IMDb > Rebel Without a Cause (1955)
Rebel Without a Cause
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Rebel Without a Cause (1955) More at IMDbPro »

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Rebel Without a Cause (1955) -- A rebellious young man with a troubled past comes to a new town, finding friends and enemies.
Rebel Without a Cause (1955) -- A rebellious young man with a troubled past comes to a new town, finding friends and enemies.
Rebel Without a Cause (1955) -- A rebellious young man with a troubled past comes to a new town, finding friends and enemies.
Rebel Without a Cause (1955) -- Sinematurk - Trailer (Flash)

Overview

User Rating:
7.9/10   25,031 votes
MOVIEmeter: ?
Down 4% in popularity this week. See why on IMDbPro.
Director:
Writers:
Stewart Stern (screenplay)
Irving Shulman (adaptation)
(more)
Contact:
View company contact information for Rebel Without a Cause on IMDbPro.
Release Date:
27 October 1955 (USA) more
Genre:
Tagline:
Teenage terror torn from today's headlines more
Plot:
A rebellious young man with a troubled past comes to a new town, finding friends and enemies. full summary | add synopsis
Plot Keywords:
Awards:
Nominated for 3 Oscars. Another 1 win & 2 nominations more
User Comments:
First American Teenager more (210 total)

Cast

  (in credits order) (verified as complete)

James Dean ... Jim Stark

Natalie Wood ... Judy

Sal Mineo ... John 'Plato' Crawford
Jim Backus ... Frank Stark
Ann Doran ... Mrs. Carol Stark

Corey Allen ... Buzz Gunderson
William Hopper ... Judy's Father
Rochelle Hudson ... Judy's Mother

Dennis Hopper ... Goon

Edward Platt ... Ray Fremick
Steffi Sidney ... Mil
Marietta Canty ... Crawford Family Maid
Virginia Brissac ... Mrs. Stark - Jim's Grandmother
Beverly Long ... Helen
Ian Wolfe ... Dr. Minton - Lecturer at Planetarium
Frank Mazzola ... Crunch
Robert Foulk ... Gene
Jack Simmons ... Cookie
Tom Bernard ... Harry
Nick Adams ... Chick

Jack Grinnage ... Moose
Clifford Morris ... Cliff
rest of cast listed alphabetically:
Dorothy Abbott ... Nurse (uncredited)
Dave Alpert ... Police Officer (uncredited)
Jimmy Baird ... Beau - Judy's Little Brother (uncredited)
Paul Birch ... Police Chief (uncredited)
Harold Bostwick ... Undetermined Role (uncredited)
Paul Bryar ... Desk Sergeant #2 (uncredited)
John Close ... Police Officer (uncredited)

Chuck Hicks ... Ambulance Attendant (uncredited)
Skipper Huerta ... Little Boy (uncredited)
Louise Lane ... Policewoman (uncredited)

Nelson Leigh ... Desk Sergeant #1 (uncredited)

David McMahon ... Crunch's Father (uncredited)
Edward McNally ... Approaching Officer (uncredited)
Peter Miller ... Hoodlum (uncredited)
Bruce Noonan ... Monitor Admonishing Plato (uncredited)
House Peters Jr. ... Officer at Police Station (uncredited)
Stephanie Pond-Smith ... Girl (uncredited)
Charles Postal ... Teacher (uncredited)
Nicholas Ray ... Man in Last Shot (uncredited)
Gus Schilling ... Attendant (uncredited)
Almira Sessions ... Old Lady Teacher (uncredited)
Dick Wessel ... Planetarium Guide (uncredited)
Robert Williams ... Ed - Moose's Father (uncredited)
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Directed by
Nicholas Ray 
 
Writing credits
Stewart Stern (screenplay)

Irving Shulman (adaptation)

Nicholas Ray (from a story by)

Produced by
David Weisbart .... produced by
 
Original Music by
Leonard Rosenman (music by)
 
Cinematography by
Ernest Haller (director of photography)
 
Film Editing by
William H. Ziegler  (as William Ziegler)
James Moore (uncredited)
 
Production Design by
Malcolm C. Bert (uncredited)
 
Art Direction by
Malcolm C. Bert  (as Malcolm Bert)
 
Set Decoration by
William Wallace 
 
Costume Design by
Moss Mabry 
 
Makeup Department
Gordon Bau .... makeup supervisor
Tillie Starriett .... hairdresser (uncredited)
 
Second Unit Director or Assistant Director
Don Alvarado .... assistant director (as Don Page)
Robert Farfan .... assistant director
Gary Nelson .... second assistant director (uncredited)
 
Sound Department
Stanley Jones .... sound
Carl Mahakian .... sound editor (uncredited)
 
Stunts
Rodney Amateau .... stunt double (uncredited)
Ron Burke .... stunts (uncredited)
Mushy Callahan .... stunts (uncredited)
Bill Hickman .... stunts (uncredited)
Carey Loftin .... stunts (uncredited)
 
Camera and Electrical Department
Floyd McCarty .... still photographer (uncredited)
 
Costume and Wardrobe Department
Marguerite Royce .... wardrobe: women's (uncredited)
 
Other crew
Dennis Stock .... dialogue supervisor
Florence Granroth .... researcher: lecturer's speech (uncredited)
Dr. Douglas M. Kelly .... technical advisor (uncredited)
Frank Mazzola .... technical advisor (uncredited)
 
Crew verified as complete


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Additional Details

MPAA:
Rated PG-13 for some violence and thematic elements. (2005 re-issue)
Runtime:
111 min
Country:
Language:
Color:
Color (Warnercolor)
Aspect Ratio:
2.55 : 1 more
Sound Mix:
Mono (optical prints) | 4-Track Stereo (RCA Sound Recording) (magnetic prints) | Dolby Digital (DVD version)
Certification:
Australia:PG (TV rating) | USA:Not Rated (video rating) | Canada:A (Nova Scotia) | Finland:K-16 (cut) (1956) | Finland:K-16 (uncut) (1981) | Spain:T | Iceland:12 | Canada:14A (Canadian Home Video rating) | USA:Approved (No. 17504) (original rating) | France:-16 | South Korea:15 | Argentina:16 | Australia:M | Canada:PG (Manitoba/Ontario) | Chile:18 | Norway:16 | Portugal:M/12 | Sweden:15 | UK:AA (re-rating) (1976) | UK:PG (video rating) | UK:X (original rating) (cut) | USA:PG-13 (new rating) (2005) | West Germany:16

Fun Stuff

Trivia:
Originally in the beginning of the movie, there was a gang beating up a father, who drops a toy on the sidewalk. The studio thought it was too violent, so it was cut. Jim Stark can be seen playing with the toy after he finds it on the ground during the opening credits more
Goofs:
Continuity: In the first police station scene Jim is waiting for his parents to arrive, he has a glasses case in his pocket which disappears in the next shot, but then reappears seconds later. more
Quotes:
Jim Stark: Did you make my sandwiches?
Mrs. Carol Stark: There's meatloaf and, peanut butter.
[Jim laughs]
Mrs. Stark, Jim's grandmother: What did I tell you?
[condescendingly]
Mrs. Stark, Jim's grandmother: Peanut butter.
Mrs. Carol Stark: Well there's a thermos of orange juice and apple sauce cake to go with it.
Mrs. Stark, Jim's grandmother: [to Jim] And *I* made that.
more
Movie Connections:
Soundtrack:
Five O'Clock Whistle more

FAQ

How much sex, violence, and profanity are in this movie?
Was Plato gay?
How did James Dean die?
more
21 out of 29 people found the following comment useful.
First American Teenager, 28 June 2003
9/10
Author: humdinger

"East of Eden" and "Giant" are both great, don't get me wrong. But this is the James Dean that set the archetype for not only the cool Fifties American teenager but perhaps every teenager since. Dean has his white t-shirt, sleeve rolled up for his smokes. He has his red jacket and blue jeans, he's ready to drag and he's ready to fight. From the first moment we see Dean, drunk on a school night, busted by the cops, he's amazingly both personally secretive and universally accessible at once. He's hurt, lonely and looking for kicks - and no one understands him except, maybe, just maybe, that one person in the audience...

Sure, this movie has it's faults. The parents are cartoonish, some of the kids are hip in only a stilted sense and a lot of the movie is unrealistic. There's something disturbingly hokey and amateurish in this portrayal of a typical American town with it's typical American high school. Yet, Dean, Mineo and Wood put on performances that let the viewer suspend reality all the way through..each of these three put on the performance of their lives!

Sal Mineo plays a mousey misfit named Plato (whose homosexuality is thinly veiled). Natalie Wood plays a young women named Judy, part of the in-crowd, who deep down is at wit's end. Both of these characters are amazingly believable, even fifty years later. Mineo's never been as enigmatic or as compelling as he is here as Plato. Then there's Wood - as cynical and alone in her world as Judy feels, we realize quickly she likes James Dean, she needs James Dean - and Dean can dig her.

In retrospect, it's not surprising that the jacketed juvenile delinquent that Dean plays here would become a role model for both young gay men and young straight men alike. He's comfortable being intimate with Plato, his words, his expressions are all too much, too overly emotional (for a straight man). But, the kids, the town itself, quickly learn Dean's no pushover. He yells, he fights and he's afraid of nothing that other people are afraid of - staring down death is just a way for him to kill time. But, he's afraid, something just isn't right with his life. And most importantly, even if he never really does connect with this "typical town" filled with "typical people", Dean does indeed connect - to anyone whose ever been young - and alone.....



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