Breakfast at Tiffany's (1961)

Director:

Blake Edwards

Writers:

Truman Capote (novel)
George Axelrod (screenplay)

Release Date:

5 October 1961 (USA)

Genre:

Comedy | Drama | Romance

Tagline:

Audrey Hepburn plays that daring, darling Holly Golightly to a new high in entertainment delight!

Plot:

A young New York socialite becomes interested in a young man who has moved into her apartment building.

Plot Keywords:

Apartment | Party | Writer | Neighbor | Drunkenness

Awards:

Won 2 Oscars. Another 7 wins & 7 nominations

US TV Schedule:

Fri. Feb. 19

8:00 PM

TCM

Cast

  (Complete credited cast)

Audrey Hepburn	...	Holly Golightly
George Peppard	...	Paul 'Fred' Varjak
Patricia Neal	...	2-E (Mrs. Failenson)
Buddy Ebsen	...	Doc Golightly
Martin Balsam	...	O. J. Berman
José Luis de Villalonga	...	José da Silva Pereira (as VilAllongA)
John McGiver	...	Tiffany's salesman
Alan Reed	...	Sally Tomato
Dorothy Whitney	...	Mag Wildwood
Beverly Powers	...	Nightclub Stripper (as Miss Beverly Hills)
Stanley Adams	...	Rusty Trawler
Claude Stroud	...	Sid Arbuck
Elvia Allman	...	Librarian
Mickey Rooney	...	Mr. Yunioshi
Orangey	...	Cat

Runtime:

115 min

Country:

USA

Language:

English | Portuguese

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Iceland:L | Hungary:14 | Canada:G (Ontario) | USA:TV-G (TV rating) | South Korea:12 | Canada:PG (Canadian Home Video rating) | Finland:K-16 | Netherlands:AL | Sweden:15 | UK:PG | USA:Unrated | West Germany:12 | Argentina:Atp | Australia:PG

Filming Locations:

171 East 71st Street, Manhattan, New York City, New York, USA

Company:

Jurow-Shepherd

Trivia:

In the French post-synchronized version of the film, the actors are dubbed by: Jacqueline Carrel (Audrey Hepburn); Roland Ménard (George Peppard); Sylvie Deniau (Patricia Neal); Georges Hubert (Buddy Ebsen); Michel Gudin (Martin Balsam); Georges Riquier (John McGiver); André Valmy (Alan Reed) and Pierre Trabaud (Mickey Rooney).

Goofs:

Errors made by characters (possibly deliberate errors by the filmmakers): When Holly and Mr. Pereira come from a dinner/party, he brings a banderilla (from the Spanish and not Brazilian folklore) and says "Ole", in Spanish. (Brazilians speak Portuguese).

Quotes:

[first lines]
Sid Arbuck: [seeing Holly enter her building] Hey!
[he chases her inside]
Sid Arbuck: Hey, baby, what's going on here?
Holly Golightly: Oh, hi!

Movie Connections:

Referenced in It's So Audrey! A Style Icon (2006) (V)

Soundtrack:

Moon River

Great Art or Guilty Pleasure?

I am never sure which Breakfast at Tiffany's is. I can certainly think of movies which more accurately portray the human condition, but of few that are more fun.

Neither Holly nor Paul seem to represent real people. Their attraction, which is the focal point of the movie, is a character unto itself. Paul sees Holly as scared, vulnerable, and in need of rescue and enjoys his role as potential knight in shining armor to her damsel in distress. She is drawn to him because he sees beyond her facade of fabulousness to the scared little girl she is inside and which she tries (not that hard really at all) to hide. Adding to her attraction to him is the fact that he stands up to her when she treats him shoddily. This probably does not happen to her too often, and it intrigues her.

These are mostly the tricks a romance novelist uses to keep readers baited and rooting for a fictional, possibly doomed romance to work and do not reflect the real nature of love. There is, however, enough chemistry, genuine affection, and respect between the two characters to keep the story from seeming utterly implausible.

Of course, a movie doesn't have to be realistic to realistically portray what is right and what is wrong with the world we live in. Breakfast at Tiffany's doesn't do a whole lot of that either, though. After watching I can never pinpoint one solid message from it.

What it does have a lot of, as many others have pointed out, is stylish, witty, good fun. This is almost always the movie I choose on the rare occasions when my husband is working late, my son is asleep, I have energy to spare and good bottle of wine just begging to be uncorked. Believable or not, it is well-told and compelling, and remains one of the better movies a gal can lose herself in.