. She hugged me aroun' the waist. She reached up an' kissed me on the face. She said she'd never kissed a grown man before an' she might as well kiss me. She says for me to kiss her back.
[...]

Movie Connections:

Referenced in Billy Jack (1971)

It does the book justice.

After studying the outstanding book of To Kill A Mockingbird at school, I viewed this film, and was on the whole very impressed. Scout and Jem are portrayed brilliantly, considering the ages of the children who played them, and they, as with everything else in the production, are true to the book's spirit. Gregory Peck is perfect as the unflappable Atticus Finch, and deserved his Oscar. The music is worthy of praise, especially for the climatic scene, and the raw emotion and feeling of the book is amply conveyed. All of the cast are well cast, and it's interesting to ponder how much this film, at the time, would've shocked. That the book explores racism and outsiders in a southern town, through the eyes of a child is genius and works very nicely here. The only problems are minor- much of the book's counter-balancing humour was left out, certain characters are omitted (Dolphus Raymond and Aunt Alexandra), and some of the book's early characterisation is missed. Aside from these gripes, this is a magical film and a "must-see," as a companion piece to the classic novel. 9/10