My Man Godfrey (1936)

User Rating:

8.2/10   

Director:

Gregory La Cava

Writers:

Eric Hatch (novel)
Morrie Ryskind (writer) ...

Release Date:

17 September 1936 (USA)

Genre:

Romance | Comedy

Plot:

A scatterbrained socialite hires a vagrant as a family butler...but there's more to Godfrey than meets the eye.

Plot Keywords:

Butler | Socialite | Eccentric | Love | Forgotten Man

Awards:

Nominated for 6 Oscars. Another 1 win

Cast

William Powell	...	Godfrey
Carole Lombard	...	Irene Bullock
Alice Brady	...	Angelica Bullock
Gail Patrick	...	Cornelia Bullock
Eugene Pallette	...	Alexander Bullock
Jean Dixon	...	Molly
Alan Mowbray	...	Tommy Gray
Mischa Auer	...	Carlo
Pat Flaherty	...	Mike Flaherty
Robert Light	...	Faithful George

Runtime:

94 min | USA:90 min (2005 DVD release)

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Noiseless Recording)

Certification:

UK:A (original rating) | UK:U (re-rating) (1996) | Australia:G | South Korea:15 (2003) | Finland:K-16 | USA:Unrated

Company:

Universal Pictures

Trivia:

Mischa Auer's character Carlo repeatedly sings "Ochi Chornya" in this movie. Nine years later in And Then There Were None (1945) his character Prince Nikita Starloff begins playing the first few notes of "Ochi Chornya" on the piano before meeting his demise.

Goofs:

Continuity: When Irene first goes into Godfrey's room the door opens to the right, in the direction of the kitchen - revealing Molly standing in the background. In the next shot the door is open on the left, in the direction of the bedroom.

Quotes:

Alexander Bullock: Life in this family is one subpoena after another.

Movie Connections:

Featured in "Six Feet Under: Untitled (#4.12)" (2004)

The butler did it!

"My Man Godfrey" successfully blends the two most prominent schools of film comedy from the 1930's: `sophistication' and `screwball.' It smears the conservative upper-crust milieu with the keen eye of `Dinner at Eight' and the pie-in-your-face irreverence of `You Can't Take It with You,' with as many witticisms as either and probably more sexual innuendos. Occasional predictability keeps it from being on par with "It Happened One Night" or "Trouble in Paradise," but it is still one of the most emblematic films of its era.

William Powell is pitch perfect as Godfrey Parke, the hobo-turned-butler, breezing effortlessly through every scene. Carole Lombard also turns in one of her most cherished performances as Irene Bullock, the spoiled socialite who pretends to enjoy her wealth but really just wants to be around someone human. As their relationship progresses, Godfrey's humility rubs off on Irene and ultimately frees her from her elite family, which offered her security but only made her unstable. `My Man Godfrey' has no mercy on the aristocracy of the ‘30's, skewing it as socially incompetent and morally bankrupt. `All you need to start an asylum is an empty room and the right kind of people.' How terribly true.